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A a LIBRARY 


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——| 4, KNOEDLER & C0. 


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1575 556-8 Fifth Ave. f : 
New York : 


ACC. 


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— 


ON FREE PUBLIC VIEW 
AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


BEGINNING WEDNESDAY, MARCH 3rd, 1920 


FROM 9 A.M. UNTIL 6 P.M. 


AND CONTINUING UNTIL THE DAY OF THE SALE 


THE NOTABLE PRIVATE COLLECTION 
OF THE 


FAMOUS MODERN DUTCH ARTIST 
THE LATE 


HENDRIK WILLEM MESDAG 


THE HAGUE, HOLLAND 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


AT THE AMERICAN ART GALLERIES 
ON MONDAY AND TUESDAY EVENINGS, MARCH 8th AND 9th 
AT 8.15 O'CLOCK 
—AND CONCL UDING— 


IN THE GRAND BALLROOM OF 
THE PLAZA 


FIFTH AVENUE, 58th to 59th STREET 


ON WEDNESDAY EVENING, MARCH 10th 
BEGINNING PROMPTLY AT 8.15 O’CLOCK 


ILLUSTRATED CATALOGUE 
OF 
fits AADLE PRIVATE,COELECTION’ OF 


PAINTINGS, WATER COLORS, PASTELS 
DRAWINGS AND ETCHINGS 


AND THE 


SLUDIO EFFECTS 


OF THE FAMOUS MODERN DUTCH ARTIST, THE LATE 


HENDRIK WILLEM BED: 


OF THE HAGUE, HOLLAND 


TOeBE SOLD AT UNRESTRICTED PUBLIC SALE 
BY DIRECTION OF A RELATIVE AND HEIR OF THE ARTIST 


ON THE EVENINGS AND AT THE PLACES HEREIN STATED 


THe SALE WILE BE CONDUCTED BY 
MR. THOMAS E. KIRBY AND HIS ASSISTANTS, MR. OTTO BERNET AND 
MR. H. H. PARKE, OF THE 
AMERICAN ART ASSOCIATION, MANAGERS 


MADISON SQUARE SOUTH, NEW YORK 
1920 


DESIGNS ITS CATALOGUES AND 
ALL DETAILS OF IL 


A WORD AS TO THE MESDAG 
COLLECTION 


Tuts collection now about to be dispersed in America, its com- 
ponents enumerated and described in the present catalogue, 
was the private collection of the late Hendrik Willem Mesdag, 
the famous modern Dutch marine painter, of The Hague, 
Holland, who died five years ago. Visitors to the Dutch capital, 
and others interested and versed in the art affairs of the world, 
know or know of the Mesdag Museum at The Hague, founded, 
formed and established by Mr. Mesdag. They know also of 
the Mesdag Panorama there. Both those institutions remain 
and continue to flourish in the Dutch city. This collection is 
a separate and distinct entity, mtimately related to the 
Museum, as will presently be explained, in no way connected 
with the Panorama—which is a spectacle of Scheveningen, the 
Dutch fishing village and famous summer resort. 

This private collection of Mr. Mesdag, with works of 
his own and works by his wife (née Sientje van Houten )—who 
signed her paintings S. Mesdag van Houten or S. M. van 
Houten—together with his studio effects, Mr. Mesdag intended 
to go to the Netherlands Government to become a part of the 
Mesdag Museum; his will directed that the Government be 
invited to acquire it. His death in the second year of the 
war found his country upset, and although Queen Wilhelmina 
offered a private contribution toward a fund for securing the 
collection her Government decided that it was not a time to 
do so, and the executors of the will were obliged to make other 
disposition of it. That it was to leave Holland evoked a 
poignant regret from at least one former Minister of the 
State. | 

Mr. Mesdag’s home at 9 Laan van Meerdervoort adjoined 
the Museum (to which he had a private entrance), so it were 
fitting both home and collection should have gone to the 
Museum, which now gets neither. The collection represents 
the surroundings and the carefully selected works of art with 
which the painter chose to live. His studio was a huge one, 
hung with Seventeenth Century tapestries. His-house con- 


tained twenty-two rooms. Its yard ran back to the Peace 
Palace. One room was entirely given to the works of Charles 
Francois Daubigny, his friend of earlier years. He was a 
man of many friends and carefully chosen intimacies. Mancini 
was a crony with whom he exchanged visits. The three Maris 
brothers were his intimates—even “Thys” (Matthys—Mathew ) 
who lived in England. So were Mauve and de Bock, Roelofs, 
Israels, Blommers, Bosboom and Neuhuys. And the afternoon 
cup of tea was a long session. | 


The famous panels of his sliding studio doors—they are 
here in the collection—were painted by invitation by Israels, 
Willem Maris, W. C. Nakken the painter of horses, Edward van 
der Meer, the landscapist, Philip Sadée the interior and figure 
painter, Gerke Henkes who is better known in Holland than 
in America—and there are panels also by the artist and his 
wife, who wished to number themselves with their works among 
their friends. (Mme. Mesdag’s death preceded her husband’s 
by six years.) Alma-Tadema was a relative, and there is a 
personal tribute by him in the collection, a sketch of a con- 
vivial occasion, which may make Americans pant—but not as 
the hind after the water brooks. 

Hendrik W. Mesdag and his hospitality were known to 
Americans who sought him out, and who found him easy of 
access. He was known also personally here in this country, to 
which he made two visits, the first one in a representative 
official capacity at the time of the Columbian Exposition in 
1893, and again when the Hudson-Fulton Memorial Exhibi- 
tion was held in this city. On the occasion of the former visit 
he was already famous as a painter, although it was said of 
him that he never exhibited his work until he was fifty years 
old. As a wealthy banker and broker, inheriting comfortable 
means from his father, he was able to pursue his art in leisurely 
manner and even before becoming noted as a painter to indulge 
his taste in art as pleased him, which he continued to do to 
the end. 

The collection is too large for much particularization here. 
To mention a few names besides those already spoken of, 
Rousseau is represented by two important works from the 
Rousseau sale, Corot is included and Monticelli, and Mettling, 
and among the few Old Masters van der Velde, Palamedesz and 
van Ceulen. The Millet drawings are numerous, important, 


fascinating, and include two recorded in ‘*The Drawings of 
Jean Francois Millet, with 50 fac-simile reproductions of the 
master’s work”, which has an introductory essay by the dis- 
tinguished French writer M. Léonce Bénédite, the Director of 
the Museum of the Luxembourg. The Daubigny drawings are 
remarkably impressive. The Mauve pencil sketches bring 
Holland over with them, the Mancini nudes in red chalk will 
bring out the artists mm force. The Matthys Maris oil 
‘“Ramskopf” was exhibited on loan at the Corporation Gallery 
of London, the Guildhall, in 1903. The catalogue of that ex- 
hibition had this note of the painting: ‘The painter Mesdag 
has said of this work: ‘That splendid head, in which every- 
thing is said that can be said; color, line, tone, expression; the 
shightly advanced head, with the soft, almost human eyes, I 
never enter my studio in the morning without my eye falling 
upon this creature and wishing it ‘Good Morning.” ’ ” 

The collection of etchings includes the work of Mullet, 
Vollon, Rousseau, Jacque, Fortuny, Daubigny, Corot and 
Bauer. Of the great number of water colors, many were kept 
unframed in drawers, to be taken out and looked at and shown 
with interest from time to time. 

The tapestries are French and Flemish, including Gobelins, 
Beauvais and Brussels, and number among other subjects 
“Narcissus at the Water’s Edge”, “Diana Imploring Jupiter”, 
“Idolatry before Baal”, and “Triomphe d’Alexandre’”’, the 
latter after cartoon by Charles le Brun. 


Dana H. Carrot. 
New York, January, 1920. 


ie ar 


CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance 
may be rejected by the auctioneer, if, in his judgment, such bid 
would be likely to affect the sale injuriously. 


2. The highest bidder shall be the buyer, and if any dispute 
arise between two or more bidders, the auctioneer shall either de- 


cide the same or put up for re-sale the lot so in dispute. 


3. Payment shall be made of all or such part of the pur- 
chase money as may be required, and the names and addresses of 
the purchasers shall be given immediately on the sale of every lot, 
in default of which the lot so purchased shall be immediately put 
up again and re-sold. 

Payment of that part of the purchase money not made at 
the time of sale shall be made within ten days thereafter, in de- 
fault of which the undersigned may either continue to hold the 
lots at the risk of the purchaser and take such action as may be 
necessary for the enforcement of the sale, or may at public or 
private sale, and without other than this notice, re-sell the lots 
for the benefit of such purchaser, and the deficiency (if any) aris- 


ing from such re-sale shall be a charge against such purchaser. 


4. Delivery of any purchase will be made only upon pay- 
ment of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 
9 A. M. and 1 P. M., and on other days—except holidays 
between the hours of 9 A. M. and 5 P. M. 


Delivery of any purchase will be made only at the American 


Art Galleries, or other place of sale, as the case may be, and only 
on presenting the bill of purchase. 
Delivery may be made, at the discretion of the Association, 


of any purchase during the session of the sale at which it was sold. 


5. Shipping, boxing or wrapping of purchases is a business 
in which the Association is in no wise engaged, and will not be 
performed by the Association for purchasers. ‘The Association 
will, however, afford to purchasers every facility for employing 
at current and reasonable rates carriers and packers; doing so, 
however, without any assumption of responsibility on its part 
for the acts and charges of the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the 
purchaser. Title passes upon the fall of the auctioneer’s hammer, 
and thereafter, while the Association will exercise due caution in 
caring for and delivering such purchase, it will not hold itself 
responsible if such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 

7. Guarantee is not made either by the owner or the Asso- 
ciation of the correctness of the description, genuineness or au- 
thenticity of any lot, and no sale will be set aside on account of 
any incorrectness, error of cataloguing, or any imperfection not 
noted. Every lot is on public exhibition one or more days prior 
to its sale, after which it is sold “as is’? and without recourse. 

The Association exercises great care to catalogue every lot 
correctly, and will give consideration to the opinion of any trust- 
worthy expert to the effect that any lot has been incorrectly cata- 
logued, and, in its judgment, may either sell the lot as catalogued 
or make mention of the opinion of such expert, who thereby would 
become responsible for such damage as might result were his 


Opinion without proper foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South. 


[ THE AMERICA 
; H. W. ME 
SALE AT THE 4 


oblige the Manes ie? fillin wi 
to the Record Clerk or Sales A 
purchase. . 


» 


Purchaser’s Na 
Address in Full 


Amount of Deposit 


% 
COT CC OFO COC OR EOC O FF OEE FCO COO OFOFOCOO FF FOF FOF FOF EF FE 


FIRST EVENING’S SALE 


MONDAY, MARCH 8, 1920 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.15 O'CLOCK 


SKETCH BOOKS, SKETCHES AND STUDIES 


HENDRIK WILLEM MESDAG 
Direu: 183]—1915 


1_EIGHT SKETCH BOOKS ub. @, Warf fre Ve. 


(A) Pocket Sketch Book, containing twenty-eight sketches in pencil, 
; QB) charcoal, and pen-and-ink; landscape and marine subjects and details, 
sheep and cows, figures and a man’s portrait. 
Size, 384 by 4% inches. 
(B) Companion Book to the foregoing, with twenty-four sketches 
—landscapes, marines and figures. 


(c) Sketch Book with fifty-two pencil sketches; landscape and 
marine, figures and flocks, some of the drawings carried well out 
in fine detail, and some elaborate compositions, together with notes 
of a journey in company with a titled friend. Size, 4 by 5 inches. 


(D) Sketch Book containing thirty-six sketches in pencil and crayon, 
mainly ships and figures and nautical details, but including also 
villages and a lighthouse. Size, 414 by 6 inches. 


(E) Sketch Book of thirty-seven sketches in black and white—a 
variety of marine compositions, with figures and landscapes. 
Size, 4% by 7 inches. 


(F) Sketch Book of forty-nine black-and-whites; shore scenes, with 
houses and windmills, marines, genre compositions, and many ani- 
mals. Size, 4 by 6% inches. 


(c) Sketch Book with fourteen sketches of various subjects and 
places, some of them signed and dated. Size, 4% by 74, inches. 


(H#) Sketch Book containing thirty-four sketches of land and sea, 
ships and figures and buildings; some of them including extended 
views. Size, 4% by 7 inches os 


JA Ch par art Gall, - 
SNA-5O gra ] 


DA. y a JS thet 


ie — . 


ANTON MAUVE 


DutcHu: 1838—1888 Ch scat 
2—TWO SKETCHES es ds 


(Black Crayon) 
Height, 9% inches; length, 12% inches 


On same sheet. On one face the end of a wood at the left, with a 
shepherd and closely massed flock of sheep moving away to right of 
it; on opposite face, blighted saplings standing on undulatory knolls, 
as outposts of a small bunch of stunted trees with thick foliage. 


Endorsed by B. E. van Houten as by Mauve. 


ANTON MAUVE 


DutcH: 1838—1888 f (/ f 
-3—TWO SKETCHES ane 


DUS 


BO 


35.7 


(Black Crayon) 
Height, 9% inches; length, 12% inches. 


ON same sheet. On one face, two blighted trees standing at the right 
of a copse, on the other a small but dense wood diminishing in per- 
spective; both with suggestions of figures. 


Endorsed by B. E. van Houten as by Mauve. 


ANTON MAUVE 
DutcH: 1838—1888 
4—_THREE SKETCHES : VW ye. 
; (Charcoal on blue-gray ground) 
Height, 9% inches; length, 12% inches. 


On same sheet. On one face, a small grove on a series of hillocks, 
at the edge of a pond. On opposite face, two separate sketches of 
shepherds with their flocks. 


Endorsed by B. E. van Houten as by Mauve. 


ANTON MAUVE 
DurcH: 1838—1888 


5—TWO SKETCHES WA. Ack 


(Black Crayon) 
Height, 9% inches; length, 12% inches. 


On same sheet. Obverse: Two peasants in a field, the man digging 
potatoes, the woman holding two baskets; cottages in the back- 
ground. Reverse: Three peasants gathering potatoes. 


Obverse signed at lower left, A. Mauve. 


ANTON MAUVE 
DutcH: 1838—1888 


6—SIX SKETCHES MOUNTED Ths. Vnreces Var Lr 
length, 20 inch 


Height, 17 inches; 


FIvE small pen and ink drawings and one in charcoal mounted on a 
Y} 0 single card; peasant figures and landscapes. One signed. 


Endorsed by B. E. van Houten as by Mauve. 


ANTONIO MANCINI 
Iranian: 1852— 


7—FOUR SKETCHES 
(Red: Chall) I  eeaai ew Se 


Height, 19% inches; width, 13 inches (each) 


STupiEes of the nude, three in red chalk and one in black crayon 
| ae touched with red. In one frame. 


ANTONIO MANCINI 
Irauian: 1852— 


—FOUR SKETCHES : 
ie sas (Crayons) copy Tere e7o yy, 


Height, 19% inches; width, 13 inches (each) 


STUDIES of three figures in the nude, two in red and one in black and 
(5, — red. Bacchante head in black and red. In one frame. 


ANTONIO MANCINI 
ITALIAN: 1852— 


9—FOUR SKETCHES 
(Red Chak) AA. janes ortho 


Height, 19% inches; width, 13 inches (each) 


4. ©,— Stupies of the nude figure, singly and in groups. In one frame. 


ANTONIO MANCINI 
ITatian: 1852— 


10O—FOUR SKETCHES df 4% My E 
(Red Chalk) hud. Jad. 


J iG. Height, 19144 inches; width, 13 inches (each) 


FIGURE studies in the nude. In one frame. 


CHARLOTTE BOUTEN 


Dutcu (deceased) AW 
eo 


(Black Crayon) 
Sizes various, from 7% by 3% inches, to 11% by 14 inches. 


11—SIX DRAWINGS 


5 Five figures and a landscape, one figure and the landscape signed. 
q — Tn one frame. 


CHARLOTTE BOUTEN 


Dutcu (deceased) \s va deureted 


(Black Crayon) 


Sizes various, from 8 by 5 inches, to 14 by 934 inches. 


12—SIX DRAWINGS 


_— Two bust portraits of elderly women, two figures, a landscape and 
(O° a still life. All signed except the landscape. In one frame. 


ANTON MAUVE 


13—SIX SKETCHES 


PorTFOLIO of six sketches, in black crayon, of sheep, field and forest 
,~ landscapes, and a man plowing, mounted on cardboard; five sheets, 
one having a sketch on each side. 


ANTON MAUVE 


Dutcu: 1838—1888 Rese 
14——SIX SKETCHES we: 


PorTFOLIO of six sketches in black crayon, of sheep and shepherds, 
0 U trees, a hamlet lane, and a boy seated, the latter a portrait; mounted 
H-V"" on cardboard; five sheets, one containing drawings on both sides. 


ANTON MAUVE 
DurcH: 1838—1888 
15—SIX SKETCHES AG, 


PorTFOLIO of six sketches, in black crayon, of sheep and shepherds, 
it ~farm laborers and landscape, mounted on cardboard; five sheets, one 
of them having drawings on both sides. 


DutcH: 1838—1888 \ 6b. A pewatud 


i “ Fowewr ¢ 


ANTON MAUVE 
Dutcu: 1838—1888 


Cu wrens 
16—SEVEN SKETCHES bf.<. 


PorTFOLIO of seven sketches, in black crayon, of sheep and shep- 
45. _ herds, landscape, and a plowman with his horse, mounted on card- 
board; five sheets, two of them showing drawings on both sides. 


GEUVRES MELEES 


17—PORTFOLIO OF MISCELLANEOUS SKETCHES QQ“. en 


SKETCHES by Mancini, Mesdag and others, the greater number by 
Mesdag; two of his are signed, and some others bear copious manu- 
_script notes in his hand. The sketches number thirty-five in all, and 
35 * are both small and large. Done in red chalk, wash, pencil, pen and 
ink, and black crayon. Subjects landscape, marine, still life, figures, 
ships, animals and interiors. 


DRAWINGS 


JAN TOOROP 
s Dutcu: 1860— 


18—DANS UNE RUELLE it hr pis: 
(Fusain) y. C. df ‘ 
Height, 742 inches; width, 45% inches 


In a narrow street a closed cab drawn by a gray horse stands at a 
doorway, and figures are seen behind the cab and at the building 


) 0 
a 


Signed at the lower right, J. Toorop. 
ANTON MAUVE 
Dutcu: 1838—1888 


19—LANDSCAPE WITH FIGURES S } i/ 
(Pen and Ink) ; ¢ 


Height, 5 inches; length, 8 inches 


_ SKETCH of an isolated farmhouse in rough land, with a bent figure 
QA: standing in the foreground and a younger figure near a dead tree. 


Endorsed by B. E. Van Houten as by Mauve. 


+5 


—_— 
eh 


WILLEM ADRIAAN VAN KONIJNENBURG 


Dutcu: 1868— 
20—DIANA HUNTING ef aa. oY) w ocean 


(Pencil and Water Color) 
Height, 94% inches; length, 1338 inches 


Across the foreground the huntress’s dogs are pursuing a stag, and 
near twin trees she is seen with her bow: followed by two of her 
nymphs. Background of trees and hills. 


Signed at the lower right, W. v KoNIJNENBURG. 


JOHANNES BOSBOOM 
Dutcu: 1817—1892 


21—CHURCH AT GOUDA, HOLLAND “ef @ Nufhr 
(Wash Drawing) 5 j 


Height, 10°4 inches; length, 13% inches 


SKETCH of a shadowed aisle, with low-hanging chandeliers and 
wainscotted pillars, with a view across the brightly lighted nave 
toward the right, and including a glimpse of the further aisle. 


Signed at the lower left, Bospoom, Goupa. 


ANTON MAUVE 
Dutcu: 1838—1888 


22-HOME-COMING SHEEP fol C peter 
(Black Crayon) 
Height, 9% inches; length, 13% inches. 


AT right a pine grove beside a road, and at left roadside brush bare 
of leaves, under a clouded sky that is light along the horizon. Com- 
ing forward in the road, a flock of sheep, roughly sketched. 


Signed at the lower right, A. M. 


ANTON MAUVE 


DurcH: 1838—1888 . 
23—PEASANT AT WORK OLey. Chelly 


(Black Crayon) 
Height, 8% inches; length, 11 inches. 


IN a treeless landscape of rough ground a man bends at his labor, 
digging; he faces left, with head turned away. 


Endorsed by B. E. van Houten as a sketch by Mauve. 


— 


on 


ANTON MAUVE 


Dutcu: 1838—1888 
24—LANDSCAPE WITH FIGURE (0. q. Se Aes 


(Black Crayon) 
Height, 10 inches; length, 13% inches 


A GROVE of tall trees close together stands on rough, uneven ground, 
and coming toward the observer along the side of it is a woman in 
pensive mood, carrying a sunshade. 


Endorsed by B. E. van Houten as a sketch by Mauve. 


ANTON MAUVE 
Dutcu: 1838—1888 
25—FIELD LABORERS IN HOLLAND @, Mf RTT 
(Black Crayon) 3 
Height, 10 inches; length, 13% inches 


Four members of the peasantry,.a man and three women, kneel in 
a row in a potato field, gathering the tubers into wooden tubs. In 
the background appear the roofs of cottages. 


Endorsed by B. E. van Houten as a sketch by Mauve. 


ANTON MAUVE 


DutcH: 1838—1888 Aer ge 
26—-ON THE WINDMILL ROAD EA TM. fw 


(Black Crayon) 
Height, 10 inches; length, 13% inches 


In a broad and winding road, with a brush hedge on the right and 
a windmill on the left, a flock of sheep are seen in charge of a shep- 
herdess. 


Endorsed by B. E. van Houten as a sketch by Mauve. 


SUZE (SUSAN) BISSCHOP-ROBERTSON 
(Wife of Richard Bisschop) 
DutcH: CONTEMPORARY 
27—PEASANT FIGURE ayy G00 CS BITD A. 
(Charcoal Drawing) a4 
Height, 15% inches; width, 10% inches. 


FULL-LENGTH figure of a heavy-featured peasant woman seated, in 
profile to the right, with arms on her lap and upper body nude. 


Signed at the lower right, Suze ROBERTSON. 


JOHANNES BOSBOOM 


Dutcu: 1817—1892 Yard 
28—CHURCH INTERIOR WITH rica pad ‘ 


(Crayon Sketch) 
Height, 12 inches; length, 15°4 inches 


_ SKETCH in black crayon with light wash lines, picturing worshippers 
AS: standing and seated in a large stone-floored church with four chan- 
deliers, and cross-beams below the central arches. 


WILLEM ADRIAAN VAN KONIJNENBURG 
Durcu: 1868— 


29—ARCHITECTURAL SKETCH yu cliy Sh hi 


(Wash Drawing) 
Height, 11% inches; length, 18% inches 


Broap view of a cathedral or monastery church in the midst of 
ZY 57. closely grouped houses, with incidental figures in the street. 


Signed at the lower right, W. v. K. 


MME. PHILIPPINE BILDERS VAN BOSSE 


DutcH: 1837—1900 4 0) te 


(Black and White Drawing) 
Height, 124% inches; length, 19 inches 


30—LANDSCAPE 


bs Hixs in the distance and sloping from the right enclose a valley of 
aN 5 “rough land, with a few clusters of trees; in the foreground two small 
figures near a winding road. 


Artist's studio stamp at lower right, with note 2/7 ’85. 


JOHANNES BOSBOOM 
Dutcu: 1817—1892 » 


31—CATHEDRAL INTERIOR Ww Ne 4. dards 
(Wash. Drawing) 


Height, 19%4 inches; width, 14°%4 inches 


A sKETCH in which the spectator looks down an aisle with round 
O- pillars and blunt arches, and a single chandelier, toward a grill with 
et an open door; at left, a solitary figure, standing, in shadow. 


Signed at the lower right, J. BosBoom. 


GERKE HENKES 
DutcH: 1844— 


ps 
32—AGE AND PIETY Bie € 4 a ie 
(Fusain) 


Height, 23 inches; width, 15% inches 
| q 5 0 A man old and bent stands humbly, holding his cap in both hands, 


—~ near a pillar in a large church, his head inclined, in devout attitude. 


Signed at the lower left, G. HENKEs. 


SUZE (SUSAN) BISSCHOP-ROBERTSON 
(Wife of Richard Bisschop) 


Dutcu: CONTEMPORARY 


Re 
33—-THE STUDIO MANTEL ee! Nee 


(Tempera) 
Height, 28 inches; width, 21% inches 


A BLACK mantel-piece in a studio is laden with porcelains and 


mo - — metals, and flanked by pictures and other objects, all in a great 


variety of coloring and a strong light. 


Signed at the lower right, SuzE ROBERTSON. 


WILLEM ADRIAAN VAN KONIJNENBURG 
DutcH: 1868— 


34—_TREE-BORDERED ROAD 
(Wash Drawing) WA { S 
Height, 25 inches; length, 31 inches 


A ROAD turning to the right, bordered with bushes and great trees 
_— with full foliage, and leading past a cottage before which a figure 
a. stands at the fence. Done in soft brownish-pink. 


Signed at the lower left, W. v K. 


ETCHINGS 


BAUER, M. A. J. W).\) Gee 
35. THE OUTSKIRTS OF STAMBOUL. Etching. 


Proor, signed in plate, and extreme edge of paper,—M. Bauer. 
BRILLIANT IMPRESSION, in perfect condition. 


if 0. ae Height, 45£; length, 8 inches. 


Wrriedy ¢ Co, 
BAUER, M. A. J. 


36. WALL OF THE Harem. Etching. 


50 Proor, signed in plate-—M. B., and in pencil,— M. Bauer. 
4 nad BRILLIANT IMPRESSION, in perfect condition. 


Height, 115g; width, 734 inches. 


BAUER, M. A. J. Lead 


37. THE QUEEN OF SHEBA, AT JERUSALEM. Etching. 
Proor, signed in pencil,—M. Bauer. BRILLIANT IMPRESSION, in 
50 perfect condition. Limited to 100 Proofs. Printed on Jap- 
| 4 ——-. anese paper. 
Height, 13; width, 13 inches. 


heme ehy 
BAUER, M. A.J. i 


38. CarEL Enpe Exvecast. Lithographs. 


Illustration of the old Dutch legend, and text. 10 Proofs in 


portfolio, each plate signed in pencil,—M. B. Limited to 
Ay O.~ 75 portfolios. 


Average size, 934 by 12 inches. + Co. 
ieee : 


BAUER, M. A. J. 
39. THE QUEEN OF SHEBA, AT JERUSALEM. Etching. 
Not in Publisher’s Catalogue. 
| ie TRIAL PROOF, signed in pencil,—M. Bauer. Artist’s proofs 
show the Sedan Chair, figures and foreground, with much 7 
added etching. UNIQUE ImpREssION. Printed on Holland 
paper. 
Height, 13; width, 13 inches. 


| qy Co, 
BAUER, M. A. J. 


40. In StampBou.. Etching. 
ProorF, signed on the plate, and in pencil,—M. Bauer. Bnrit- 
(, et LIANT IMPRESSION, in perfect condition. Limited to 100 
Proofs. Printed on Japanese paper. 
Height, 1534; length, 197% inches. 


BAUER, M. A. J. A — 
41. A Caravan. Etching. 
Proor, signed in the plate,—M. B., and in pencil,—M. Bauer. 
e BRILLIANT IMPRESSION, in perfect condition. Printed on 
lS: Japanese paper. 
Height, 514; length, 175¢ inches. 


BAUER, M. A. J. Monurds eo 


42. A Viser. Etching. 
Not in Publisher’s Catalogue. 
RO TRIAL PROOF, signed,—M. B. in plate, and M. Bauer, in pen- 
cil. BRILLIANT IMPRESSION, in perfect condition. 125 
proofs were printed after this trial. 


Height, 1514; length, 233, inches. 


BAUER, M. A. J. he ; 
43. A STREET IN CONSTANTINOPLE. Etching. 
PROOF, signed on the plate, and in pencil,—M. Bauer. Brit- 
LO: — LIANT IMPRESSION, in perfect condition. Limited to 100 
proofs printed on Holland paper. 
Height, 187%; length, 2484 inches. 


BAUER, M. A. J. Ao 
44, A Suttan. Etching. 
ProoF, signed in plate,—M. Bauer 1892, and in pencil,— 
M. Bauer. BRILLIANT IMPRESSION, in perfect condition. 
iO. Limited to 110 proofs, printed on Japanese paper. Plate 
destroyed. 
Height, 185g; length, 1514 inches. 
“His Sultans are real sultans, without fear and of splendid stature, 
and of absolute importance among their followers. I know of one 
such figure standing in an arched doorway; so regal is the bearing of 


this person that ihe whole world might be his heritage.”—A. Tomson, 
in The International Studio. é 


BAUER, M. A. J. ao. 
45. A SuLTAN. Etching. 
TRIAL PROOF, signed,—M. B. in plate, and in pencil, M. 


Bauer. First State. BRILLIANT IMPRESSION, in perfect con- 
dition. 110 Proofs were printed after this trial. 


Height, 1854; width, 1514 inches. 


CHAPLIN, CHARLES oo. 
46. NoveMBreE. Painter-Etching. 
Printed on Plate paper, foxed. Presentation print to Mr. 
Mesdag, inscribed on lower margin,—c’ Mr. Mesdag 


5 & 
QD ae Souvenir Ch. Chaplin. 


Height, 714; length, 1036 inches. 7 
Gi = Pe fae. 
COROT, J. B. les 


47. Paysace D’ITauiz. Painter-Etching. 
Delteil, No. 7. 
ifs _— Tuirp state. Fine impression. Printed on Japanese paper. 
: Height, 614; length, 934 inches. 


35) 


COROT, J. B. Q drut 


48. Environs OF Rome. Painter-Etching. 
Delteil, No. 5. 


_ ~— THIRD STATE, with additional work in the foreground, and 
b> ( letters effaced. Fine impression, in fine condition. Printed 
on Japanese paper. 


Height, 1234; width, 93 inches. 


DAUBIGNY, CHARLES twa ee {orden 


49. Le Granp Parc a Mourons. Painter-Etchin 


FirsT STATE, signed in plate,—Ch. Daubigny. 1860. Cut to 

_  plate-mark at top and sides, showing about a half-inch 

Lt 0: margin, the extent of the plate. Slight tear in lower mar- 
gin. BRILLIANT IMPRESSION. Very rare. 


Height, 854; length, 14% inches. 


DAUBIGNY, CHARLES WoL Ore 


20. LA VENDANGE. Painter-Etching. 
Henriet, No. 107. 


_ First state, signed,—Ch. Daubigny 1865, in plate. With 
if 0. full margins. Printed on Dutch paper. Water-marked 
Aqua Fortistes. ERY BRILLIANT IMPRESSION. RARE. 


Height, 914; length, 1414 inches. 


MILLET, JEAN-FRANCOIS [WW - Narde 


51. ReEpropuctions. 16 Woodcuts by A. Lavieille, ae by 
J. Claye. 
Lo | 7 SERENADE, by M. Fortuny. Irregular etching, fine impression. 
And one other. 
Together, 18 pieces. 


MILLET, JEAN-FRANCOIS 0. Ret Sh 


o2. Two Men Diceine. Etching. 


FOURTH STATE. FINE IMPRESSION on Dutch paper, with large 
— uncut margins. 


Height, 914; length, 1314 inches. 


MILLET, JEAN-FRANCOIS ae 4 hi jee 


03. THE GLEANERS. Painter-Etching. 
SECOND STATE. FINE IMPRESSION. Printed on Dutch paper, 
b — -~ with crescent water mark. RARE. 


Height, 714; length, 10 inches. 


“One of the most perfect of all pictures, more perfect than The 
Sower.”—KeEnyon Cox, The Art of Millet. 


MILLET, JEAN-FRANCOIS Wr. bee 
04. THe WatcHers, Painter-Etching. 
Delteil, No. 14. 


ae First sTATE. Printed on scratched paper. Very rare, this 
being the first of only two states. Slightly rubbed. 


Height, 5%; width, 414, inches. 


ROUSSEAU, THEODORE leet S ree 6 


oo. CHENES DE RocHe. Etching. 


Proor, before letters, on India paper laid on plate paper, 
er. foxed. BRILLANT IMPRESSION, printed with brownish ink. 
BON One of the four plates made by Rousseau. 


Height, 514; length, 814, inches. 
VOLLON, ANTOINE aan OL carton . 


06. AU Borp DE LA Riviere. Painter-Etching. 


BRILLIANT STRONG IMPRESSION, signed in plate, upper left cor- 
\, sig p pp 
ey Cex ner. On Dutch paper. With 1860 water-mark. 


Height, 934; length, 1214, inches. 


ZWART, W. DE ewusrks ¢ Co. 


o7. LA SABLONNIERE. Painter-Etching. 
Proor, signed in ink. Fine Impression. Limited to 100 


A) od gs Proofs. 


Height, 123; length, 17% inches. 


WATER COLORS BY MODERN DUTCH ARTISTS 


DAVID BLES 
DutcH: 1821— 
58—lIS COFFEE © Unctlerer 
(Water Color) 2 c 
Height, 7 inches; width, 4°% inches 


A GRAY-HAIRED commanding officer in blue, red and buff military 
uniform of the eighteenth century, faces the spectator from his arm- 


Ag S chair, as he sips coffee from a blue and white cup. 


Signed at the lower right, D. BLEs. 


40: 


ys. 


JAN WILLEM VAN BORSELEN 


Dutcu: 1825—1892 
59—A STROLL THROUGH THE FIELDS [lu ; [- 


(Water Color) 
Height, 7% inches; length, 10% inches 


FLAT green meadows and distant dunes, and coming about a copse 
surrounding a group of small trees a woman and a black and white ~ 


dog. 
Signed at the lower right, V. BorsELEN, 6 Metz, 1875. 
SUZE (SUSAN) BISSCHOP-ROBERTSON 
(Wife of Richard Bisschop) 


DutcH: CONTEMPORARY 


60-—PEASANT POTATO-PEELING Q5 B otf 
(Water Color) 
Height, 10°4 inches; width, 8% inches 


AT a gray chimney-corner on a warm day, with golden light coming 
in through the open half-door, an old peasant woman in white cap 
and sabots is seen in profile to right, peeling potatoes. 


Signed at the lower right, SuzE ROBERTSON, 784. 


JAN WILLEM VAN BORSELEN 


(Water Color) 
Height, 72 inches; length, 10% inches 


Dutcu: 1825—1892 
61—ON THE SANDS Wu. ‘ia Hardee. 


On broad yellow sands a fishing-boat of richly weathered coloring 
is beached for overhauling, and people are working on her. In the 
distance other boats and the sea. 


Signed at the lower right, J. W. vAN BorsELEN; at lower left, dated 
17 Aprit, 1879. 


J. A. MONDT 
DutcH: 1859— 
62—FARM LANDSCAPE 


Height, 8°4 inches; length, 12°8 inches 


A GREEN pasture in which a black and white cow is standing in the 
sun is bounded in the distance by a group of red-roofed farm build- 
ings and numerous trees. 

Signed at the lower right, A. Monpt. 


(Waten olen} G? dha fete 


: 


W. H. P. J. DE ZWART 


DurcH: 1862— g oe | We. ] 


63—HAULING OUT THE BOAT 
Height, 11 inches; width, 9%4 inches 


In the background a darkening blue-black sea and a high horizon, 
and waves rolling lazily forward and tumbling in gray-white foam 
- along a broad beach. In the foreground a single-masted fishing- 
BO 1~ boat, stern-on to the beholder, which has been beached and hauled 
up the sands on log-rollers, by horses, eight of which appear stand- 
ing now idle about the hull. Aboard and near-by are several 
persons. 
Signed at the lower right, W. DE Zwart. 


JAN ZON 


Dutcu: CONTEMPORARY 
64—LANDSCAPE WITH BOATMEN pd becifeoe 


Height, 9°4 inches; length, 12% inches 


A NARROW river or canal winds through a wild country, a bare 
earthen mound in the foreground, the distance densely wooded. At 
_ the bank a boat with two men, one holding the pole or sweep. 


Signed at the lower right, J. Zon. 


ALEXENDER STRUIJS 


Dutca: 1852— : . 
65—THE LAST CALL CLUw Rhitlig 


Height, 12% inches; width, 10% inches 


AT the bedside of a dying man, who, propped up on pillows and 
holding a rosary, raises his eyes to a crucifix, a priest gives extreme 
/§ .— unction, and another priest takes down the man’s last words. 


Signed at the lower right, ALEXENDER STRUIJS, 1876. 


WILLEM MARIS 


DutcH: 1844—1910 iT. : 
66—COW DRINKING LO. UW. Vi eee ee = ; 


Height, 8% inches; length, 9°4 inches 


On the left a lush and rolling meadow of yellowish-green, in sun- 

shine, beneath a vaporous blue and gray sky, and in the foreground 

Lye f,— a tawny cow, standing athwart the view, who has come to drink at a 
f . ° . a . . 

pool which is in the shadow of low bushes growing on the right. 

Her back glistens softly, and her side is in a delicate, transparent 


shadow. 
Signed at the lower right, W1LLEM Maris. 


LADY LAURA ALMA-TADEMA 
BritisH: —1909 Det rely. 
67—PORTRAIT OF A LITTLE GIRL (Le 
(Aquarelle) 
Height, 544 inches; width, 4% inches” 


te 

Site ' SEATED figure of a flaxen-haired girl with pink cheeks and blue 
eyes, facing slightly to the right, in the costume of a patrician 
Holland lady of the seventeenth century. Three-quarters length. 


Signed at the upper right, Laura T. A. T. 


JOSEF ISRAELS 
Dutcu: 1824—1911 


68—IN A FISHERMAN’S HOME Y Ve eu LS 


(Aquarelle) 
Height, 3% inches; length, 7 inches 


In a fisherman’s cottage, its walls seeming to partake of the tones 
f.- of the sea as do the fishermen’s boats, an old woman in a white cap 
(4 is observed at a distant window, looking out. 


Signed at the lower right, J. ISRAELS. 


BERNARDUS JOHANNES BLOMMERS 
Durcu: 1845—1914 


69—PORTRAIT OF A CHILD | ‘; bath 


(Water Color) 


Height, 8 inches; width, 4°4 inches 


i . —, 
- 


HALr-LENCTH standing figure of a rosy-cheeked and fair-haired little 
a 7 girl, in a blue cap and light clothing, facing the spectator in a 
Bo! strong light. : 


JAN WILLEM VAN BORSELEN 
Durcu: 1825—1892 


70—SHEEP SHELTER AT HARSKAMP Wu , Harhe 
(Water Color) | 
Height, 7°4 inches; length, 11 inches 


/ Soe AT the border of rolling green pastures, a gray hut with ramshackle 
roof of rich brown thatch, nestled among shrubbery. | | 


Signed at the lower left, J. W. v. BoRSELEN. 


JAKOB MARIS 


Dutcu: 1837——1899 Jw jaa HES Yio, 


71—PORTRAIT OF AN ITALIAN WOMAN 
(Aquarelle) 
Height, 13 inches; width, 458 inches 
_ FULL-LENGTH standing figure of an Italian woman in national cos- 
BD. tume, in profile to the left, her hands joined in front of her. White 
head-dress and waist, with a short bodice of brown with red sleeves, 


plum colored overskirt and blue skirt. 
At lower right, ATELIER, J. Maris. 


WILLEM ADRIAAN VAN KONIJNENBURG 
Dutcu: 1868— 


72—ROMANTIC LANDSCAPE ; ; 
: ae. OLey. Shi thens 


Height, 10% inches; length, 12% inches 


a Own a bluff and with its great roots protruding from the earth, the 

3 rma lower trunk of a huge tree standing, on the right, exhibiting a bit 
of its lower foliage, brown and red. At left a suggestion of a figure 
in scarlet and white; vivid blue and white sky. 


Signed at the lower right, W v K. 


MOISE BIANCHI 


Traian: 1840— WE 
73—THE ACOLYTE ee (Coa ths 
(Water Color) 


Height, 13% inches; width, 8% inches 


STANDING figure of a young choir boy, in a bright light, swinging a 
smoking censer; chromatic background. 


1g > 


Signed at the lower left, MotsE BIANcHI. 
A. PECQUEREAU 
FRENCH: CONTEMPORARY 


74A—THE GREEN DOCKYARD } ' @ EOS Trae | 


(Water Color) 
Height, 984 inches; length, 13% inches 
A BLUE canal winds about a steep brown hill, and on its nearer 
bank, which is low and green, two canal-boats are hauled out for 


cag 4 
| a repairs and men are working on them. 


Signed at the lower left, A. PECQUEREAU. 


SOE 


a 


{s- 


4S 


DAVID ADOLPHE CONSTANT ARTZ 


Durcu: 1837—1890 f CL ea tr 
75—-HIS PIPE Cee 


(Water Color) 
Height, 14°4 inches; width, 8% inches 
In a corner in half-shadow, with light from a small upper window 


slanting across his features, a husky peasant in blue cap, red shirt 
and brown outer clothing is smoking a short-stemmed pipe. 


Signed at the lower right, Artz. 


JOHANNES BOSBOOM 
Durcu: 1817—1892 


76—THE ORGAN CASE W. Vou 
(Water Color) 
Height, 14% inches; width, 9% inches 
SKETCH of the grand organ of a large church, in solemn notes of 
brown against the gray and white walls of a brightly lighted nave, 


with arches of the aisles visible at either side. A woman is about 
leaving one of the pews below, beneath a brass chandelier. 


Signed at the lower left, J. Bospoom. 


ANTONIO MANCINI 


ITALIAN: 1852— 


77—HER IMAGE Qheyp “Bead 


(Aquarelle) 
Height, 13°4 inches; width, 10°4 inches 


A PRETTY Italian girl with reddish-golden hair is seen at three-quar- 
ters length, in a light frock with black sash, beholding herself in a 
mirror, the reflected image facing the spectator. 


Signed at the upper left, A. Macwnint (sic). 


CHARLES ROCHUSSEN 
Durcu: 1814—1894 , 


78—THE EXHAUSTED HUNTSMAN (A). | LAW oie: , 


(Water Color) 
Height, 984 inches; length, 13°4 inches 


i nae Ss 


BENEATH arms and trophies and welcomed by the women of the 
household, a stout squire returned weary from hunting sits heavily 
in his chair, while a servant removes his puttees and a repast awaits. 


Signed at the lower right, C. R., Fr., ’67. 


: ee 


pose 


MAURITS CONSTANTIJN LAPIDOTH 
DutcH: 1878— p rf 
79—PEASANT GATHERING FAGOTS ; 
(Aquarelle) 
Height, 11%4 inches; length, 12° inches 


UNDER scattered trees between the corner of a yellow field and a 
corner of a thatched shelter, a rosy peasant girl in blue and black | 
is collecting dead wood, a large bucket at her side. 


Signed at the lower right, M. LapipotTu. 


DAVID ADOLPHE CONSTANT ARTZ 
Dutcu: 1837—1890 


80—WOMAN SEWING 
(Water Color) PY, Ghee sen 
Height, 14°4 inches; width, 8% inches 


In a dimly lighted cottage room a ruddy peasant woman in a white 
cap is sewing at a table below a small high window. In profile to 
the right. 
| Signed at the lower left, Artz. 


ANDRE BROEDELET 


DutcH: 1872— 
81—THE YOUNG MILKMAN } f prof 


(Aquarelle) 
Height, 13°4 inches; width, 10% inches 


THREE-QUARTER length figure of a nonchalant youth moving toward 
the spectator and the right, going happily on his way with milk 
cans slung on his shoulder, and smoking. 


Signed at the upper left, A. BROEDELET. 


JOHANNES BOSBOOM 
Durcu: 1817—1892 


82—INTERIEUR D’EGLISE AL. Stuer 


(Water Color) 
Height, 13 inches; width, 10 inches 


SKETCH of an aisle of a large church, the high arches receding to 
a distant window, with light striking the three nearer columns on 


the right. 
Signed at the lower left, J. BosBoom. 


a 


ae 


~ ~ FULL-LENGTH figure of a young woman in hat, muff and boa, dark 


|r’ 


oe 


83—W ATCHING THE WORKMEN 


FLORIS ARNTZENIUS 
Durcu: 1864— ; { 
t) ) : 
(Water Color) 


Height, 9°4 inches; length, 14% inches 


BESIDE an excavation in a city street, where mounds of yellow earth 
have been thrown up by diggers, idle men stand looking over a 


barrier at the workers. 
Signed at the lower left, F. ARNTZENIUS. 


é 
— RAPITI 


IraLtiAn: NINETEENTH CENTURY ner 
84—W AITING jut Yo 


(Water Color) 
Height, 1444 inches; width, Dee inches 


waist and light skirt, seated beside a window, in expectant attitude. 


Signed at the upper left, Raprti, ’80. 


BERNARD SCHREGEL 
Durca: 18/0 — 


85—THE PATH BY THE BIRCHES fp. J deeper 


(Water Color) 
Height, 144% inches; width, 10% inches 


Ly eee 


In a wandering path through a green hollow, a peasant woman is 
leading a child by the hand; at left are birch saplings, leading to 


a low brown copse. 
y. Signed at the lower left, BERNARD SCHREGEL. 


B. BONGERS 


DutcH: CONTEMPORARY 


86—BOATS IN THE SLIP ! \ fork 


(Water Color) 
Height, 10 inches; length, 14 inches 


AT an angle or an inshoot of a canal in a Dutch city, single-masted 
sailboats, full of color, are closely bunched; two men are aboard 
one of them, and in the background are tall houses. 


Signed at the lower right, B. Boncers. 


GERKE HENKES 
DutcH: 1844— 


87—PORTRAIT OF AN OLD MAN Li), (SV Tea Vee 


Height, 14 inches; width, 11% inches 


Heap and shoulders portrait of an aged man, in profile to the left, 
eS) facing the light. He wears a brown skull-cap and a blue coat. 


Signed at the lower right, G. HENKEs. 


JOHANNES BOSBOOM : ° 
Dutcu: 1817—1892 Glu Shits 
88—COIN ARTISTIQUE DANS L’ATELIER DE L’ARTISTE 


Height, 14°4 inches; width, 1084 inches 


Facine the spectator an ornamental doorway with green portiére, 

— opening to another room; at one side an open missal on a tall 
$5 ‘reading-stand, on the other a carved chest and various objets d’art; 
suspended aloft a Jewish lamp. 

| Signed at the lower right, BosBoom. 


FRITZ JANSEN 


DutcH: 1856— “5,98 
89—OLD TOWN HOUSES Wd. ee Merdeccg 


Height, 15% inches; width, 1136 inch 


Hicu gabled houses of Dutch architecture, with gray walls and red- 
dish-brown roofs, cross the picture and form an angle about a broad 
a 5, “court or passage-way, partly sidewalk and partly green turf, at the 
head of which are two women, one passing under an arch to another 

street. 
Signed at the lower left, F. JANSEN. 


EMILE WAUTERS 
Betcran: 1846— 


90—THE YOUNG MINSTREL RK. Q G/Anpheey (ibe = 


Height, 1944 inches; width, 7% inches 


FULL-LENGTH standing figure of a young man with short golden 
DA. —hair, purplish coat and buff tights, in profile to right, singing to the 
accompaniment of his own lute. 


Signed at the lower right, Em1Le WAUTERS. 


-_ 


oF 


fo. 


ANDRE BROEDELET 
Dutcu: 1872— 4 Aree d A Ww 


(Water Color) 
Height, 11% inches; length, 15% inches 


91—A FLOWER GIRL 


Heap and shoulders of a dark-haired, dark-eyed girl of large fea- 
tures, carrying on her shoulder a basket of brilliant golden-yellow 


flowers. 
Signed at the upper right, A. BROEDELET. 


MME. PHILIPPINE BILDERS VAN BOSSE 


Dutcu: 1837—1900 faek 
4 t | 


92—WOMAN KNITTING 
(Water Color) 
Height, 16% inches; width, 12% inches 


IN a cottage corner beneath gray rafters and before a glowing hearth, 
a woman in a white cap and dark dress sits at a window, knitting. 


Signed at the lower right, M. BitpERS vAN Bosse. 


MME. PHILIPPINE BILDERS VAN BOSSE 
Dutcu: 1837—1900 


93—WOODLAND ROAD IN WINTER gf Pap avese: 


(Color Sketch) 
Height, 11% inches: length, 174% inches 


A DEEP-RUTTED road along the edge of an open wood runs between 
lines of bare-limbed trees; figures indicated at either side. 


Stamped at lower right, ATELIER M. BitpERs van Bosse. Penciled 
at lower left, 4 JAN. ’87. 


A. PECQUEREAU 


FRENCH: CONTEMPORARY 


94—MARKET DAY Us, S- ey eure wee ay 


(Aquarelle) 
Height, 11% inches; length, 18% inches 


VEGETABLES are spread upon the ground and upon stands, in the 
open and under sunshades, in a spacious square of a town of North- | 
ern France, and many people are attending and visiting them. 


Signed at the lower left, A. PECQUEREAU. 


+S, — 


oie 


THEOPHILE DE BOCK 


Dutcu: 1850—1904 OS SPS... 
95—BRUYERE AU DECLIN DU JOUR NM. 


(Pastel) 
Height, 11% inches; length, 18 inches 
A HEATH of rumpled surface, supporting a single detached tree, 


falls away toward the right and abuts upon a dense wood, the whole 
seen in the soft light of the gloaming. 


Endorsed on back by B. E. van Houten as by de Bock. 


A, PECQUEREAU 


FRENCH: CONTEMPORARY 


96—LANDSCAPE WITH COTTAGES ey. Tye CLOT... 


(Water Color) 
Height, 12% inches; length, 17% inches 


WITH woods at the right, a canalized stream winds through a sunny 
green valley dotted with prosperous farmhouses, and a girl with a 


sun umbrella has led a red cow down to drink. 


Signed at the lower left, A. PECQUEREAU. 


MME. PHILIPPINE BILDERS VAN BOSSE 
Dutcu: 1837—1900 


97—AUTUMN LANDSCAPE WITH FIGURE 3 : 
(Water Color) Chay. / 


Height, 174% inches; width, 12% inches 


ON a green mound are white-barked birches and dark gray trees 
devoid of foliage, and a short scraggly tree with bright red and 
yellow leaves, and to right stands a white-capped woman carrying a 


bundle of sticks. 
Signed at the lower left, M. BitpERs van Bosse. 


DAVID OYENS 
Betcian: 1842— 


98—THE PAINTING LESSON oe J chet tie 


(Water Color) 
Height, 18 inches; width, 12 inches 


In a studio a young woman with curls about her shoulders is paint- 
ing at an easel, while the “master” sits back of her, in hat and cape, 


looking over sketches. 
Signed at the lower right, Davin OyeEns, 1882. 


GERKE HENKES 


Dutcu: 1844— LW. WW. & 


(Water Color) 
Height, 12% inches; length, 18%8 inches 


fe _ ~ COLORFUL plastered walls share their hues with the floor, beneath a 
heavily beamed ceiling, in a brazier’s shop where a forge stands 
between two windows, which light up sundry vessels. 


99—AT THE BRAZIER’S 


Signed at the lower left, G. HENKEs. 


EDGARD KONING 


DutcH: CONTEMPORARY 


100—MUSHROOMS re A 
(Water Color) Cc “B ‘ ho 


Height, 1288 inches; length, 1858 inches 


In a wood carpeted with moss and dead leaves, a group of plump 
uf _ gray mushrooms has sprouted up, under overhanging leaves of 
‘brilliant red and orange-yellow. 


Signed at the lower left, EK (monogram). 


DAVID OYENS 


BELeran: 1842— Bp eg a 
101—THE STUDIO STOVE fren 3 


(Water Color) 
Height, 17%4 inches; width, 13% inches 


_ Corner of a large studio with greenish-gray walls, and in it a dim- 
Qo. inutive cylindrical stove with a handful of coals, near which a man 
sits in hat and buttoned overcoat, filling his pipe. 


Signed at the lower right, Davin Ovens, 1885. 


CORNELIS ANTHONY VAN WANING 
Dutcu: 1861— 


102—DORDRECHT BOATS Cee Berar 


(Water Color) 
Height, 16% inches; width, 14% inches 


THREE boats, two with single masts, are tied up alongside a larger 
a — black vessel, red below the load line, in a placid port, where a dis- 
tant steam tug is the only sign of activity. 


Signed at the lower right, C VAN WANING, F. 


x 


> 


JAN VOERMAN 


Dutcu: 1857— iC 
103— STILL LIFE : z 
(Water Color) 


ae Height, 18°4 inches; width, 11%4 inches 


IN a gray ginger jar adorned in lapis-blue, white petunias touched 
with delicate color, in a bright light, on a reflecting mahogany base. 


Signed at the lower right, J. V. 


PIETER DE JOSSELIN DE JONG 
Dutcu: 1861— 


104—ENJOYING HIS CLAY PIPE @ 
C0. ap eee 


(Water Color) 
Height, 18 inches; width, 14 inches 


_~ Heap and shoulders of a florid man with sandy hair, in profile to 
3 0 left, in a white smock with blue scarf about the neck, smoking vig- 
orously while keenly attentive to some other occupation. 


Signed on the back, P. JosseLin pE Jone, 1889. 


GEORGES JEANNIN 


FRENCH: CONTEMPORARY 


105—STILL LIFE: FRUIT 
(Aquarelle) Ss a / 
Height, 14°4 inches; length, 18 inches 


A Brown wicker basket filled to overflowing with carefully selected, 
eae luscious apples, glowing red and golden in the sunlight. 


Signed at the lower left, G. JEANNIN. 


DAVID OYENS 
Bextcian: 1842— 


106—THE ARTIST AT WORK Gert qie OA Ate 


(Water Color) 
Height, 19 inches; width, 15 inches 


In a studio corner before a stove a stout man sits_on a stool, paint- 

QO: — ing an aquarelle on a chair-easel. He wears a red cap and is seen 
in profile to the left. 

Signed at the lower right, Davin OyEns. 


OTTO EERELMAN 


DutcH: 1839— dor peu 
107—ANIMAL PORTRAIT “B. 


(Water Color) 
ny S : a Height, 19%4 inches; width, 154 inches 


Heap and fore-body, but not including legs, of a large dog, head 
turned to its right and seen three-quarters front, in strong light. 


Signed at the lower right, O. EERELMAN. 


G. H. MARIUS 


CONTEMPORARY Peo Curr sT™ 
108—STILL LIFE: FRUIT (O. NM 


(Water Color) 
Height, 16% inches; length, 19% inches 


Lap on Own a blue-rimmed white plate a pear golden, pinkish and russet, 
and beside it a green and golden apple, and in a neighboring basket 
more of the mellow fruits. 

Signed at the lower right, H. Martius. 


GERKE HENKES 
Dutcu: 1844— 


109—THE BOOTBLACK PG. Bernat 


(Aquarelle) 
Height, 16%4 inches; width, 13°%% inches 


a. eee 


< 
San 


In a basement corner before an embrasured window sits a red- 
haired youth in leather apron, diligently polishing a boot; shoes and 
slippers lying at his feet. 

Signed at right of bench, G. Henkes, 779. 


GERKE HENKES 


DutcH: 1844— 
110—LE VIEUX CONCIERGE DU MUSEE Bhi 
(Aquarelle) WA ‘ ; 


Height, 18% inches; width, 13%. inches 


TALL, sombre of features, in black clothes and skull-cap, he stands 
5 0 at a leaded glass window, reading, an open doorway behind him 
a -— revealing a brightly lighted room with antique furniture. 


Signed at the lower left, G. HENKgEs, 


ADOLF LE COMTE 


Dutcu: 1850— } j ee) 


111—ICEBOUND AT NIGHTFALL 
(Water Color) 
Height, 13% inches; length, 18% inches 
Wir# ice but slightly broken away about its hull, a canal boat lies 


in an ice and snow covered stream, a light glowing in its cabin, on 
a winter evening. 


ag 


Signed at the lower right, A. LE CoMTE. 


K. PREVIATI 


ITALIAN: CONTEMPORARY 
112—NATURE MORTE .F- ue (Thy 


(Water Color) 
Height, 9 inches; length, 22% inches 
In the studio of a bird painter an old man and a young woman 


eo. regard a varied collection of stuffed birds which wear a life ex- 
: pression; draperies and potteries add soft brilliance of coloring. 


Signed at the lower left, E. PREVIATI. 


MME. PHILIPPINE BILDERS VAN BOSSE 
Dutcu: 1837—1900 


113—THROUGH THE WHEATFIELD B. Ie eno! 


(Water Color) 
Height, 10% inches; length, 20 inches 


In the foreground gray paths and green grass, and a peasant woman 
‘gal 2 walking toward a red house that lies beyond a field of ripe wheat. 


Signed at the lower left, M. BILpERS VAN Bosse. 


EDWARD VAN DER MEER 


DutcH: CONTEMPORARY 


114—IN LOWLAND MEADOWS 4. ee /, 
(Aquarelle) 


Height, 11% inches; length, 20% inches 


From a bend in a blue brook where a red rowboat lies under over- 
Es hanging green trees, green meadows extend to a distant hamlet of 
o 5) red roofs; in them are black and red cows, and ducks coming down 


to the stream. 
Signed at the lower right, E. vp MEER. 


sor 


ke 


\3 
S 


PAUL JOSEPH CONSTANTINE GABRIEL 
Dutcu: 1825—1903 


115—THE FISHERMAN 
(Water Color) 
Height, 12 inches; length, 20% inches 
BETWEEN banks of shrubbery, above which two trees only rise, at 
the left, a winding tidal stream is gray under a gray sky, and a man 
in a blue shirt sits, contentedly fishing, in his boat which lies on a 


mud bank. 


Signed at the lower right, GABRIEL, FT. 


MENSO KAMERLINGH ONNES 
DutcH: 1860— 


116—STILL LIFE: APPLES S  BLA4 
(Water Color) 


Height, 12% inches; length, 20 inches 


Larce golden apples with a crimson one in the background are 
lying on a bunch of large and varicolored leaves, in a bright light. 


Signed at the lower left, M. KaMERLINGH ONNEs, 89. 


MME. PHILIPPINE BILDERS VAN BOSSE 
DurcH: 1837—1900 


(Water Color) 
Height, 12 inches; length, 20% inches 


117—WINTER SUNSET Qh be anal 


SNOW-COVERED gable roofs of a Dutch village and above them a 
windmill; in the cottages lights, their reflections illuminating a but 
partly frozen stream, and over all an iridescent early evening sky. 


Signed at the lower left, M. BILpERS VAN Bosse. 


ANDRE BROEDELET 
Dutcu: 1872— 


118—LE BROCANTEUR aR st het 


(Water Color) 
Height, 1934 inches; width, 13 inches 
FULL-LENGTH portrait of a dealer in antiques, seated in his shop 


before a high desk, with metals and ceramics about him. In his 
knotted hands he holds a vase, which he is examining. 


Signed at the lower right, A. BROEDELET. 


CHARLES HERMANS 


BEtctan: 1839— i Dhee gir 
119—CARNIV AL BS oti 


(Water Color) 
Height, 1914 inches; width, 14°%4 inches 


a2Ao ESF a light snow, a masked figure in carnival time, holding up a 


eS 


dilapidated umbrella, engages in badinage with two passing young 
women. 
Signed at the upper left, C. HERMANS. 


Week. J. ZWART 


D : — 
120—A RAINY DAY i Cl. . eet 


(Aquarelle) 
Height, 12% inches; length, 205% inches 


CLoups are almost upon the ground, fog closes in, the air is sur- 
charged with moisture and a smooth pavement glistens; on it are 
horses, detached from a tram car, a man in sabots giving feed to a 
white one, and in the background pedestrians moving toward the 


tram. 
Signed at the lower left, W. pE Zwart. 


HERMANUS GERHARDUS WOLBERS 


DutcH: 1856— aS 
121—COWs dss 1. 
(Water Color) : 


Height, 13% inches; length, 20% inches 


Cows red and white and black and white to the number of more 
than a dozen are observed standing in the shallows of a winding 
stream and in the lush grass of a bordering meadow. 


Signed at the lower left, H. G. Wo.sers. 


ANNA E. KERLING 
Dutcu: 1862— 


122 THE DAIRY BOY Parl Gf LA, 


(Water Color) 
Height, 21 inches; width, 13%4 inches 


In the gray corner of a farm building, with blue tubs and copper 
vats about him, a fat Dutch boy is at work, attentive but placid, and 
is observed in profile to the right. 


Signed at the lower left, ANNA KERLING. 


AD 


91 


JAN WILLEM VAN BORSELEN 
Dutcu: 1825—1892 


123—LANDSCAPE WITH FIGURE 
(Water Color) 
Height, 14% inches; length, 20% inches 
AT right a thatched cottage with red-brown roof, in the shelter of 
thick trees at the edge of a rush-bordered stream on which a woman 


is rowing a boat. 
Signed at the lower left, J. W. VAN BORSELEN, F. 


TH. VAN HOYTEMA 


DutcH: 1870— 
Wa fe 


124—THE TURKEYS AND THE ROOSTER 
(Water Color) 
Height, 14 inches; length, 20% inches 
TurKEys of haughty bearing and grandiloquent tail-spread look 


with disdain and with pique at a proud and pompous chanticler who 
struts before them, his own tail feathers marvelously erect. 


Signed at the lower right, T. vy HoyTeMa. 


PAULUS VAN DER VELDEN 
Dutcu: 1837— 


125—THE LITTLE STUDENT B OnrRi 


(Water Color) 
Height, 20% inches; width, 15% inches 


THREE-QUARTERS length portrait of a rosy-cheeked girl with hazel 
eyes, deep and earnest, and blond hair much tousled, seated and 
facing the left, with head turned full upon the spectator. She is 
dressed in mauve and white and pale blue, and holds an exercise 
pad against her breast. 

Signed at the lower left, P. v p VELDEN. 


(1). (0 <> 0-6 eer ofl 


PIO CAVALIERE JORIS ‘2 
ITatian: 1843— — De ee. 
e6—Lanpscape and ricures 1C-4~ | Se 


(Aquarelle) 
| Height, 15% inches; length 22 inches 


: 50 A youne Italian woman who with others is spreading linen to bleach 
a] ona green meadow pauses to smile at her prattling baby seated in 
front of her. A cart and pedestrians pass in a neighboring road. 


Signed at the lower right, P. Joris, Roma, 1893. 


GASTON DEN DUYTS 


Dutcu: CONTEMPORARY 
127—A RAINY DAY By, Arkell 
(Water Color) 
Height, 17% inches; length, 214% inches 


On the right a farmhouse and before it in a wandering path a figure 
f us, — under an umbrella, at left a thatched out-building, and in the centre 
almost leafless trees, in an atmosphere charged with moisture. 


Signed at the lower right, Gast. Den Duyrs. 


HENDRIK WILLEM MESDAG 


DutcH: 1831—1915 Oye k ere af 
128—ON THE RIVER peel: a4 


(Aquarelle) 
Height, 16% inches; length, 2234 inches 
A scENE in North Germany, with sheep in care of a shepherdess 
feeding in salt marshes in the foreground, at the mouth of a river, a 


ep. square-rigger among other sailing vessels and two steamers in the 
ESV: stream, and a town on the farther shore. 


Signed at the lower right, H. W. M. 


JOHANNES HERMAN VAN DER WEELE 


DutcH: 1858— 
129—DONKEY EATING " f- guys 


(Water Color) 
Height, 21% inches; width, 17 inches 
A DONKEY, seen head and breast, stands facing the left, three-quarters 
front, with his nose in grass that has been fed to him, sunlight strik- 
(0 — ing broadly his side-face and bringing out fine colors in his deep 


coat. Signed at the lower right, v p WEELE. 


pve 


b0.~ 


HENDRIK WILLEM MESDAG 
Durcn: 1831—1915 


130-—-ONCOMING. FISHERMEN (Ay .W, Geeta af, 


(Water Color) 
Height, 22% inches; width, 17% inches 


pee 


Dark clouds and white ones in a profusely vaporous sky lend their 
shadows and their light reflections to an actively working sea, in 
which a fishing-boat with yellowish sail is coming forward, followed 
close-aboard by one with brownish sail, and others in the offing. 


Signed at the lower right, H. W. Mespac. 


LOUIS F. H. APOL 


DutcH: 1850— Ar bLy 
131—WOOD GATHERERS i. 


(Water Color) 
Height, 2144 inches; width, 144% inches 
AFTER a light fall snow-storm two woodsmen are observed at a 


roadside gathering branches of trees that have been pruned, their 


horse and cart standing near.. 
Signed at the lower right, Louis APOL, FT. 


FLORIS ARNTZENIUS 


132—SEASHORE BOULEV ARD 
(Water Color) 
Height, 16% inches; length, 23% inches 
A BroaD walk built upon an embankment above a broad sandy 


beach is crowded with men and women visitors of various condition; 
to right a robin’s-egg sea reaches to a mauve-tinged horizon. 


Signed at the lower right, F. ARNTZENIUS. 


HENDRIK JOHANNES HAVERMAN 


DutcH: 1858— (0 sr 
133—MOTHER AND CHILD Ce 


(Aquarelle) 
Height, 25 inches; width, 12 inches 
FULL-LENGTH standing figure of a young woman with reddish-brown 


hair, gowned entirely in yellow, with back to the spectator and 
holding a drowsy baby whose face with closed eyes is seen nestling 


against her shoulder. Signed at the lower right, H. J. HAVERMAN. 


Dutcu: 1864— hous fi LJ fo ’ 


HENDRIK WILLEM MESDAG 


Dutcu: 1831—1915 fe 
, oe oe eee 
Ce 


134—TROTHATTA FALLS 


(Aquarelle) 
Height, 22% inches; width, 18 inches 


A HEAVY cataract tumbles, gray-green and white, over and between 


qd 45, — massive rocks which are black, brown and gray, with tinges of 


a 4 
i 


green, the shore line shutting out the sky. A Scandinavian scene. 


Signed at the lower right, H. W. M., and on the mounting below, 
H. W. Mespac. 


JAN ZOETELIEF TROMP 


Dutcu: 1872— 


135—FILLING THE PITCHER 73 - QrkLyf 


(Water Color) 
Height, 24°84 inches; width, 15% inches 


FULL-LENGTH standing figure of a woman in a green-blue gown, back 
toward the spectator and face seen less than in profile, filling a 
lapis-blue pitcher with water from a brass fount attached to the 
wall of a room. 


Signed at the lower right, J. ZoETELIEF TROMP. 


MME. PHILIPPINE BILDERS VAN BOSSE 
DutcH: 1837—1900 


(Water Color) We C ost prey IT 


Height, 244% inches; width, 15°4 inches 


136—FALL WOODS 


Woops are dark and dull brown along a road paralleled by a foot- 
path, with light striking the white trunks of birches on a green 
bank, where a few leaves linger in bright color; in the path a man 
carrying a log. 

Signed at the lower left, M. BrtpERs van Bosse. 


2) 


ISG 


de 


ge 


J. HOYNCK VAN PAPENDRECHT ol rst | 
DutcH: CONTEMPORARY eo . 7. . 
137—ATTAQUE D’ARTILLERIE ET DE CAVALERIE | 
DE LA GRANDE ARMEE 


(Aquarelle) 
Height, 17% inches; length, 24°% inches 


In the foreground a cavalryman and his horse just downed, in a 
trampled wheat field, and others advancing in the line of artillery 
which is mounting a short slope, and being directed by an officer at 
the top. 

Signed at the lower right, J. Hoyncx P., ’84. 


PIETER DE JOSSELIN DE JONG 


DutcH: 1861— | 
138—LEADING HORSES TO WATER“. .G 7 
(Water Color) ; 


Height, 18 inches; length, 2444 inches 


SEATED on the back of a large white horse which is drinking at a 
pond, a farmer in blue jumper, gray trousers and sabots, leads a 
brown horse, urging it to the stream. Beyond, another farmer is 
walking homeward. 

Signed at the lower right, P. DE JOSSELIN DE JONG. 


MME. ADRIENNE VAN HOGENDORP S’JACOB 
Dutcu: 1857— 


139—STILL LIFE: FLOWERS AND FRUIT (Ar (we. frsben 


(Aquarelle) 
Height, 1614 inches; length, 25% inches 


Waite and red roses with buds and green leaves, and purple grapes, 
spread themselves in a bright light as they fall from an overturned 


basket. 


Signed at the lower right, A. vAN HocENpDoRP s’JACOB. 


MME. PHILIPPINE BILDERS VAN BOSSE 
Dutcu: 1837—1900 


140—STACKED WHEAT UNDER A STORMY SKY B Orbilf 


(Aquarelle) 
Height, 17% inches, length, 25% inches 
ie Rain clouds are drifting low over green meadows and _ harvested 
o ‘ fields, and at the edge of a farm road two peasants are seen, near 


a line of wheat sheaves piled high in stacks. Through a cloud rift, 
distant stacks are gilded by sunshine. 


Signed at the lower left, M. BitpERS vAN BossF. 


G. W. DIJSSELHOFF 


DutcH: CONTEMPORARY 


awa Ze 
141—THE AQUARIUM Neg aae Cte 


(Water Color) 
Height, 2444 inches; width, 18% inches 


D0 — THE spectator is looking into an iridescent aquarium where five 
curious fishes in black and white swim among mosses and artificial 


rocks. 
Signed at the lower right, GWD (monogram). 


WILLEM JOHANNES OPPENOORTH 


DutcH: CONTEMPORARY 


142—SHORE LANDSCAPE UY) mie St ae 


(Aquarelle) 
Height, 18 inches; length, 28 inches 


A SHALLOW arm of the sea indents the land between a distant coast 
__ _where a windmill stands and a point in the foreground covered with 
oe 5°; trees in autumn foliage. Here in a punt among the reeds sits a 


solitary figure in blue. 
Signed at the lower right, WILLEM OpPpENOORTH. 


JOHAN GERARD SMITS / 


a 
Dutcu: 1823— wou ; 


143—CLOISTERS OF THE CATHEDRAL OF UTRECHT 
BEFORE THE RESTORATION 


(Aquarelle) 
Height, 25%4 inches; width, 1984 inches 


Aw angle of the cathedral, its ancient walls a fascinating mass of 
: soft and varied color, encloses a sunny court where a monk in white, 
ah his head hidden in his cowl, stands conversing with one in a black 
habit who has a full white beard. Another in black, also white- 
bearded, is seated on a sheltered window ledge, regarding a friendly 

cat. 


Signed at the lower left, J. G. Smits, rc., 1896. At lower right, the 
title in Dutch. 


MARTINUS SCHILDT 


Dutcu: 1867— da rhe Z 
\M4—PREPARING THE COFFEE YWAA - ies . | 
(Aquarelle) 
Height, 2634 inches; width, 19 inches 
AN old woman in gray, with blue apron and white cap, turned from 
the spectator, is grinding coffee in a mill on her lap as she sits 


“~~ at the hearth-side, and her husband, facing her, smokes his pipe 
\p oie while he waits. 


Signed at the lower right, M. Scutcpt. 


HENDRIK WILLEM MESDAG 


DutcH: 1831—1915 pee eye x 
145—ROCKS ON A GRAY DAY Pu. ie 


(Water Color) 
Height, 20%4 inches; length, 28% inches 
A Rocky shore without tree or bush and with scant vegetation at 
CLS. —best, making a near-by and high horizon under gray clouds, is 


lapped by a bit of water in the foreground, rocks and the ground 
above them all appearing in dull neutral tones. . 


Signed at the lower right, H. W. Mespac 


Lea 


GS, 


MADAME S. MESDAG VAN HOUTEN 
(Wife of H. W. Mesdag) 


DutcH: 1834—1909 Wn (/ { 
146—STILL LIFE: VASE AND FRUIT ; ; 


(Water Color) 
Height, 18% inches; length, 30 inches 


On a yellow-covered table a globular jar in dark poylchrome, amid 
brown cones and fruits, including a melon and an alligator pear. 


Signed at the lower left, S. Mespac vAN Houten. 


JOHANNES MARTINUS VROLYK 


DutcH: 1846—1896 , 
i ERA. 
147—THE BULL eu aay 6. : 


(Aquarelle) 
Height, 21% inches; length, 30°4 inches 


A BULL white and tawny colored is walking slowly toward the left, 


— mouth partly open, in sunshine in a field of deep grass. Back of 


him a cow grazes lazily, attended by a stout young peasant woman. 


Signed at the lower left, JAN VROLYK. 


SECOND EVENING’S SALE 


TUESDAY, MARCH 9, 1920 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.15 O'CLOCK 


ORIGINAL DRAWINGS BY MODERN DUTCH 
~ AND OTHER ARTISTS 


MATTHYS MARIS 


DutcH: 1839—1917 


148—THE TIMID BATHER 
(Pencil Sketch) 
Height, 5 inches; length, 8 inches 
AT the edge of a river and in the stream a group of boys in various 


stages of nudity, out for a swim; two attempt to overcome the reluc- 


tance of one who fears the water. 
Signed at the lower right, M.M. 


ANTON MAUVE 
DutcH: 1838—1888 


Otto Bert fr 
149—SHEEP SHEARING 


(Black Crayon) 
Height, 8% inches; length, 9% inches 


Two sketches on opposite faces of the same paper, both depicting 
peasants at work shearing and washing sheep. 


Endorsed by B. E. van Houten as by Mauve. 


SIR E. LAURENS ALMA-TADEMA, R.A. 


BritisH: 1836—1912 ee ef. 2, ee 


150—PORTRAIT OF H. W. MESDAG: 
SOUVENIR OF A BANQUET 


(Black Crayon) 
Height, 12 inches; width, 8 inches 
BEyonpD an assemblage of eager hands thrust forward, raising wine 
glasses of differing form, a head and shoulders portrait of Mr. 


Mesdag, facing the spectator, and in his left hand holding his palette, 
with brushes. Background, a moving sea with sailing ships. 


Signed at the lower right, L. ALMA TADEMA. 


ANTON MAUVE 


Dutcu: 1838—1888 
151—SHEEP IN LONELY LANDSCAPE ara rcd 


(Black Crayon) 
Height, 9 inches; length, 13% inches 
On a broad hill of rough surface a considerable flock of sheep mov- 
ing close together are walking away from the spectator, toward an 


undulating horizon: and at the left a small group of short trees 
stands at the foot of a higher hillock. 


Endorsed by B. E. van Houten as a sketch by Mauve. 


ANTON MAUVE 


Dutcu: 1838—1888 ly Phy ( 


(Black Crayon) 
Height, 9% inches; length, 13% inches 


152—PLOWING 


A PEASANT with plow drawn by a single horse stands with back to 
the spectator, at the end of a furrow, in a field terminated by wooded 


land. 


Endorsed by B. E. van Houten as a sketch by Mauve. 


ANTON MAUVE 
DutcH: 1838—1888 


: te 
153—THE CLIPPING (2eow: (mena 


(Black Crayon) 


Height, 10 inches; length, 13% inches 


BEForE a lightly indicated bit of wood, standing on rough land, 


several peasants are engaged at clipping the wool from their flock, 


at the edge of a foreground stream where they wash the sheep. 


Endorsed by B. E. van Houten as by Mauve. 


ANTON MAUVE 
DutcH: 1838—1888 


ae | | 
154—LUNCHEON IN THE FIELDS (i yourpoeys 


(Black Crayon) 
Height, 10 inches; length, 13% inches 
IN open country among sands and grasses five peasants are seated 
in a group on the ground (one on a basket), taking refreshment, or 


engaged in some common interest—two men, a woman and two small 
girls, with a pet animal looking on. 


Endorsed by B. E. van Houten as a sketch by Mauve. 


ANTON MAUVE 
DutcH: 1838—1888 


155—SHEEP-W ASHING A ’ 
(Black Crayon) 


Height, 10 inches; length, 13% inches 
In the background farm buildings and a group of trees, and among 
the trees and in front of them on the bank of a stream which crosses 


the foreground a number of farm workers at a sheep-shearing, with 
others of the workers washing sheep at the border of the water. 


Endorsed by B. E. van Houten as a sketch by Mauve. 


i 


A 156—FLOCK OF SHEEP WITH SHEPHERD 


Movine slowly away from the spectator and led by their shepherd, a 
-flock- of sheep are ascending gently rising ground, its crest forming 
the horizon on the right, while at left and in the left distance the 


_ with two small trees form the skyline. 


ANTON MAUVE / 
Dutcu: 1838—1888 [ 


(Black Crayon) 
Height, 10 inches; length, 13% inches 


roofs of cottages built upon its slopes come above the hill-top and 


Endorsed by B. E. van Houten as a sketch by Mauve. 


ANTON MAUVE 
DurcH: 1838—1888 


157—VEGETABLE GATHERERS B. QrkRAL 


(Black Crayon) 
Height, 10 inches; length, 13% inches 
A MAN in a small cap who looks at the spectator and a woman in a 


large sun-bonnet who looks the other way are on their knees in a 
rumpled field, working out vegetables with their hands. 


Endorsed by B. E. van Houten as a sketch by Mauve. 


ANTON MAUVE 
DutcH: 1838—1888 


158—GETTING IN THE POTATOES ‘Ing, C- AL. [an 


(Crayon and Wash) 
Height, 10 inches; length, 13% inches 
SKETCH of two peasant girls on their knees gathering potatoes in a 
field near a cottage. 


Endorsed by B. E. van Houten as a sketch by Mauve. 


JOHANNES BOSBOOM 


DutcH: 1817—1892 ‘Ale a 
: gue 


159—PORTUGUESE SYNAGOGUE, AMSTERDAM b 
(Wash Sketch) | ‘ 

Height, 15% inches; width, 11°%4 inches 
In a bright light appear the ends of nave and aisles, with the high 
altar and the table for the rolls of the Law, and groups of people 


standing about. 
Signed at the lower right, J. B. 


ANTONIO MANCINI 


RADE 02a . Be a 
160—NUDE STUDY 


(Red Chalk) 
Height, 19 inches; width, 12% inches 


FEMALE figure, upright, inclined slightly forward from the hips, _ 


body three-quarters toward the front and face in profile to the right?, 
bright light, lessening about shoulders and face; gauzy drapery, and ~ | 
hat. 


Endorsed by B. E. van Houten as by Mancini, from the estate of H. W. 
Mesdag. 


THEOPHILE DE BOCK 


Durcu: 1850—1904 Aeon Gey “Bett. 


161—SHORE LANDSCAPE: GORINCHEM 
(Black Crayon) 
Height, 12 inches; length, 19 inches 
FRom the right a point of land where feathery trees and two cottages 


appear juts into rippling water, a small boat lies off the point, ae 
opposite at left are two windmills on low land. 


Signed at the lower right, TB (monogram); at lower left, 
“GORINCHEM.” 


MME. PHILIPPINE BILDERS VAN BOSSE 
Dutcu: 1837—1900 


162—TREE-BORDERED STREAM Frcd (beta 


(Crayon Drawing) 
Height, 12 inches; length, 17% inches 
TREES in close line border a stream which rounds into the back- 
ground, where a church spire appears over their tops; opposite, 


detached trees. 
Artist’s studio stamp at lower right. 


ANTONIO MANCINI 


Irauian: 1852— oi mM. On SO rs 
4 


(Red Chalk) 
Height, 18°4 inches; width, 12% inches 


163—NUDE STUDY 


FIGURE of a plump and smiling young woman, in tortuous posture, 
the entire figure in bright light with the exception of the smiling 
face, which, turned far over her right shoulder, is lightly shadowed. 


Endorsed by B. E. van Houten as by Mancini, from the estate of H. W. 
Mesdag. 


SIR E. LAURENS ALMA-TADEMA, R.A. 

EncuisH: 1836—1912 A el q 

164—FIGURE GROUP ee : 
(Pencil Sketch) 

Height, 15% inches; length, 19% inches 

SKETCH for an incident in one of the artist’s pictorial series of 
ancient lore, portraying within a cathedral a procession of figures, 
young and old, emerging from a doorway, a woman and a child in 


the lead, the principal figure following pers a rosary, and a 
group pausing about a bénitier. 


Endorsed below by B. E. van Houten as a sketch by Alma-Tadema. 


JOHANNES BOSBOOM 
Dutcu: 1817—1892 [ 


165—THE CHURCH AT HOOGSTRAETEN Nwx4 
(Wash Drawing) 
Height, 1814 inches; width, 14.4 inches 
A view beneath tall arches of the nave, looking toward the choir, 
with the great organ in the distance and choir stalls before it, and a 


woman standing near them; in the foreground funerary monuments, 
and at the right lower arches leading to an aisle. 


At lower left, part of an inscription, ““HOOGSTRAETEN.” 


ANTONIO MANCINI 


Irauian: 1852— Coit ae ¢ Aes ‘ 


(Red Chalk) 
Height, 19 inches; width, 12% inches 


166—NUDE 


STANDING figure of a large woman, leaning against a wall, with her 
arms lightly spread at her sides, the flesh of a part of the trunk 
illuminated by a high but soft light, and head poised over her right 
shoulder somewhat in shadow; indications of transparent drapery. 


MME. PHILIPPINE BILDERS VAN BOSSE 


D : 1837—1900 
i Caen E nt Me COR EGE 


167—THE MARSH POND 
(Black and White Drawing) 
Height, 124% inches; length, 2154 inches 
Backcrounp hills with trees large and small, in full foliage, slope 
easily toward a marshy foreground pond. 


Artist's studio stamp at lower right, and note, VORDEN 775. 


JOHANNES BOSBOOM 
Dutcu: 1817—1892 


168—CHURCH INTERIOR AT LEYDEN TER Ly Wad (1411 


(Wash Drawing) 
Height, 19% inches; width, 15% inches 


SKETCH of portions of nave and an aisle, with round pillars and 
slender chandeliers, and in the middle distance a screen. Before the 
third pillar a man in a broad brimmed hat. 


Signed at the lower left, HOOGLANDSCHE KERK, LEIDEN; J. B. 


RICHARD BISSCHOP 
Dutcu: 1855— 


169—STUDIO INTERIOR: A TRIBUTE Of ee 


(Crayon Drawing) 
Height, 15% inches; length, 21 inches 


INTERIOR view of the large studio of Mr. Mesdag, with furnishings 
both elaborate and plain, and light from a large window at the left 
falling upon a group of pictures stacked against the wall, a large 
one by Bosboom overhung by a wreath with streamers. 


Signed at lower centre: R. BisscHop; In Memoriam, Fesruary, 
1892. (The year of Bosboom’s death.) 


=. 
isn 


JOHANNES BOSBOOM 
Dutcu: 1817—1892 


170—CATHEDRAL OF ST. BAVON, HAARLEM 
(Crayon and Chinese Ink) ; 
Height, 215% inches; width, 1738 inches 
AN interior view of the great church, with its elaborate chandeliers 


suspended low from the tall arches of the nave; at left, two visitors 
in conversation, and at centre two others, an adult and a child. 


Signed at the lower right, J. B.; Groote Kerk, HaarLteM. At lower 
left, TEEKENING (sketch) COLLECTIE Fopor. 


HENDRIK WILLEM MESDAG _ 
DutcH: 1831—1915 


171—DUTCH FISHING BOATS 
(Charcoal Drawing) 


Height, 18 inches; length, 22°4 inches 


In a ruffled sea just off-shore several sailboats are within sight, the 
nearest one with sails partly lowered and two lines leading shore- 


ward in the foreground. 
Signed at the lower right, H. W. M. 


JOHANNES BOSBOOM 


Durtcu: 1817—1892 | | i age 
172—BAKKENESSER CHURCH, HAARLEM ae tt 


(Wash Drawing) 
Height, 23°, inches; width, 19°8 inches 


FREE sketch of the interior of a church with broad arches and cross- 
beams, looking toward the altar, with aisle arches on the left and 
the figure of a woman before them, facing a pulpit on the right. 


Signed at the lower left, BAKKENESSER KERK, HAARLEM, J. B. 


ANTONIO: MANCINI ; 
ITALIAN: 1852— CO ; 


(Red Chalk) 
Height, 25% inches; width, 18 inches 


173—NUDE STUDY 


Upricut figure of a young woman, left foot slightly advanced and 
both knees lightly flexed, arms extended with hands together in front 
of her in the posture of one about to dive into the water; profile to 
the right. | 


- HENDRIK WILLEM MESDAG 


Dutcu: 1831—1915 Oe Oe 
174—MARINE FETE o. J : 


(Pencil Sketch) 
Height, ? (optional) ; length, 33% inches 


A SKETCH of a large assemblage of shipping in a commodious har- 
bor, on some occasion of celebration, with the Zeeland, dressed, as 
the conspicuous centre of the composition and a royal barge on the 
way to her, and other vessels indicated by name. Copious notes in 
the artist’s hand. 


WORKS BY THE MASTERS OF THE BARBIZON 
SCHOOL 


PIERRE ETIENNE THEODORE ROUSSEAU 
Frencu: 1812—1867 


175—LE COUR DE LA LOUE AL. E. Coat ey. 


(Pen Sketch) 
Height, 51% inches; length, 8% inches 
THE river courses slowly through moist meadows, with distant hills 


on the right and trees at left. In the foreground some cows, a figure 
near them, and a boat at the water’s edge. (Done, 1862-63.) 


Stamp of the Rousseau sale at lower left, TH. R. 


From the Rousseau sale, Catalogue No. 221. 


PIERRE ETIENNE THEODORE ROUSSEAU 
Frencu: 1812—1867 


176—THE THATCHED COTTAGE 4 MW CA od bd ter dn 


(Wash Drawing) 


Height, 5% inches; length, 9 inches 


In the foreground a road leads around the head of a long pool to a 
roomy cottage with heavily thatched roof, which stands in the sun- 
shine, with smoke coming from its chimney, near a group of large 
trees which centres the middle distance. At right on a hillside and 
at left in a valley are other thatched houses. 


Signed at the lower right, TH. R. 
From Goupil & Company, Paris. 


JEAN FRANCOIS MILLET y, 


Frencu: 1814—1875 |W: US, Qp anne 


177—MOTHER AND CHILD, TALKING 
(Black Crayon) 
Height, 61% inches; width, 45% inches 
SKETCH of a peasant mother and her small child, seated at an angle 
of a high-backed settee, talking while the mother works at her sewing. 
Signed at the lower left, J. F. M. 


JEAN FRANCOIS MILLET a 1 


Frencu: 1814—1875 Cth 
178—THE MOWER IN.W: 


(Black Crayon) 
Heine. 614 inches; width, 55% inches 
A PEASANT facing the right and with one foot in advance of the 


other, bends from the hips until his hands are almost mbes the 
eround, and mows tall wheat with a sickle. 


Signed at the lower right, J. F. M. 


CHARLES FRANCOIS DAUBIGNY 
Frencu: 1819—1878 


179—ENVIRONS DE TOUSEY Cus ; 
(Red Chalk) 
Height, 5 inches; length, 9°4 inches 
A SHALLOW river which overspreads the foreground turns back about 
a point at the left which supports several short trees, and on the 


right in the background the ruins of a castle with dungeon tower 
standing are seen on a hill. 


From Arnold & Tripp, Paris. 


Signed at the lower left, DauBIGNY. 


CHARLES FRANCOIS DAUBIGNY 
Frencu: 1819—1878 


180—L’ETANG PRES DE CHATILLON alo. 
(Red Chalk) 
Height, 5 inches; length, 9% inches 
THE pond lies within low banks, its waters expanding in a marshy 


foreground, with trees at both right and left but clear fields in the 
distance. 


From Arnold & Tripp, Paris. 


Signed at the lower left, DausBicny. 


JEAN FRANCOIS MILLET 
Frencuo: 1814—1875 


181—PORTRAIT HEAD C : 
(Black Crayon) 


Height, 7 inches; width, 5% inches 
Heap and shoulders sketch of a young peasant, in profile to the 
right, with hair tousled and loose blouse falling away from his neck. 


Signed at the lower left, J. F. M. 


JEAN FRANCOIS MILLET 
FreNcH: 1814—1875 


Lo. 


182—THE RETURN FROM THE FIELDS 
(Black Crayon) 


Height, 5°8 inches; length, 8% inches 


Two laborers approach the foreground, trudging down a light de- 
scent in a land of rolling fields, their upper figures sillhouetted 
against the light horizon of a darkening sky, the one bearing upon 
his shoulders a bundle of sheaves or of fagots, the other carrying 
| farm implements. 

| Signed at the lower right, J. F. M. 


From Goupil & Company, Paris. 


‘ PIERRE ETIENNE THEODORE ROUSSEAU 


/ af FrencH: 1812—1867 ego are. 


h’ 183—SENTIER MENANT AU CUVIER: CHATILLON Grkl . 
(Wash Drawing) 


Height, 7% inches; length, 10% inches 


A roap or footway through a wild and open forested countryside 
drops over a crest in the middle distance and vanishes in a valley; 
at either side of the way a detached tree stands out above its neigh- 
bors, and in the distance are high and rounded wooded hills. (Done 
in 1856.) 


Stamp of the Rousseau sale at lower right, TH. R. 


CHARLES FRANCOIS DAUBIGNY 
FRENCH: 1819—1878 


184-THE HEAVY LOAD Q eee 


(Fusain; enriched with white) 


Height, 74% inches; length, 12 inches 


A TWO-WHEELED cart heavily laden is being drawn laboriously toward 
the right by two sturdy horses in tandem, a driver on foot urging 
them and two other men putting their shoulders to the cart. They 
move toward a large open gate. In the foreground a man standing 
at the brink of a river. 


JEAN FRANCOIS MILLET 


Frencu: 1814—1875 pf ea 
185—LE DISCOURS DES RUSTIQUES \. 


(Black Crayon; touched with white) 
Height, 8 inches; length, 9 inches 


A SHEPHERD with his back against a tree at the edge of a wood, and 
hands clasped over the crook of his staff, stands looking downward, 
in discourse with a man seated on the ground before him. 


Signed at the lower right, J. F. M. 


JEAN FRANCOIS MILLET 


FRENCH: ae WANS eee 


186—WOOD GATHERERS 
(Gouache) 


Height, 14 inches; width, 11 inches 


THROUGH an open way in which coarse grasses come up above a 
light covering of snow, two peasant women wearing sabots and white 
caps pass toward the right, before a background of woods. Each 
is heavily laden with a great bundle of dry wood, borne upon her 
bent back—her burden seemingly almost too great for her to bear; 
but they plod their way with dogged resignation. 


Signed at the lower right, J. F. MIL.et. 
(Illustrated ) 


WW 


‘moments of the day, before taking to repose.” 


JEAN FRANCOIS MILLET 


FRENCH: 1814—1875 he UD . we 


187—WOMEN SEWING 


(Fusain) 
Height, 12% inches; width, 9%4 inches 
In a corner of a cottage room dimly lighted by a wall lamp, two 
peasant women, seated facing one another, diligently sewing, a 


work-stool beside them. A French cataloguer observes: “Even after 
a hard day’s task on the farm, they utilize for this work the last 


Signed at the lower right, J. F. MIctet. 

Reproduced in “The Drawings of Jean Francois Millet, with Fifty Facsimile 

Reproductions of this Master’s Work, and An Introductory Essay by Léonce 
Bénédite;” William Heinemann, London, 1906. 


(Illustrated ) 


CHARLES FRANCOIS DAUBIGNY 
Frencu: 1819—1878 
188—A SEASHORE VILLAGE ghee “ofa 3 
(Red Chalk) — 
Height, 10% inches; length, 17% inches 
NESTLING in the dunes in the middle distance are the closely grouped 


cottages of a hamlet, at the border of a sea which sweeps to the 
left. In the foreground sands may be seen the figure of a child. 


CHARLES FRANCOIS DAUBIGNY 


FRENCH: 1819—1878 
+ Ws. eee 


189—RIVER AND REFLECTIONS 
(Red Chalk) 
Height, 10°4 inches; length, 17% inches 


A SHALLOW river cut by grasses in the foreground reflects vividly the 


trees on a point of land projecting from the left. In the distance, 
on the farther shore, a small church. 


Monogram seal at lower right, C. F. D. 


ho, 5, 
- 


7 JEAN FRANCOIS MILLET 


\s 0 ‘ Frencu: 1814—1875 }. Pere 
v 


190—THE YOUNG COWHERD 
(Fusain) 
Height, 12 inches; width, 9°4 inches 
LeaninG with his back against a tree—one of a group—a youthful 
herdsman stands facing the spectator, his features wearing an ex- 


pression of bucolic vacuity. Near him is his dog, and above on a 
hill-crest are two cows, one scratching herself on the bark of a tree. 


Signed at the lower right, J. F. M. 


From Coupil & Company, Paris. 
| (Illustrated) 


/ 
v 


se JEAN FRANCOIS MILLET. ) (Ly) 

4" Frencu: 1814—1875 (A): UA). Oy ae Oe ej 
i 191—_THE HUNTER - 
(Black Crayon, with White) 

- Height, 13% inches; width, 11 inches 

Berore a thick, leafless wood out of which myriad birds rise, a de-— 
tached tree-group stands at the left, near a haystack. Snow attaches 
to the windward side of the trees and the top of the stack, and covers 
the ground and a fence in front of the woods. Irom among the trees 


at the left a hunter comes, holding his gun ready, his dog moving 
ahead of him. 


Signed at the lower right, J. F. MILet. 


CHARLES FRANCOIS DAUBIGNY 
( 7 FRENCH: 1819—1878 


192—UNE PETITE RIVIERE 4M. rid 
(Black Crayon) | 
Height, 11%4 inches; length, 18° inches a | 


C 


THROUGH the centre of the composition a small canal winds lazily, 
tree bordered at either side, and on the left a small punt is moored, 
a figure in the stern and others near by on shore, where cottage 
roofs appear. 

Official monogram stamp. 


Endorsed on the back by B. E. van Houten as a sketch by Daubigny. 


4 
Z 


Bren 


ws 


JEAN FRANCOIS MILLET 


Frencu: 1814—1875 \ Al fe A 


193—LE REPOS DES MOISSONNEURS 
(Black Crayon) 
Height, 14% inches; width, 10% inches 
THREE weary harvesters are resting heavily, in fatigue, one man 


leaning and partially seated against a haystack, and two others slum- 
bering on the ground at his feet, pillowed upon the stack. 


Signed at the lower left tle PoaM, 


JEAN FRANCOIS MILLET 


Frencu: 1814—1875 A) (oe Stes 7 


194— ADAM AND EVE MOURNING THE DEATH OF ABEL 
(Black Crayon) 
Height, 10% inches; length, 12% inches 


ApaAm on the left leans down to raise the inanimate form of Abel, a 
youthful girlish figure lying in the fields. On the right, Eve, seen 
in profile, bends in sorrow and extends an arm to offer aid. 


Signed at the lower right, J. F. M. 


JEAN FRANCOIS MILLET 
FrencH: 1814—1875 


ce. 


195—SHEPHERDESS WITH HER SHEEP 
(Fusain) 


Height, 12 inches; length, 1742 inches 


On a hammock at the edge of an open wood a shepherdess with a 
mantle over her head stands facing the spectator, with her back to 
the sunlight. Her sheep browse among the trees, and shafts of light 
from an unseen setting sun, penetrating the wood, illumine the 
backs of the sheep, the figure of their guardian, and the higher spots 


of the ground. 
Signed at the lower right, J. F. M. 


(Illustrated ) 


0 
ag 196—THE HARVESTERS’ REPAST 


fv 


fo 
s 


JEAN FRANCOIS MILLET 


Frencu: 1814—1875 Vues 


(Black Crayon) 
Height, 12°4 inches; length, 17% inches 


BEsIDE a large hayrick a number of harvest workers, men and women, 
have assembled in such shade as it affords, for their common meal. 
One man is seated on a bank of straw or grain; others sit or kneel 
upon the ground, and one seems to be reaching for soup from a 
kettle. | 
Signed at the lower right, J. F. M. 


'  Frencn: 1814—1875 Ce ae 
197—SOLITUDE A). WW. 


(Black Crayon) 


Height, 19°4 inches; width, 1744 inches 


JEAN FRANCOIS MILLET a t 


A pARK veil of clouds drifts over low hills, like a heavy mantle 
slowly shutting out the last gleams of day. In the valleys the 
shadows deepen, and a flock of browsing sheep distinguish them- 
selves chiefly as a mass of indefinite forms. Near the crest of a hill 
the shepherd is seated, silhouetted against the sky. A French descrip- 
tion of this impressive drawing closes with the observation: “He 
and his dog are the soul beings who reign in these parts, gloomy and 
solitary, where the browsing of the animals is the only sound dis- 
turbing the silence.” | 

Signed at the lower left, J. F. MiL.et. 


CHARLES FRANCOIS DAUBIGNY 


Frencu: 1819—1878 We rrr 


198—LANDSCAPE OF FIELDS, HILLS AND VALLEY 
(Black Crayon) 
Height, 17% inches; length, 244% inches 


CULTIVATED fields cross the foreground and mount a gentle incline 
on the right, and within the angle bushes enclose a single tree of 
three prominent limbs. In the middle distance valley runs a stream, 
with distant boundary of undulating hills. 


Monogram seal at lower right, C.F.D. 


Endorsed on the back by B. E. van Houten as a sketch by Daubigny. 


CHARLES FRANCOIS DAUBIGNY 


FreNcH: 1819—1878 . 
199—ROCKY LANDSCAPE rae af buaq 


(Black Crayon) 
Height, 17% inches; length, 24% inches 
SHEER walls of rock rise above the picture limits on the left in the 


foreground, along the border of a winding road, in which a figure is 
seen at the turn. At the right, trees at the foot of a rounding hill. 


Official monogram stamp. 


Endorsed on the back by B. E. van Houten as a sketch by Daubigny. 


CHARLES FRANCOIS DAUBIGNY 


Frencu: 1819—1878 Kf 4 
200—WINDING RIVER © . H Keay 


(Charcoal Drawing) 


Height, 17 inches; length, 24% inches 


A SHALLOW and sluggish stream, with low reeds along its borders, 
takes a serpentine course through a valley having a horizon boundary 
of jagged hills. In the right foreground a short, sturdy tree branches 
beyond the lines of the picture. 

Official monogram stamp. 


Endorsed on the back by B. E. van Houten as a sketch by Daubigny. 


CHARLES FRANCOIS DAUBIGNY 
FrencH: 1819—1878 


201—LE CHEMIN DE MONTAGNE Wr N . ( 


(Black Crayon) 
Height, 174 inches; length, 2444 inches 


THE mountain path takes a wandering course and is lost to view in 
its turnings; the peaks are rough and irregular at the left, and on 
the right of the path is a line of trees, below them appearing a 
glimpse of a brook. | 


Official monogram stamp. 


Endorsed on the back by B. E. van Houten as a sketch by Daubigny. 


ee 


—— 


> 


CHARLES FRANCOIS DAUBIGNY 


FreNcH: 1819—1878 
202—AMONG THE ROCKS hal ' C ; Bee 


(Charcoal Drawing) 
Height, 16°8 inches; length, 24°83 inches - 


A MASSIVE wall of rock, irregularly seamed and shelved, looms high, 
with precipitous flanks, and near the centre appears the entrance to ? 
a cave. In the foreground at a lower level a few bushes are growing. 


Official monogram stamp. 


CHARLES FRANCOIS DAUBIGNY 


FRENCH: 1819—1878 
203—IN THE VALLEY Rh. Lame 
(Charcoal Drawing) 
Height, 174% inches; length, 244% inches 7 


ALonc a flat sandy valley a shallow brook takes a sinuous course, ~< - 
grasses, bushes and a single tree on the foreground shore; on the ro 
farther shore a line of full-foliaged trees, at the foot of a high bank. 


Monogram seal at lower right, C.F.D. 


CHARLES FRANCOIS DAUBIGNY + 
FRENCH: 1819—1878 y 


204—LE PETIT CANAL | . al Th 


(Black Crayon) 
Height, 24% inches; width, 178 inches 
In a narrow canal in the foreground a barge without cargo lies 


before the arch of a bridge which crosses at the left; the farther 
bank, high and sloping, supports veteran trees alongside a mansion. 


WATER COLORS 


JULINO VAN DE SANDE ens | Cs f 
Dutcu: 1835— C.. : ‘Me. 


205—WOODLAND LAKE IN THE GLOAMING 
(Water Color) 
Height, 91% inches; length, 12 inches 
AT the close of day a lake surrounded by woods in autumn coloring 


is darkening in the distance, while its foreground waters whiten with 


cloud reflections. 
Signed at the lower right, J. vy D SANDE BAKHUYZEN, 1904. 


WILLEM ROELOFS 


Dutcu: 1822—1897 Oper ee es 
206—MARSHLANDS AND HOMES q. € . 


(Water Color) 
Height, 9% inches; length, 13% inches 
ee 
D+" Marsuy waters penetrate green meadows, and in the distance are 
low brown farmhouses among trees, under a blue and lightly clouded 
sky. 
Signed at the lower left, W. RoELors. 


Westies Jo.DE ZWART 


DutcH: 1862— ai 
207—SUNSET STORM : 
‘ (Water Color) 


Height, 10% inches; length, 13°4 inches 


In the late afternoon a summer thunderstorm has burst upon a dark 
blue sea and is passing on. In its wake the sun, already near the 
horizon, burns its myriad rays through the cloud strata, whose vary- 

50 + ing density turns the solar light into a vivid iridescence of fantastical 
radiance. On the sandy shore in the foreground many people are 
gathered, after the storm, busily working with the landed cargoes of 
two fishing vessels that have come in. 


Signed at the lower right, W. DE Zwart. 


WILLEM ROELOFS i ye cower 
(owe 


Dutcn 1822—1897 
208—AT THE INLET 
(Water Color) 


Height, 14 inches; width, 9 inches 
AN inlet within green meadows reflects an azure sky with mountain- 
ous white clouds, and at its edge two rowboats lie in the shade of 


1) oo dense trees. 


Signed at the lower right, W. RoE ors. 


MARIUS BAUER 
Dutcu: 1867— (Pere is: 
209—ON THE BANKS OF THE THAMES, LONDON Gath 
(Water Color) 
Height, 15% inches; width, 9% inches 
_— Foe and smoke obscure buildings, boats and river, and on a balus- 


3 ‘~ trade in the foreground an idler is seated. 
Signed at the lower left, M. BAuEr. 


gor 


ALBERT NEUHUYS 
Dutcu: 1844—1914 
210—LA POUPEE 
(Aquarelle) 
Height, 17 inches; width, 13 inches 


PorTRAIT of a young mother holding upon her knee her chubby 
infant, whose attention she engages with a doll that she stands up- 
right upon a table at her side. The light falls upon the group from 
the left, the child’s face and a part of the mother’s being in trans- 
parent shadow. ‘The scene is a corner of a gray cottage room with 


red tile floor. 
Signed at the lower right, ALB. NEUHUYS, F., 80. 


JULINO VAN DE SANDE BAKHUYZEN 


Dutcu: 1835— ml 


211—HOLLAND LANDSCAPE (}. 
(Water Color) 
Height, 13 inches ; length, 16 inches 
FLAT green lands extend along a placid river to a white horizon, 
against which rises a single distant windmill, and at right of the 


stream a green tree group stands before a farmhouse with adjacent 
buildings. 


WILLEM ROELOFS 


DutcH: 1822—1897 of atin 
2.4: 


212—HOUSES IN A CLEARING 
(Water Color) 


Height, 12 inches; length, 18 inches 


THE sun shines brightly on white houses with roofs of deep blue, 
in a clearing seen between a light wood’s-edge in the foreground and 
a dense wood in the left background. 


Signed at the lower right, W. Roetors, GROENENDAAL, JUNE, ‘’76. 


JOHANNES BOSBOOM 
Durcu: 1817—1892 


213—RUINS OF VILLERS ABBEY wha Arg Boe 


(Water Color) 
Height, 18% inches; width, 13% inches 
_At right and left rise tall columns of masonry, creamy-brown in 
! 2 9 6. color, with dark shadows beneath the arches, and in the background 


the broken walls reveal the sky. In the foreground are trees and 
broken bushes, and four peasant women soberly clad. 


Signed at the lower left, J. Bosspoom, VILLERs. 


CHARLES ROCHUSSEN 
DutcHu: 1814—1894 


214—THE HISTORICAL PAGEANT AT LEYDEN UNIVERSITY 


(Water Color) NY. Whe ade nn 


Height, 101% inches; length, 19% inches 


: On the spacious porch of a decorated collegiate structure and on the 
_~ lawn before it, large numbers of people in mediaeval costume, and 
go : spectators in modern dress, on a brilliant day—the decennial uni- 
. versity celebration of the historic past. 


Pa Signed, lower center, C.R., LEYDEN, JUNE 24, 1890. 


JOHANNES BOSBOOM 
Dutcu: 1817—1892 Wd oe ary bre 


215—SERVICE IN THE PORTUGUESE SYNAGOGU 


AMSTERDAM 
(Water Color) 


Height, 18 inches; width, 14°58 inches 
On high on the right two rabbis are celebrating the office, and low 


Bao, — * the left in the distance is an assemblage of believers, in a high 
: light. In shadow in the foreground are other groups of people. 


Signed at the lower left, J.B., °50, AMSTERDAM. 


50 


LO: 


aah 


FRANCOIS P. TER MEULEN 


DutcH: 1843— Ril 


216—WOODMEN AT WORK IN AUTUMN Gis) 
(Aquarelle) 
Height, 12 inches; length, 18 inches 
In leafless woods, with trees of mossy green trunks, two blue-bloused 


woodmen are attaching a log to a pair of wheels, for their patiently 
waiting black and white team to drag away. 


Signed at the lower right, TER MEULEN. 


HENDRIK WILLEM MESDAG 
DutcHu: 1831—1915 


217—POTATO-GATHERING (Fs Bod af ; 


(Water Color) 
Height, 13% inches; length, 20% inches 
Broap lowland fields, brown and green, stretch across the picture, a 
and reach to far distances under a soft-grayish, murky sky. A 


wagon and cottage are seen far off, and nearer the foreground five 
peasant women are digging potatoes, and gathering them into baskets, 


Signed at the lower right, H. W. Mespac. 


MARIUS BAUER 


Dutcn: 1867— | 
218—THE HAREM GUARD CEN Vp oh 
(Water Color Sketch) S pie i 


Height, 18 inches; width, 15°%4 inches 


EUNUCHS seated or reclining sleepily are seen on and about a broad 
flight of white marble steps in an Eastern palace, with a corridor 


7 dimly illumined by a red light back of them, leading to the seraglio. 


On the steps at centre, a pasha with a scimitar, and a favorite beside 
him. 
Signed at lower center, M. Bauer. 


—_ Or ee 


470 


; 
ee 
| 


SO. <3 


a7 


MME. PHILIPPINE BILDERS VAN BOSSE 


219—BOHEMIAN GYPSIES IN CAMP 


DutcH: 1837—1900 


(Water Color) 


Height, 13% inches; length, 19%4 inches 


—THE encampment is on green turf with sandy patches, and around 


wagons and tents are women tending fires whose smoke curtains the 
wood which forms the background. 


Signed at the lower right, M. van Bosse. 


J. HOYNCK VAN PAPENDRECHT 


220—CAVALRY AT THE WATERING TROUGH 


DutcH: CONTEMPORARY 


(Water Color) 


Height, 14 inches; length, 19% inches 


CAVALRYMEN in blue with black caps and red pompons are as- 
sembled at a watering trough and some have dismounted while 
their horses drink. In the background, village houses with flower 
gardens and fields. 


221—RIVER LANDSCAPE 


Signed at the lower right, J. HoyNcK v PAPENDRECHT. 


FREDERIC J. DU CHATTEL 


ee ay STD 
q, ff Ce 


(Water Color) 


Height, 19% inches; width, 13% inches 


A Fair day in midsummer, with white clouds in a blue sky reflected 
in a narrow river winding through green fields; sailboats moored at 
the bank; a man in a boat in mid-stream. At right and left, cottages 


and outbuildings. 


Signed at the lower left, Frep. J. pu CHATTEL. 


EDWARD VAN DER MEER 


DutcH: ColnEMebartrts ive prea 


222— AT THE SHIPYARD 
(Water Color) 
Height, 13% inches; length, 19% inches 
ut 0: BaRGES and a sailboat lie in a stream on whose bank is a modest 


shipyard, with a shop having two ways, on one of which another 
boat is hauled out. Beyond, a house and green trees. 


Signed at the lower right, Ep. v p MEER. 


JOSEF NEUHUYS | 
Durcu: 1841—1890 R ot Se ¢ 
223 GATHERING RUSHES 4 


(Water Colo 
Height, 14% inches; length, 201% inches 


AT eventide, with the red after-glow of sunset beyond green meadows, 

(co —~ a lone peasant in a punt in a foreground stream is cutting rushes at 
the foot of a clump of willows. 

Signed at the lower right, JosEF NEUHUYS. 


FREDERIC J. DU CHATTEL 


Dureu: 1sse— fz, AL. & deracced 


224—THE BLUE RIVER IN THE MOUNTAINS a 
(Water Color) ' 
Height, 14% inches; length, 21% inches 


TREELESS mountain peaks are green, bluish and yellowish under 
357 white and gray clouds in an azure sky, and at their foot runs a blue 
river whose low shores show green woods of tropical luxuriance and 


a bush in flower. 
Signed at the lower left, Frep. J. pu CHATTEL, F. 


JOHANNES HENDRIK WEISSENBRUCH 
Dutcu: 1824—1903 


225—GRAY STREAMS AND GREEN MEADOWS 
(Water Color) Guess: 


Height, 15 inches; length, 21%4 inches a tl : 


A Low Countries landscape with broad streams amid meadow lands 
and marshes, in the foreground a boy in blue and brown after the 
food the sea affords, to left a figure in a rowboat and in the distance 
a church. 


Signed at the lower right, J. H. WEISSENBRUCH. 


' = MME. PHILIPPINE BILDERS VAN BOSSE 
Dutcu: 1837—1900 


| 226—NASSAU ON THE RIVER LAHN W. (Dye yee ee 


(Water Color) 
‘Height, 16% inches; length, 24 inches 


EVENING view of buildings of varied architecture, whose interior 
a.- — lights, golden and red, are reflected in the river in the foreground; 
back of them, hills under a star-lit sky. 


Signed at the lower left, M. BILDERS VAN Bosse. 


HENDRIK WILLEM MESDAG 
DutcH: 1831—1915 


227—_THE LIGHTHOUSE 
(Water Color) i). W. Syd were & 


Height, 17% inches; length, 22°4 inches 


| Gray dunes with greenish vegetation form the skyline at the left, 

| _ and at the right it is formed by the red gables of a fishing hamlet, 

] So: above which towers a red-capped lighthouse. Wending over the 
dunes are figures of fishing folk and peasantry. 


Signed at the lower left, H. W. Mespac. 


Jo - 


Cae 


PAUL JOSEPH CONSTANTINE GABRIEL 


Durcu: 1825—1903 Jpg see 
228—THE POLDER La. | 


(Water Color) 
Height, 14 inches; length, 23%4 inches 
RecLAIMED land supporting some herbage ranges to a far horizon, 
beneath a gray sky, and encloses a stretch of shallow water in the 


foreground. Here a barrel fitted with a rack is afloat, anchored to 
land by timbers, and on the bank a net is stretched between poles. 


Signed at the lower right, GABRIEL, FT. 


HENDRIK WILLEM MESDAG 
DutcH: 1831—1915 


229—_HARBOR ENTRANCE 
(Water Color) < ) 
Height, 18% inches; length, 2338 inches 
From the distance the waters of a harbor put into the foreground, 
entering between jetties at right and left, and being divided by a 


third jetty which projects from the foreground. Sailing ships and 
smoking tenders, under a lightly clouded sky. 


Signed at the lower right, H. W. Mespac. 


MME. PHILIPPINE BILDERS VAN BOSSE 


Dutcu: 1837—1900 
230—WINTER q ; ous 
(Water Color) 


Height, 17 inches; length, 24 inches 


IcE and snow breaking into large cakes, and in the midst of the 
white mass two brown and bare pollard willows. Birds in the air 
and in the distance blue hills. 


Signed at the lower right, M. BILDERS vAN Bosse. 


FREDERIC J. DU CHATTEL 


DutcH: 1856— QO b 
231—IN WINTER 
(Aquarelle) 


Height, 24 inches; width, 17%4 inches 


THROUGH the centre a stream passing between low snow-covered 
banks, and on the right a lone house at the edge of a brown wood; 
in front of it trees of greenish trunks, reflected in the water. 


Signed at the lower left, FRep. J. pu CHATTEL. 


WILLEM CORNELIS RIP 
Dutcu: 1856— LW. Cay Se 4 iran 


232—SALT MEADOWS IN THE ENVIRONS OF A TOWN 
(Aquarelle) 
erera 16% inches; length, 25 inches 
A LONE fisherman in a blue blouse sits in a barge at the edge of a 


J § &@.—marshy inlet, in meadows at the right cows are grazing, and in the 
background are the red roofs of a town, with windmills and a church. 


Signed at the lower right, Wittem C. Rip; and on the back, 
“AuTUMN Mornine,” Wittem C. Rip, Toe Hacue, 1898. 


HENDRIK WILLEM MESDAG 


Dutcu: 1831—1915 


233—SAILING OVER A TROUBLED SEA 
: (Water Color) 
Height, 16°4 inches; length, 26 inches 


Dutcu fishing boats are scattered far and wide over a lightly mov- 

ing, confused sea, and gulls fly aloft before a blue sky obscured by 

—heavy cumuli. Of the three nearer vessels one at the right shows 
440 yellow sails, the centre one sails of dull red, and one at the left has 
canvas of gray-white. | 

Signed at the lower right, H. W. Mespac. 


TONY OFFERMANS 
Dutcu: 1845—1911 


234—THE CAGE MAKER ae. V ; ae Vag 


(Water Color) 


Height, 26 inches; width, 18 inches 
af - 
AN old man grimly genial, cap rakishly poised, with large spectacles 
and smoking his pipe, is at work in his shop making a birdcage. He 
«& {). — is seated in a rush-bottomed chair with his back to a glowing fire and 


facing a window at the left. 
Signed at the lower right, T. OFFERMANS. 


a 


oe 


Ket 


Be 5 ay Aig 


CHARLES ROCHUSSEN 
Dutcu: 1814—1892 


235—COMPOSITIONS HISTORIQUES DES PAYS-BAS 
(Aquarelles) 


revs 


ee eer 


FIVE pictures in rich and brilliant coloring representing events in 
the history of the Netherlands, with many figures, including the 
Emperor Charles V, Prince Maurice, Admirals de Ruyter and Tromp, 
knights, bishops and others. 


ee re 


ox 


Height, 17 inches; length, 2158 inches a 


(A) Passing before high gabled houses, with dignitaries and citi- 
zens, a military procession with heraldic banners: “The City Govern- 
ment of Nymwegen Receiving Charles V.” 

Signed at lower right, C. R. 


Height, 19% inches; length, 255 inches 


(B) The Emperor, courtiers and others, with a stage coach and 
mounted men in the background. 4 
Signed at lower right, C. R. 


Height, 16%4 inches; length, 22 inches 


(c) Emperor and knights i in procession before a castle and forireae 
all mounted. 
Signed at lower right, C. R. 


Height, 16% inches; length, 2134 inches 
(D) Aboard a royal Dutch warship; British fleet in offing. 
Signed at lower left, C. R. 
Height, 16% inches; length, 21% inches 
(E) Before a cathedral, with bishops and clergy in waiting. 
Signed at lower right, C. R. 


AREND HYNER 


Durcu: 1860— e Op 
236—WASHING DAY SS | 
(Aquarelle) : 


Height, 19% inches; length, 24 inches 


In a yellow-walled cottage with red tile floor a woman bends over 

-. a washtub, her figure and face observed in cross-lights from a win- 

dow, an open door and a hearth fire. In an outer passage two boys 
are in conversation. 

Signed at the lower right, A. HYNER. 


» MME. PHILIPPINE BILDERS VAN BOSSE 
Dutcu: 1837—-1900 : : 
237 AUTUMN q. “Pp cd fh os 
(Water Color) 
a 3 he Height, 24% inches; width, 20% inches 


—_— 


) 


BEECHES show golden-yellow and. dull red foliage against a blue 
sky, and sky and their trunks are mirrored in a pool. 


Signed at the lower right, M. BiLpERS vAN Bosse. 


CHARLES ROCHUSSEN 


DutcH: 1814—1892 Ltn. y g re . 


238—TAKING OF ROTTERDAM BY THE SPANISH, 


APRIL 9, 1572 
(Water Color) 


Height, 17% inches; length, 26 inches 


ApMIRAL Count de Bossu having failed to capture the city of Brielle 
by sea, demanded passage for his troops through Rotterdam. Per- 
mission was accorded, conditioned upon the passage of twenty-five 
men at a time, but the Spaniards broke faith and carnage ensued. 
The forces are pictured massed at the East Gate, in dispute with 
excited citizens, preparatory to taking the city, with the blacksmith 
Swart Jan angrily reproaching the Spanish commander for his 
perfidy. 

Signed at the lower right, C. R., ’76. 


WILLY MARTENS 
DutcH: 1856— 


230-THE LAST TOUCH qe }) ant 
(Aquarelle) 


Height, 24%4 inches; width, 19 inches 


HALF-LENGTH figure of a young woman with dark red hair, seen in 
profile and against the light, adding the last touch to her toilette by 
adjusting a bunch of violets at the corsage of her transparent green 


waist. 
Signed at the upper left, Witty Martens. 


CHARLES ROCHUSSEN 


DutcuH: 1814—1892 : : 
‘ 
940 —“THE OLD KNIGHT” 1. p ith 


(Aquarelle) 
Height, 24% inches; width, 19% inches 


PICTORIAL rendering in four scenes, with armorial embellishment, of 
a ballad by Gottwalt, translated into Dutch by H. Tollens. A vener- 
able knight sits in his armchair dreaming before a glowing hearth, 

] 5. ~ recalling his life of activity. He calls for his sword and servitors 
attend him. Invested with sword, shield and armor he stands before 
his chair, retainers encircling him. He collapses and is entombed 
among his ancestors. Scenes in rich and brilliant coloring. Ballad 
in fine lettering by J. Roovers, on a scroll at right. 


Signed at the lower right, C. R., ’84. 


EDWARD VAN DER MEER 


DutcH: CONTEMPORARY ] - rt ‘ rd f 


241—THE FARM IN THE SNOW 
(Aquarelle) 
Height, 26% inches; width, 19% inches 
Snow covers broad meadows and is but partly melted in a stream 
where two small boats lie, and it clings to the thatch roofs of a 
ae. 1~ rambling farmhouse before which a woman stands near a pollarded 


tree. 
Signed at the lower right, Ep. v p MEER. 


WILLEM ROELOFS 
Dutcu: 1822—1897 


242-LANDSCAPE AND CATTLE Ls. WW. We Seer ere 


4 
(Aquarelle) 
Hegiht, 19% inches; length, 27% inches 


GREEN meadows spread flat and far, the home of many cattle. In the 
foreground three black and white cows are reclining and another is 
O. ~ grazing, attended by a boy who leans on a fence. At right a farm- 
| house and a large hayrick, enclosed by flourishing trees. 


Signed at the lower left, W. Roe.ors. 


MADAME S. MESDAG VAN HOUTEN 
(Wife of H. W. Mesdag) 
Dutcu: 1834—1909 


243—NATURE MORTE 7.9. Ka Aly 
(Water Color) 


Height, 19%4 inches; length, 28 inches 


a La — On a lapis-blue table a large ovoid jar, brown and yellow, sur- 
rounded by vegetables brown, yellow, green and white—rich coloring 
in a strong light. 

Signed at the lower left, S. MEspAc vAN HouTEN. 


HENDRIK WILLEM MESDAG 


Dutcu: 1831—1915 
JW: Sarna Of 


244. SAILING HOMEWARD AT SUNSET 
(Water Color) 


| Height, 19% inches; length, 29% inches 


BiLtLowince clouds white and grayish drift across an active sky above 
50: — a sunset horizon which bounds a ruffled sea, and in the foreground 
} %, three fishing boats with yellow, red and gray sails are making way 
towards the left. Other sail in the distance. 


Signed at the lower right, H. W. Mespac. 


HENDRIK WILLEM MESDAG 
DutcuH: 1831—1915 


245—SUNSET OVER A CALM SEA A ‘dts a A 


(Water Color) 
Height, 2042 inches; length, 28%4 inches 
THE sky is a vast cloud-screen, shot with sunset colors which have 
3 g iC their vague reflections in a gray, scarcely moving sea, where many 


fishing-boats lie peacefully. In the foreground one at anchor shows 
a brown sail, next a yellow-sailed neighbor. 


Signed at the lower right, H. W. Mespac. 


HENDRIK WILLEM MESDAG 
Dutcu: 1831—1915 


246—THE YELLOW SAIL 4K. TAA : 


(Aquarelle) 
= Height, 21 inches; length, 2854 inches 
q 50: In the foreground, coming head on in shallowing water in lively ‘ 
motion, is a heavy Dutch fishing boat with yellow sail, three figures + 
visible on board her. Numerous other boats far off. Distant sea 


calm. 
Signed at the lower right, H. W. Mespac. 


HENDRIK WILLEM MESDAG 
Dutcu: 1831—1915 


247—TROTHATTA FALLS IN BROAD VIEW 


(Aquarelle) Ww 5 Q F aVeeers ssa 


Height, 21 inches; length, 29% inches 


Unper a blue sky with light clouds lies a landscape with buildings 
on either hand, and down through the centre comes a broad river 
which in the middle distance rushes precipitously over rocks, de- 

7 (0. ~ scending to the foreground a mass of heaving white foam. The bank 
at the left is a tall cliff, shutting out the sky, and on the lower bank 
to right stand two pine trees. A Scandinavian scene. 


Signed at the lower right, H. W. Mespac. — 


OIL PAINTINGS BY THE MODERN DUTCH AND 
OTHER ARTISTS 


JOHANNES HENDRIK WEISSENBRUCH 


Dutcu: 1824—1903 f Appts 
248—LOWLANDS AND STREAM ate 


(Panel) 
Height, 3%4 inches; length, 558 inches 


10.7 On the left four pollard willows edge a green bank bordered by 
| brown water-grasses, and the water separating them from distant 
fields reflects a lightly clouded sky. 


Signed at the lower right, J. H. WrIssENBRUCH. 


JOHANNES HENDRIK WEISSENBRUCH 


Dutcu: 1824—1903 Ler Prem 
249—THE BROOK IN THE MEADOWS ih 
(Panel) Fae 
Height, 3%4 inches; length, 6% inches 


6 Ss. —— AN angle of a brook in meadows of deep grass is dappled with sun- 
light and shadow, a stunted tree stands detached at either side, and 
trees all but close in the background. 


Signed at the lower right, J. H. WeEIssENBRUCH. 


JOHANNES HENDRIK WEISSENBRUCH 
Dutcu: 1824—1903 


250—COTTAGES IN THE MEADOWS 


(Panel) f 
Height, 4% inches; length, 7 inches ‘ 


On the right are creamy-gray and brown cottages with gray, brown 
__and red roofs, nestling against a dense bit of woods in rolling 
a 7 0: meadow-land of rich green; in the foreground a white pool and in 


! the distance a church. Signed at the lower left, J. H. WrEISSENBRUCH. 


GERKE HENKES 
DutcnH: 1844— 


251—AT THE TUBS ex: 
(Panel) T3, Qn kRelf 


Height, 11% inches; width, 858 inches 


In a Dutch kitchen with stone floor a stout woman in apron and 
aa white bonnet bends over a blue tub, washing clothes, a pile of linen 
S 5-— lying beside her. Through a window overhead are seen the red 


tiled roofs of her neighbors. Signed at the lower right, G. HENKEs. 


PAUL JOSEPH CONSTANTINE GABRIEL 
DutcH: 1825—1903 


252—WITHIN SALT MEADOWS (ee\s 4 poy ee 


(Panel) 
Height, 7 inches; length, 12%4 inches 
BLuE backwaters of an inlet from the sea penetrate gray-green 


To. — marshes, and a boat with creamy-brown sail has come up the chan- 
: nel and is beached on a sandy shoal. In the distance the spire of a 


village church. Signed at the lower right, GABRIEL, P., ’74. 


AG 


MARINUS BOKS 


253—LANDSCAPE 
(Panel) 


Height, 9°4 inches; length, 13°4 inches 
Dune lands with their rolling tops give a high undulatory skyline, 
dark green with a single outcropping of creamy sand, against a 
fair, lightly veiled sky. A single blasted bush breaks the skyline, 
and the foreground slopes are a mass of sunny, colorful herbage. 


(On paper, affixed to panel.) 
Signed at the lower left, M. B. 


Endorsed on back by B. E. van Houten as a sketch by Boks. 


LADY LAURA ALMA-TADEMA 


EnciisH: —1909 ¢ Face 


254—WITH A BABE IN THE WOODS 


(Panel) 
Height, 12% inches; width, 8%4 inches 
FERNS grow at either side of a path of deep green grass in a wood, 
an open wood where sunlight freshens the herbage and brightens 


underbrush and the bark of birches.- In the path is a young woman, 
her head bound in a blue kerchief, carrying an infant and some jugs. 


Signed at the lower right, LAura T. A. T. op. xxxIx. 


W. H. P. J. DE ZWART 
Dutcu: 1862— 


255 LANDSCAPE WITH COWS Ur). (j7ezen 


(Panel) 


Height, 8% inches; length, 124% inches 


Gray and white clouds spread over a blue sky, above a green 
meadow bordered by low trees, and at a pool in the foreground a 
red and white cow is drinking. Back in the meadow is a black cow, 
moving away. 

Signed at the lower right, W. bE Zwart. 


DutcH: CONTEMPORARY e. Q, Bernal 


an a sete Sie 


MARINUS BOKS 


Dutcu: CONTEMPORARY : 
256—GREEN LANDSCAPE : Vives Cle erg li 


a 
(Paper, on panel) 
Height, 10% inches; length, 13% inches 
WuiteE clouds in strata and patches mingle with gray in a light 


5S O: ~ sky, over rough sandhills sloping forward and overgrown with 
coarse gray-green grass and deep green bushes. 


Endorsed on back by B. E. van Houten as a sketch by Boks. 


GUSTAVE RUDOLPHE CLARENCE BOULANGER 
FRENCH: 1824—1888 


257-——REFLECTIONS IN THE POOL hh A Cot NT TO Dea 
Height, 14 inches; width, 13% inches 


THE edge of a pool in the foreground reflects a blue and light 

clouded sky, and the earth and green grass of its surroundings. In 

| 5. the grass are yellow wild flowers, and beyond them a fence crosses 
; the picture. 


Endorsed on stretcher, by B. E. van Houten, as a study by Boulanger. 


i 
; 


MME. PHILIPPINE BILDERS VAN BOSSE 
Dutcu: 1837—1900 


258—FIGURE IN A WOOD » > Cie Cl eI eck gti ee 


| (Millboard) 
| Height, 161% inches; width, 12 inches 


SKETCH of the edge of a wood, foreground trees in shadow, sun- 
O.- shine brightening the yellowish-green trees and brush of the distance. 
BO A brook catches the sunlight, and a figure appears in the shade. 


GERKE HENKES 


Dutcu: 1844— a P ; 
259—“BONNE PROMENADE” a Sod wture._— 
(Panel) 


Height, 161% inches; width, 135% inches 


In the corner of an apartment an aged nobleman dressed for a 

stroll, in long plum-colored coat and golden waistcoat, bids aw revoir 
5 ,— to an old lady in a white cap who solicitously bids him be prudent. 

Back of them an Empire cabinet-is surmounted by iridescent vases. 


Signed at right, above the floor, G. HENKES. 


+ _~ A RETREAT within dunes whose creamy gray has almost wholly 


do: 


[qiOece 


10.7 


MARINUS BOKS lp cl bei | 

DutcH: CONTEMPORARY WW . G. } 
(Paper, on panel) 

Height, 10 inches; length, 17% inches 


260—LANDSCAPE 


yielded to the encroachments of hardy vegetation, the central hollow 
grown with grass, the mound at the right with green bushes, and the 
bank at the left with short trees now in their autumn yellow. 


Endorsed on the back by B. E. van Houten as a sketch by Boks. 


MARIA VOS 
| Dutcu: 1824— qricig bw 
261—NATURE MORTE | a ; 


Height, 18 inches; width, 14% inches 


we ei a gi iy sa a a 


pote Tats Gal 


In an interior with walls and furnishings in quiet tones of brown and 
green, with hints of crimson, a brilliant display of still-life is ar- 
ranged in a strong light,— a golden ewer, a luscious cut melon, a 
handsome gift basket, game ducks and a blue and white bowl. 


Signed at the lower left, M. Vos, Fc 1867. 


HENDRIK WILLEM MESDAG 
Dutcu: 1831—1915 


262—MARINE SUNSET A: TA err 


Height, 15°4 inches; length, 20% inches 


OveER a broad flat sea, whose gentle motion is scarcely visible, the 
light of a sunset sky bursts in splendor, gilding the varying clouds 
and turning them to rose and crimson, to orange and brown, the 
waters pcturing them in sympathetic reflection. From foreground 
to horizon are scattered half a dozen sail. 


Endorsed on the stretcher by B. E. van Houten as a sketch by Mesdag. 


MADAME S. MESDAG VAN HOUTEN 
(Wife of H. W. Mesdag) ! 4 
Durcu: 1834—1909 Collis 
263—DOG’S HEAD | 
(Panel from the famous Mesdag studio doors) | 


Height, 15 inches; length, 20 inches 


Heap and shoulders of a large dog of Saint Bernard type, with black 
shaggy coat and white breast, facing the left, before a dark green- 
wood background. 


SS 


HO 


WILLEM CAREL NAKKEN 
DutcH: 1835— 


264—THE BLACK STALLION 


(Panel from the famous Mesdag studio doors) 


Height, 15% inches; length, 20% inches Wks, CC ° SS EDS Say. 


FULL-LENGTH standing figure of a black stallion with white nose 
and white hind feet, in a capacious stable, tethered to his manger, 
with empty hay-rack above. He faces the right and turns an alert 
eye forward. (On canvas, affixed to panel.) 


Signed at the lower right, W. C. NAKKEN. 


PHILIPPE SADEE 
Dutcu: 1837— 


ee ted 7 os 
265—LES SAURISSIERES = 


(Panel from the famous Mesdag studio doors) 


Height, 15% inches; length, 21% inches 


Four stout young women of the peasantry, in white Dutch caps and 
short-sleeved waists, and dark skirts, are at work preparing herring 
for smoking, a slant of bright sunshine causing the fish-bodies to 
glisten, against the brown background of the workroom, while the 
faces and figures of the workers are in partial shadow. Three of the 
girls face the observer, the fourth being seen profil perdu, as she 
raises a string of herring. 

Signed at the lower right, Pu. SADEE, Fc. 


SIMON VANDEN BERG 


te eee Ce 
266—THE SHEEPFOLD : 


(Panel from the famous Mesdag studio doors) 


Height, 15% inches; length, 21% inches 


Into a dark sheepfold with brown walls and a dark green door a 
slant of sunshine penetrates, giving a golden note to straw on the 
floor and warming to creamy tones the wool of two sheep standing 
over a lamb. Other sheep are lying in shadow. 


Signed at the lower left, S..v p Bere, Fc. 


GERKE HENKES 
Dutcu: 1844— 


267—THE CARPENTER AT WORK \ 0 “Pe 


(Panel from the famous Mesdag studio doors) 
Height, 151% inches; length, 21% inches 


- 0 ~ In his shop in a basement a carpenter in sabots, brown trousers and 

‘blue shirt is at work at his bench before a window, blocks of wood 
lying on the bench and chips on the floor. Through the window are 
seen green vegetation, gray walls and a bit of white sky. 


Signed at the lower right, G. HENKEs. 


LADY LAURA ALMA-TADEMA 
ENGLISH: —1909 


268—THE BOWL OF FLOWERS WW 1S : 
Height, 15% inches; length, 21 inches a 


Heap and shoulders portrait of a dark-eyed young girl with dark 


brown hair flowing over her shoulders, holding up before her a : 
_— terracotta bowl filled with freshly-plucked flowers in which golden ; 
Al J, blossoms predominate. She is in white, and turns to look toward , 


the spectator as she passes before a great window through which a 
park landscape is seen. 


Signed at the left, on the window casing, Laura T. A. T., OP. XXIx. 


C. HAVERMAN-BIRNIE 


CONTEMPORARY 
269—STILL LIFE: ROSES oP J dr pee 


Height, 16 inches; length, 23 inches 


Roses gold and white and pink, relieved by the varied green leaves 
_~ on their long stems, nestle in and lean over the sides of a silvery- 
/ oF gray jar, standing in golden sunshine before a gray wall. 


Signed at the lower right, C. HAVERMAN-BIRNIE. 


GERKE HENKES 


Dutcu: 1844— OPRenrwedq ' 
270—HOME REPAIRS 


Height, 254% inches; width, 18 inches 


| 

| 

In the corner of a simple, homely, cottage room having gray walls | 

ae and a flooring of red tile, a woman of the peasantry sits at a window, 4 
GS .~ making up or altering some clothes material. She wears a blue skirt 

and a lavender waist, and a white bonnet, and faces the observer. 


Signed at the upper right, G. HENKés. 


MADAME S. MESDAG VAN HOUTEN 
(Wife of H. W. Mesdag) 
Duten: 1834—1909 ’ 
271—LANDSCAPE AT SUNSET R K Rercucltie 
(Panel from the famous Mesdag studio doors) 


Height, 6%4 inches; length, 20% inches 


From the right a rough brown hill, with a midway greenish patch, 
slopes gently to brown, green and gray lowlands of similarly rough 
surface, beneath a gray sky with a brilliant sunset horizon. 


MADAME S. MESDAG VAN HOUTEN 
(Wife of H. W. Mesdag) 


| DurcH: 1834—1909 


272TREE-TRUNKS AND SUNSET OA, CLL 1+ 


(Panel from the famous Mesdag studfo doors) 


Height, 5% inches; length, 40 inches 


THE eye looks from near the ground-level at the bases of the trunks 

@ of trees in a small grove, and ‘between and beside them to a light 

5 S.— horizon varied by sunset hues, whose colors are shared by the inter- 
vening rough country. (Painted on packing-box boards. ) 


LASZLO P. DE PAAL 


Huncarian: 1879— OCW, Y ll 73 lock hon 


273—SUNSET IN A FOREST 
Height, 32 inches; width, 21% inches 


THE gray bark of two relatively large birches in the foreground 

glistens softly before the eye, the trunks darkening above and pass- 

3 S .— ing from view, while beyond, lesser trees of second growth grow 

| densely and stand dark before a red horizon, their scattering brown 
leafage aloft showing against a light creamy sky. 


Signed at the lower right, L. pE PAAt. 


OLD MASTERS OF THE DUTCH SCHOOL 
DUTCH SCHOOL 


LaTE SEVENTEENTH CENTURY , 
274—STUDY OF A MAN RK. Oh rene oa : 


(Crayon Drawing) 
91%4 inches by 7 inches 


/ My 5o A MAN with a spoon in his right hand is seated and seen at full 
length. He wears a cap. He holds a bowl on his lap. 


PIETER SPYCKERMAN 
(ATTRIBUTED TO) 


DutcH: —1666 
275—A SATYR AND A NYMPH VS. Osa _ 
(Wood) 


Height, 7%4 inches; length, 10% inches 
THE satyr, seated in the left foreground, turns round to kiss the 
nymph, who, with blue draperies across her knees, is seated toward 
30 ~ the right. In the right background is hilly country. 
4 


Signed: “P. S.,” and clearly by the same hand as “The Allegory.” On 
these grounds it may be assigned to Spyckerman. Derived from a Venetian 


composition. 


DUTCH SCHOOL 


NINETEENTH CENTURY Al, Co Onde 
276—LANDSCAPE 


(Wood) 
Height, 6 inches; length, 8 inches 


Ay —__ A SAILING vessel passes a ship without sails or masts in the broad 
® 


estuary of a river. Stormy sky. 
HENDRIK MARTENSZ SORGH 
(ManneER OF) a 

a 


Dutcu: 1611—1670 
277—AT THE DENTIST’S | 
(Wood) W. a 4 y - 

Height, 8 inches; width, 6% inches j 


THE dentist, wearing a yellow coat, is extracting the tooth of a 
4 — young man, who, wearing a red coat, is supported by a third figure 
(in the background. 


DUTCH SCHOOL 


EIGHTEENTH CENTURY 


278—LANDSCAPE, WITH A SAILING VESSEL 4 ga. 
(Wood) ee te 


Height, 84 inches; length, 11 inches 


_SEVERAL figures of forlorn appearance in-a boat, with improvised 
90: sail running before the wind, on an inland lake on the shores of 
which is a mountain covered with dark clouds. 


: : DUTCH SCHOOL 
SEVENTEENTH CENTURY 


I 279—PORTRAIT OF A BABY } fae (ly pe GTB 


(Wood) 
Height, 11% inches; width, 834 inches 


In a white dress, with lace cuffs, collar and cap. Seated three quar- 
Si — ters to the left; half length. Holding a rattle in the right hand; a 
S gold chain round the neck. 


ALBERT JANSZ KLOMP 
Dutcu: 1618—1688 


280-—LANDSCAPE WITH CATTLE fe. eS Sp Oa. 


(Wood) 
Height, 12 inches; width, 1014 inches 
A STEER is lying on sandy soil in the left foreground; another, with 
3 O __a halter round its neck, stands at the back and looks to the right. A 
4 


tree and a rough fence in the left background. In the right distance 
is a view on a lower level. 


DUTCH SCHOOL 


SEVENTEENTH CENTURY 


281—PEASANTS FIGHTING 
(Wood) cL. Ec. (git 


Height, 10% inches; length, 14°4 inches 


THE interior of a peasant’s kitchen with a fireplace on the right, and 

near it an upturned chair with a pack of playing cards on the floor. 

—_ A woman tries to separate a group of men who are fighting in the 
RS. centre of the room. A cask of ale on the left. 


(50m 


C. I. SNAACK 


DutcuH SCHOOL 


282--THE FIVE SENSES We | ' 0 f 0 


A SERIES of five small panels. 


(Wood) 
Height, 11% inches; width, 9% inches 


Hearing: A man in a brown coat is seated and playing on a flute. 
A piece of music by his side on the left; a jug on the right. 


Signed on the wall, near his legs. 
Sight: A man in brown hose, and green coat, turns over the pages 


of a book placed on the table before him. He wears a high-crowned 
brown hat. 


Taste: A young man in brown, with a red flat cap, is seated with his 
back to the table at which he has just had his meal. He is drinking 
out of a large vessel. 


Touch: A man in a high brown felt hat is seated, with his legs 
crossed. His shirt is half open and he appears to be catching fleas. 
Kitchen utensils on the bare table on the right. 


Smell: A man, in yellow-brown trousers, brown coat and high felt 
hat, raises both his hands to his pipe. A red earthenware jug on 
the low stool on the right. 


PIETER SPYCKERMAN 
(ATTRIBUTED TO) 
DutcH: —1666 


283 
(Wood) 


Height, 8 inches; length, 10% inches 


A NUDE young man, his right hand resting on his pipe on the ground, 
sits with a blue drapery across his loins; a young woman in a red 
dress with white bodice learns how to play the other pipe. They 
are seated against a clump of trees. An open valley in the back- 
ground. 


Signed, on the right, with what seems to be the signature of this 
rare Dutch painter. 


A late and very reduced copy, with many variations, of Titian’s famous 
early Giorgionesque “Three Ages of Life,” at Bridgewater House, London. 


\ - * J 
SARS‘. ooo cao ach ter aan leias 


AN ALLEGORY ee eh + ct | 


WILLEM DE POORTER 


Dutcu: Fl. 1630—1645 V0: WIS VISES. 


284—A WOMAN INCITING A GIRL TO VANITY 
(Wood) 
Height, 14 inches; width, 10% inches 


On the far side of a table, covered with a red cloth, and to the right 
_stands an elderly woman in a loose brown dress. She holds up a 

42 J' mirror on the table, that in it a young woman, who is dressed in 
white with green slashed sleeves, may see her own beauty. Small 


full-length figures. 


ALBERT JANSZ KLOMP 
Dutcu: 1618—1688 


285—LANDSCAPE WITH CATTLE — | 6) [Kp a hy 
(Wood) 
Height, 12% inches; length, 14°4 inches 


‘ 


Two steers, one wholly white and turned to the left, are standing in 
— _— a meadow seen under a cloudy sky. In the left foreground, near 
eyek luxuriant weeds, another steer is lying on the sandy soil. 
ying ¥ 


DUTCH SCHOOL 


EIGHTEENTH CENTURY 


286—LANDSCAPE 
(Wood) t= ; E ; CALA et 


Height, 19% inches; width, 161% inches 


A HERDSMAN, blowing his horn, is driving cattle, sheep and goats 
— along the road to the left. A man on horseback and a woman are 
25, — near the cottage at a turn in the road in the right distance. In the 
left background is hilly country with a church and a waterfall. Blue 

sky. 


DUTCH SCHOOL 


287—LANDSCAPE 
(Canvas) i ‘ St : hig. tae 


Height, 15% inches; length, 21 inches 


A RIVER runs over stones in the foreground. Trees on the bank to 
KO _the left. A woman near the farmhouse on the right and willow 
‘ trees round it. A church in the distance. 


_ 


DUTCH SCHOOL 


288—A BIVOUAC 


(Drawing: Pencil and Sepia) 


Height, 18°4 inches; length, 24°4 inches 


A) A Busy military scene among a large number of army wagons, from 
a7 some of which the horses have been unharnessed. In the foreground 
nt are groups of men seated; broken wheels are at the roadside. A 


large number of wagons are parked in the middle distance. A hill in 
the distance to the right. 


P. COLLYER ~ _ 
289—STILL LIFE qe | 
(Canvas) 0 2 


Height, 38 inches; width, 28 inches 


On a table, covered with a ereen cloth, is a red drapery on which are 
placed a skull, a metal bowl and dishes, an open book, a musical 


4 
| 5, instrument, and a piece of parchment. 


EarLy EIGHTEENTH CENTURY , “blew 


: “Yeates aa ala a ee Papeete = ad 4 = ee rt 


THIRD AND LAST EVENING’S SALE 


WEDNESDAY, MARCH 10, 1920 


IN THE GRAND BALLROOM 
OF THE PLAZA 


FirtH AVENUE, 58TH TO 59TH STREET 


BEGINNING AT 8.15 0’CLOCK 


MODERN PAINTINGS BY THE BARBIZON AND 
DUTCH MASTERS 


JOHANNES HENDRIK WEISSENBRUCH 
DutcuH: 1824—1903 


290—ON THE ROUTE TO SCHEVENINGEN ig il ie 
(Panel) (& t “W), 
Height, 10°4 inches; length, 14°6 inches fe a tf 


WirTHIN the woodland way from The Hague to Scheveningen, a broad 
road opens in the foreground, and in it in the middle distance there 
__— comes a two-wheeled cart drawn by a white horse, with driver aboard 


{¢0- and a red-shirted man walking beside it. The woods fill all the pic- 


ture, their interior illumined by broad slants of sunshine. 
Signed at the lower right, J. H. WrEISSENBRUCH. 
On the back, “Scheveningsche weg, 26 Sept. 1885,” and a paster dated 


s’Gravenhage, 1910, in manuscript and signed Ph. C. Weissenbruch, saying 
that the work is J. H. Weissenbruch’s. 


291—_THE SETTING SUN 
Height, 11% inches; length, 15 inches 


HENDRIK WILLEM MESDAG - 
Durcu: 1831—1915 Vas Qoliott 


acs 
| g-©- ASKETCH on canvas, attached to panel. The golden sun blazes from 
among clouds, above a hazy purplish horizon, and a path of pale 
golden light comes across pale bluish-green water. 


ADOLPHE MONTICELLI 


O FrencH: 1824—1886 
UC 


Ur v 292DEUX FEMMES 
| p (Panel) 


Height, 17 inches; width, 12 inches 


y Two ladies in brilliantly luxurious apparel are observed in bright 
¥ sunshine in a park, standing beside a huge urn of richly blossoming : 

flowers, before a dark and colorful wooded background beyond which 
is glimpsed a sky of deep blue. One, facing the spectator, is in rich 
emerald-green and gold, her companion is in deep crimson with 
lighter colors, her face seen in profile. At their feet sits a pet dog. 


Signed at the lower right, MONTICELLI. 


LOUIS VICTOR FELIX METTLING 
FreNcH: 1847—1904 


293-PORTRAIT OF A MAN } @ Urner 


(Panel) 
Height, 11 inches; width, 7% inches 


Heap and shoulders portrait of an aged man of florid but deeply ~ - 

_— seamed countenance, the features large, facing the spectator. His : 

f 0. face is in a strong light from the left. He is in a black coat and top 
hat, observed against a brown background. 


Signed at the lower left, L. METTLING. 


: 
. > 
i= 
; 


D 40; 


JEAN BAPTISTE CAMILLE COROT 
FRENCH: 1796—1875 


204-EDGE OF THE FORBST- f&. f cf 


Height, 7%4 inches; length, 8% inches 


AT left, forest trees of dense green foliage touched with brown rise 
above the picture limits, in a slanting light from a white-clouded sky, 
-and standing detached a little to the right, beyond a grass-grown 
“ winding path, a tree or a merged group of trees show brown in 


shadow against the white sky. 
Signed at the lower right, Corot. 


~ 


ANTON MAUVE 
DutcH: 1838—1888 


295—COW IN PASTURE 
(Panel) 


Height, 1114 inches; length, 14 inches 
In a corner of a sunny green pasture, separated by a gray rail fence 
from neighboring dunes which form the skyline, a black and white 


cow stands facing the spectator but headed toward the right, her 
shadow behind her her only company. , 


Signed at the lower right, A. MAUVE. 


: 
: 


2 


9 


= 


JEAN BAPTISTE CAMILLE COROT 
FrencuH: 1796—1875 


296—LANDSCAPE Ed. 
Height, 9 inches; length, 15 inches 


On the left rocks gray, red and brown, irregularly broken, jut from. 
a high, brown earth bank, which supports short green trees, and 
above a ledge the head and shoulders of a figure are seen. The bank 
shelves, and at the right falls away to a green valley, which also 
occupies the distance. 


( . DAVID ADOLPHE CONSTANT ARTZ 
Dutcu: 1837—1890 


297—INTERIOR WITH FIGURES 
Height, 12% inches; length, 17% inches 


In a gray-plastered, well-lighted room with heavy beams in the 
ceiling, orphan girls in white caps are seated close together, ‘at both 
sides of long tables, industriously engaged either at study or work. 


Signed at the lower right, ARTz. 


ANTON MAUVE 
DutcH: 1838—1888 


298—THE OLD WHITE HORSE 


(Panel) 
Height, 12% inches; length, 1614 inches 


A FREELY sketched composition in the flat lands of the Low Coun- 
tries, with distant rolling meadows under a gray sky white at the 
horizon, and in a foreground field near a clump of bushes an aged 
white horse standing placidly, a peasant boy in blue blouse at his 


head. 3 
Signed at the lower right, A. Mauve. 


if 


| 


Durcu: 1831—1915 


3 po 0. ‘a ; HENDRIK WILLEM MESDAG 


29G¢—FISHING FLEET IN A BIT OF A BLOW 


(Panel from the famous Mesdag studio doors) 


Height, 7 inches; length, 2014 inches 


In a lively breeze a number of Dutch working boats are pictured 
pretty well bunched together, amid choppy waves and some spin- 
drift, under a grayish sky with white wind-clouds along the horizon. 
Their varied sails add yellow and brown to the customary white. 


Signed at the lower right, H. W. M. 


WILLEM ROELOFS 


Dutcu: 1822—1897 


300—COULIN HILLS, SCOTLAND Wn c A epee 
x 


Height, 11%4 inches; length, 171% inches 


UnpeER a sky of dark greenish-blue made brilliant by wind-swept 
strata of cream-white clouds, a range of rugged hills with mountain- 
ous aspect recedes from the eye, a conical peak marking either end. 
, The flanks are blue and green and gray, and the rough foreground 
is patched with rich browns and traced with vagrant water-courses. 


Signed at the lower right, W. RoE.ors (103) ; at lower left, “CouLin 
Hits, Ite pE Skye, Ecosse,” and on the back a further note of 
location. 


MATTHYS MARIS pee 
DutcH: 1839—1917 
301—A RAM’S HEAD = 


(On Bristol board specially prepared, and backed by quartered-oak panel) 


Height, 161% inches; length, 17% inches 


VIGOROUSLY executed head of a large ram, facing the observer and 

oe -lightly tilted, with light falling full upon the nose and the left side 

( 0) * of the animal’s face. The face is a soft white and the long en- 
shrouding wool of neck and shoulders a creamy-brown. 


Signed at the lower right, M. M. 


Exhibited at a loan exhibition of the Corporation of London, at the Guild- 
hall, 1903. See introduction to present catalogue. Mentioned in “The 
Brothers Maris,” edited by Charles Holme, text by D. Croal Thomson, 
London, 1907; reviewed in The Studio, London, September, 1907. 


MADAME S. MESDAG VAN HOUTEN 
(Wife of H. W. Mesdag) 


DutcH: 1834—1909 wy 
302—-GOLDEN HARVEST ef MI. aaa | 


Height, 12 inches; length, 19% inches 


5, —SHEAVES of golden wheat are stacked together in a long line, reced- 
ing in fine perspective toward the right, the stubble-field separated 
by a brown ditch from its right-hand neighbor. Distant low trees. 


DA DAVID ADOLPHE CONSTANT ARTZ 
A 9 Dutcu: 1837—1890 


303—FIGURES AT TABLE 


Height, 18% inches; width, 12 inches 


In a corner of a great common-room with creamy walls and a green 
wooden door, two lines of orphans, most of them in white caps, are 
. seated elbow to elbow at a long green table—whether at work or at 
feeding. | 


Signed at the lower right, Artz. 


MADAME S. MESDAG VAN HOUTEN 
(Wife of H. W. Mesdag) 
DutcH: 1834—1909 


304—THE HARVEST GATHERED yp Ih na psor 
(Panel) 


Height, 1214 inches; length, 21% inches 
In a field of yellowish-green stubble the yellow grain is gathered 
3 es into sheaves which are grouped in pyramids, and on the ground 


about them chickens of a variety of coloring are busily feeding. 


Signed at the lower left, S. M. v H. 


ewer 


DAVID ADOLPHE CONSTANT ARTZ 
DutcH: 1837—1890 


305—FISHERMEN AT SEA ra mM j 
(Panel) 3 
Height, 17%4 inches; width, 15 inches 


THE spectator looks from on board at the stern of a heavy fishing- 
boat, and beyond to a lightly moving pale blue sea and pinkish and | 
creamy sunset sky, the water reflecting the delicate hues. Within 
the boat are two brawny men in clothes of picturesque raggedness, 


one of them at the tiller. 
Signed at the lower right, Artz. 


90 


RICHARD BISSCHOP | 


a Lr) } ouy pee 


306—THE ORPHAN SEATED, READING 


Height, 22 inches; width, 18 inches 


FULL-LENGTH figure of a Netherlands grphan in characteristic cos- 
atime, with red skirt and whitew¢ap:and shawl, a young woman of 
4 plump features and rosy complexion, seated with her feet on a 
foot-warmer, engaged in devout reading. She faces the left in a 
soft interior light, beneath a cartouche of piety. 


Signed at the lower left, Ricu’p BisscHop. 


)5 0 


CHARLES F RANCOIS DAUBIGNY 
FreNcH: 1819—1878 


307—LANDSCAPE 
(Panel) 


Height, 1444 inches; length, 20% inches 


SHALLOW water occupying the foreground mirrors the green border 
of a middle distance shore and the red rocks and brown hills above 
the green. Rushes come up through the water, and ducks appear in 
the foreground, looking toward a rowboat with two figures, at the 
left. Beyond the boat a low shore is marked by two poplar saplings, 
while the higher shore on the right supports the cottages of a hamlet, 
with its church. Active clouds, creamy and gray, in a turquoise sky. 


Signed at the lower right, DAuBIGNyY. 


HENDRIK WILLEM MESDAG 
Durtcu: 1831—1915 


308—GROUP OF FISHING VESSELS OFFSHORE ™ B Jocloon 


Height, 251% inches; width, 10°%4 inches 


SKETCH for a larger composition which appears in the collection. 
Three fishing-boats with men aboard appear in close proximity, 
_- plowing white waves toward a dark sea—the central one with yellow 
sail, the nearest one headed to right, with white mainsail partly 


dropped. 
Signed at the lower right, H. W. Mespac. 


PIERRE ETIENNE THEODORE ROUSSEAU 
FrENCH: 1812—1867 


309—LANDSCAPE 
(Panel) 


Height, 174% inches; length, 22% inches 


In greens deep in the fulness of season, and in autumn colors rich 
in mahogany reds and browns, a landscape with tall trees is set be- 
fore the eye, the trees growing in a ravine where a small water- 
course appears, and on its high, broadly-sloping bank to the right; 
and in a field at the left which is bathed in sunshine, the trees appear- 
ing largely in silhouette against a creamy-gray, windy sky. 


| HENDRIK WILLEM MESDAG 
| Dutcu: 1831—1915 


| 310—A WINDY DAY AT SEA ER WW, Visa ha 


Height, 1934 inches; length, 23% inches 


A BROAD expanse of a choppy, tumbling sea, beneath a sky of faint 

| blue swept by gray and white clouds, and in the foreground a boat- 

l 30 load of men pulling out toward a dark vessel in the offing with an 
 ] 


orange-red sail flying loose. 
Signed at the lower right, H. W. Mespac. 


re 
, 


HENDRIK WILLEM MESDAG 


DutcH: 1831—1915 4 rh et ; 
UB. ? 


311—LANDING ON A HAZY DAY 
Height, 20 inches; width, 1534 inches 


_ Dutcu fishing vessels are seen in a summer haze, at the horizon and 


We 


( bo 


in the middle distance two with white sails, closer to shore one with 
yellow canvas, and beached near the water-line a fourth with canvas 
of orange-red and four people aboard. On the mottled sandy shore 
women have come down in greeting. 


PIERRE ETIENNE THEODORE ROUSSEAU 
FrencH: 1812—1867 


312—FOREST ROAD: A SKETCH 
(Panel) 
Height, 16% inches; length, 25 inches 


A sketch laid in in brown and greenish-black, broadly presenting a 
road bordered by trees at either side, leading away from the spec- 
tator and winding toward the left about the edge of a stream. The 
trees meet overhead, and in the background a hill is seen beyond the 
water. “Une allée a Fontainebleau.” 


On back, the Rousseat seal, THR. in monogram (damaged). 


HENDRIK WILLEM MESDAG 
DutcH: 1831—1915 


313—HOLLAND AND THE NORTH SEA (A). Vial 


Height, 18 inches; length, 30 inches 


UNpER a sky of grayish turquoise-blue a gray-green sea with brown- 
ish shallows ranges far and wide, beyond a broad sandy beach 
which is bordered in the foreground by grassy dunes. A dozen sail 
“dot the sea with red, yellow and white in their canvas; on the broad 
sands numerous figures are indicated; and at the verge of the dunes 
lie several hauled-out fishing boats. Near these a black and white 
goat munches in the coarse gray-green grass. : 


Signed at the lower right, H. W. Mespac. 


‘ ANTONIO MANCINI 
yv IraLtiaAn: 1852— 


s Co 
| \~ 314-—MATERNAL SOLICITUDE 


Height, 24 inches; width, 20 inches : 


HALF-LENGTH portrait of a young mother, figure in back view and 
face in profile to left, with head inclined as she looks down at the 
rosy, fair-haired baky, in blue and white cap, she holds to her breast. 
She wears a gray-white waist, and her long chestnut hair, knotted 


. 
| back of her head, hangs loosely down her back. 


: Signed at the upper right, A. Mancini, 78. 


JOHANNES BOSBOOM 
Durcu: 1817—1892 


315—CATHEDRAL INTERIOR WITH FIGURES 
Height, 25 inches; width, 18%4 inches 


AT the foot of an aisle, in shadow, the tomb of a bishop, behind 
which a broad burst of sunlight strikes, coming from the left, and 
in its course illumining the priests engaged in a mass in a chapel, 


and a goodly number of humble worshippers standing about. In 


the foreground three children. | 
Signed at the lower left, J. Bospoom. 


Wt re Site rants 


Pe ee 


— ee 


ee eee ae 
} 


rar t — ary om 


ce rr eae 


of” 


3 WILLEM MARI 


Dutcu: 1844—1910 


) 


vo 316—COWS AT THE BROOK 
(Wall Panel) 
Height, 30% inches; width, 2158 inches 


On the left a green meadow with a brown cow grazing; bounded in 
the background by brownish dunes. To right a brook cuts the 
meadow, and near an overhanging pollarded tree a red cow and a 


black one have come to drink. 
Signed at the lower left, WiLL—EM Manis. 


BERNHARDUS JOHANNES BLOMMERS 
DutcH: 1845—1914 


317—LE NOURRISSON 
(Wall Panel) 


Height, 29%4 inches; width, 21% inches 


In a simple cottage interior a fisherman’s wife, seated beside a table 
in a corner, before a window, is feeding with a spoon an infant she 
holds in her lap. Beside her is the baby’s deep wooden cradle. 
Through the window may be seen a yellow-green field and the red 


roofs of cottages. 
Signed at the lower left, BLOMMERs. 


JAKOB MARIS 
Dutcu: 1837—1899 


318—THE LITTLE MOTHER 


Height, 24 inches; width, 20 inches 


In front of a couch from which a fat baby looks out at the spectator 
the “little mother” is seated, a girlish figure with long golden hair, 
and wearing a rose-colored gown, her face seen in a little less than 
profile toward the left. Her attitude is one of solicitous care, and of 
grace, and the colorful and softly lighted room has an atmosphere of 
serenity and happy content. The young lady is Maris’s daughter, 
who is still living. 

Signed at the lower left, J. Marts, °78. 


\ JAKOB MARIS 


Dutcu: 1837—1899 


319—PORTRAIT OF A LADY: MISS KOHLER, AGE 20 YEARS 


(Later Madame Chantepie de la Sausaye, wife of the 
aide-de-camp of Prince Frederic of the Netherlands. ) 


Height, 291% inches; width, 22%4 inches 


THREE-QUARTER length portrait of a lady with jet-black hair parted 
at the center and drawn about her ears, wearing a black gown with 
white lace collar and cuffs, and gold jewelry. She is seated facing 
the observer, one hand on her lap, the other holding a red-bound 
book, the arm resting lightly on a crimson colored table. Dark 
olive background. 

Signed at the lower left, JB. Marts, Fc., 57. 


Note: Mr. Mesdag was so much interested in this able portrait as to enter 
into correspondence regarding it, to ascertain the time of its painting and the 
identity of the sitter. The present owner has Mr. Mesdag’s manuscript notes 


+ 


- aye ae — men 


ie 


[No. 319—Continued | 


on the subject, and also the original letter to Mesdag, giving the required 
information, from the Dutch artist Willem Carel Nakken (born 1835), who 
testifies that the portrait was painted by Jakob Maris “about 1858,” when 
Maris was at Antwerp studying the Van Dycks at the Academy—(when Maris 
was twenty or twenty-one years old; Nakken was two years his elder). Mr. 
Nakken adds that the sitter was Miss Kohler, age twenty, who later became 
the wife of Mr. Chantepie de la Sausaye, son of the aide-de-camp of the 
_late Prince Frederic of the Netherlands. 


HENDRIK WILLEM MESDAG 


DutcH: 1831—1915 Poot epk_ 
320—THE FISHING-FLEET OFFSHORE Gq ie ; 


Height, 20 inches; width, 15%4 inches 


LicHT gray is the sky, and the tumbling waters in the shallows of 
the foreground are lightened by its reflection. Here a man has rid- 
den his mount into the sea, and is seen astern of a departing sailing 
; & O,—vessel, which has numerous figures aboard, her yellow sail identi- 
fying her as “Sch. 9.” Ahead is a boat with a white sail, to. left 
one with reddish canvas, and still others are seen gray in the dis- 


- tance, all in lively motion. 
Signed at the lower right, H. W. Mespac. 


~ HENDRIK WILLEM MESDAG 
DutcH: 1831—1915 


321—MOORLANDS ROAD 
Height, 19%4 inches; length, 26% inches C 3 


A rough road over wild, uneven, brownish land, treeless except at 
the left where a thin grove stands before a white and grayish sky, 
leads away toward the horizon, and in the middle distance is a cov- 
| 0,— ered farm wagon with a brown horse. Near the grove stands a girl 


with a couple of sheep. 
Signed at the lower right, H. W. Mespac. 


HENDRIK WILLEM MESDAG 
DutcuH: 1831—1915 


322—A RESCUE BY MOONLIGHT Q 9. no Se 
Height, 30% inches; width, 18% inches “ . 


On the beach a group of excited men and women, heedless that their 

feet are in the water, are silhouetted against choppy waves glistening 

in the light of a full moon which is just emerging above dark clouds, 

and at the right a cart has come down, drawn by three horses. The 

__driver holds up a flag, one of the standing group carries a flare, and 
[Q0. men in a boat are pulling out toward a large vessel with square- 


sails, driven into the breakers. 
Signed at the lower right, H. W. Mespac. 


JOSEF ISRAELS 
Durcu: 1824—1911 


323—A FISHERMAN’S WIFE 
(Panel from the famous Mesdag studio doors) 


Height, 30%4 inches; width, 19% inches 


Heap and shoulders portrait of a woman of a Dutch fishing village, 
facing the front, turned slightly toward the right. She wears a white 
cap from which her gray hair protrudes, and is closely wrapped in 
a black shawl. Her face, of large features, is in a broad light from 


the left. 


Signed at the lower left, JoseEF ISRAELS. - 


por 


HENDRIK WILLEM MESDAG 


Dutcu: 1831—1915 


324—MARINE: SAILS IN A CONFUSED SEA 


(Panel from the famous Mesdag studio doors) 


Height, 30% inches; width, 20 inches 


Two vessels are seen at sea, one just in the offing, with canvas of 
rich dark orange-brown, the other in the distance, under a windy 
and clouded sky tinged with sunset notes. White clouds near the 
horizon lighten with their reflections the choppy and confused water 
in the foreground, and farther away the blue waves are white- 
crested. 


MADAME S. MESDAG VAN HOUTEN 
(Wife of H. W. Mesdag) 


Durcn: 1834—1909 ry pear ee 
325—EVENING IN THE COUNTRY 2d. 


Height, 26 inches; length, 3114 inches 


Low flat fields of Holland are lighted by stars and a crescent moon, 
a distant light glimmers in a gabled house, and in the foreground 
an aged peasant woman in a white cap is making her way slowly 
toward a lighted thatch-roofed cottage, which stands besides an 
almost leafless tree. 

Signed at the lower right, S. M. v H. 


PIETER DE JOSSELIN DE JONG 
DutcH: 1861— 


— ( 
326—SUBURBAN COURTYARD PCI ITE aes 


Height, 33% inches; width, 26%4 inches 


AN angle of a European rear courtyard with rude stone pavement, 
and enclosing basement walls of stone and plastered brick, all in 
transparent shadow. The upper walls in brilliant sunshine have a 
rich golden-creamy tone, and enclose a large studio window, below 
which are potted plants. 


Signed at center of pavement, P. DE JOSSELIN DE JONG. 


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BERNHARDUS JOHANNES BLOMMERS 


DutcH: 1845—1914 


327—THE FIRST ICE | 


Height, 255% inches; length, 32 inches 


A canalized stream crossing the brown-earth and grass-edged fore- 
ground has frozen over, while pollard trees on the farther side still 
retain bits of foliage, and its surface is silvered with lights from a 
varied sky. A small boy makes his way hesitatingly across the ice, 
toward a companion seated on the nearer bank. In the background 
linen drying above a green lawn, and the red-roofed houses of a 
populous town. 

Signed at the lower right, BLOMMERS. 


CHARLES FRANCOIS DAUBIGNY 
FrencH: 1819—1878 


328—DANS LES DUNES 
Height, 21% inches; length, 25% inches 


Dunes and their fascinating color and variety of surface, under a 
| sympathetic sky harmonizing the celestial with the terrestrial hues. 
| Pale golden sands are broken with the abandon of heave-and-wash 
of waves in a confused sea, and green vegetation grips them in vari- 
| : ous notes, relieved by soft earth-browns. Above, the sky is a spread 
: of golden-cream clouds before the faintest of robin’s-egg blue, and 
the distant sea is felt—scarcely seen. 


Signed at the lower left, Dausicny. Inscribed on back of canvas: 
“Ce tableau est de mon pére; Karl Daubigny.” 


DAVID ADOLPHE CONSTANT ARTZ 
DutcH: 1837—1890 


329—GATHERING THE POTATOES 
Height, 32% inches; width, 2444 inches 


IN a potato field of yellowish earth from which the plants have been 
removed a young peasant woman on her knees and a small girl in 
sabots are taking the tubers from the ground, a golden-haired infant 
seated in front of the mother amusing itself with flowers. The rosy- 
cheeked mother is in brown with a white cap. 


Signed at the lower right, ARTz. 


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HENDRIK WILLEM MESDAG 


DutcH: 1831—1915 


330—FISHING VESSELS OFFSHORE [4). ee ye Oe ae 


Height, 35 inches; width, 27 inches 


Waves from a dark sea are rolling in white, gray, bluish and yellow- 
ish in foreground shallows, colored by sandy bottom and the hues 

, — of sails of fishing-boats near at hand, other boats being seen in the 
distance. One boat, with mainsail partly dropped, moves toward the 
right, to left of her another with reddish sails is moving outward, 
and between them appears a boat with pale yellow sail. 


Signed at the lower right, H. W. Mespac. 


MADAME S. MESDAG VAN HOUTEN 
(Wife of H. W. Mesdag) 


DutcH: 1834—1909 


331—LANDSCAPE OL pain 
ede 


Height, 27%% inches; length, 35% inches 


THROUGH low flat meadows brown and yellow, with patches of green 


f 0. — Vegetation, a wandering watercourse runs, gray with reflections of 


wind-driven clouds which cover the whole sky. On the right of the 
stream, a cluster of brown huts and outbuildings, with two white- 
capped figures standing before them. 


Signed at the lower right, S. M. v H. 


_332—HOMECOMING FISHERMEN 


HENDRIK WILLEM MESDAG 
Dutcu: 1831—1915 


Height, 35 inches; width, 27%, inches 


A Scheldt fishing boat with sails loosely bellying and four men 
aboard is coming head-on into the. white-breaking shallows of a 
foreground beach where other men and some women are standing in — 
the water about laden kegs or baskets. In the offing are other sail, — x 
one following the leader in, under a windy and darkening sky tinged 2 
with reflected sunset violet. : wie ie” 
Signed at the lower right, H. W. Mespac. 


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ANTONIO MANCINI 


Irauian: 1852— 


333—LE CHAPEAU FLEURI 3 
3 Height, 3912 inches; erie 291% inches — 


SEATED figure of a large-eyed, dark-haired young Italian woman, — 
demi-nue, posed among rich draperies and highly colorful flowers. 
She faces the left, three-quarters front, and eyes the spectator with | 
frank, direct gaze. Upper body nude, with warm creamy flesh in 
subdued light, she wears a Leghorn hat lively with ribbons and © 


- flowers, and her limbs are covered by a white drapery on which 


blossoms are lying, hat and drapery catching a high light. In her 


hand a palm-leaf fan. 7 See 
Signed at the upper left, A. Mancini. 


% 


PIERRE ETIENNE THEODORE ROUSSEAU 
FRENCH: 1812—1867 


334—IN FONTAINEBLEAU FOREST 
Height, 39 inches; width, 3444 inches 


THE spectator looks upon an outlying section of the forest in sun- 
light, and through it to more sunshine beyond. Trees in mass in 
the central distance spread their thick but well-lighted foliage high 
and wide, against a greenish-blue sky lightly screened by grayish 
vapor, while beneath their branches the eye travels as through a 
broad umbrageous tunnel, with a sharp silhouette against the bright 
light of its farther end. The green of the foliage varies in the sun- 
shine, and considerable of the leafage is brown in partial shadow, 
while before the mass a small detached tree shows hints of autumn 
red. In the foreground a blue brook catches flashes of sunshine, 
and a tall leafless trunk on its bank rises above the picture limits. 


Signed at the lower left, Tu. R. 


From the Rousseau sale; No. 16 of the catalogue, where the picture is dated 
1848-1850. 


(12 


40. - 


4 0.— 


JAN VERHUR 


Dutcu: CONTEMPORARY 


ef. Oh eto. 


Height, 27 inches; length, 45% inches 


335—THE YOUNG PAINTER 
(Panel) 


Five children are pictured at play, at a long table, the smallest, in 

a high-chair at the centre of the composition, busying himself indus- 

triously with water-colors, while his older companions look on with 

| A small girl at the left, portrayed in profile, clings to 
er doll. 


Signed at the upper left, Jan VERHUR. 


MADAME 8S. MESDAG VAN HOUTEN 
(Wife of H. W. Mesdag) 


Dutcu: 1834—1909 Ol cil tr 
336—SUNFLOWERS Se 


Height, 33°% inches; length, 38 inches 


BEFORE the inner side of a brown board fence golden sunflowers 
blossom abundantly amid their pale green leaves, and above them 
are touches of scarlet blooms. Beyond the fence, a dense back- 
ground of green and brownish woods. 


Signed at the lower right, S. M. v H., 1883. 


MADAME S. MESDAG VAN HOUTEN 
(Wife of H. W. Mesdag) 
DutcH: 1834—1909 


337—NATURE MORTE k Net 


Height, 33% inches; length, 38% inches 


THREE large and luscious melons with surfaces of golden-yellow, 
emerald-green and touches of scarlet, lie beside a large copper tri- 
pod vessel with bail handle, which reflects reddish and golden lights, 
before a neutral background of mahogany tones and deep green. 


Signed at the lower left, S. Mespac van Houten, 1883. 


WILLEM MARIS 
Durcu: 1844—1910 


3398—LANDSCAPE: COWS AT THE STREAM 


Height, 47°4 inches; width, 32% inches 


On the right a lush green meadow, beneath a sky of white clouds, 
and at the meadow’s border small pollarded trees, standing at the 
edge of a stream which circles the meadow on the left, the water 
darkened by the shadows of thick tall trees at its left. In the fore- 
ground a white cow and a dark one have come down to drink, and 
near them a woman stands on the bank. 


Endorsed on the stretcher by B..E. van Houten as a sketch by Willem 
Maris. 


ANTONIO MANCINI 


) = > 

i ‘¢ yw IraLian: 1852— 

Na ) 339—DEVOTION 

f 

‘ Height, 4014 inches; width, 24 inches 
er 

i 


THREE-QUARTERS length standing figure of a dark-haired woman 

Ls gowned in a rich red, with effective trimmings in black, and a white 

' waist visible at the throat, looking upward with fervent expression 
and with hands joined before her shoulder. Striking effects of 
light and transparent shadow. Face of warm coloring. (Canvas 

| rectangular but the painting oval and not reaching quite the length 

| = of the canvas. ) 

Signed at the left, above center, A. MANCINI. 


MADAME S. MESDAG VAN HOUTEN 
(Wife of H. W. Mesdag) 
Dutcu: 1834—1909 


340-—FALL WOODS Cy ne Ce. ee a 


(Panel) 
| Height, 45 inches: width, 28% inches 


UNDER a grayish sky brightened only by patches of white, in the 
4} §, — decline of the year, an open wood composed largely of saplings 
reveals a few straggling brown leaves clinging to gray branches, and 
the deep tones of a couple of evergreens. In a sandy path patched 
with mossy green an obscure figure trudges homeward, laden with 


fagots. 
Signed at the lower right, S. Mespac vAN HOUTEN. 
“A HENDRIK WILLEM MESDAG 
4 to - Durcu: 1831—1915 
ad Oo 341—MARINE: SUNSET ‘ 
| Height, 391% inches; length, 49%4 inches aie 
a Tus painting, or sketch—it is incomplete—is the last canvas upon 


which Mr. Mesdag was engaged; it was left upon his easel, unfin- 

ished. The grayish and but slightly ruffled sea, sweeping entirely 
across the foreground, and occupying less than a quarter of the pic- 
ture, is tinted in soft and delicate hues with reflections of a sunset 
sky of subdued notes, the effect heightened by a white path of sun- 
shine near the centre. The sun is all but submerged in a soft golden 
glow above a violet shore of indeterminate features. 


% 


(L° 


HENDRIK WILLEM MESDAG 
DutcH: 1831—1915 


342—FISHERS AND THEIR CRAFT 
Height, 39% inches; length, 49% inches 


OurT at sea, which runs to the horizon, the water is gray, and shows 
occasional sail scattered at far distances. Other craft bulk larger in 
the white-breaking rollers in the offing to the left. In the foreground 
to the right, in the shallows, four boats of the Dutch fishing fleet are 
seen close at hand, their hulls fascinating in the soft, weathered 
colors of marine service, their canvas weathered in tones of har- 
monious agreement—dull brick-red, old-yellow and creamy-gray— 
their reflections coloring the moving green and white water. Men are 
aboard, and two men have waded waist-deep into the water, one 


holding an anchor line. Signed at the lower right, H. W. Mespac. 


HENDRIK WILLEM MESDAG 


Durcu: 1831—1915 Ay) I 
343—WINTER ; ‘ 
Height, 71 inches; width, 55% inches 


A Dutcu sailing vessel of huge bulk and blunt bow, with bowsprit 
and single mast, a steering-board slung at her rail, lies head-on, 
beached in shallows amid large cakes of broken ice through which a 
narrow channel runs. Her yellowish sail is partly furled, and no 
one is aboard. In the background the sea is dark, under a dark and 


cold grayish winter sky. Signed at the lower left, H. W. Mespac, 1891. 


OLD MASTERS OF THE DUTCH SCHOOL 
DUTCH SCHOOL 


EIGHTEENTH CENTURY pea Net/ 
344—FLOWERS IN A VASE 


Height, 19% inches; width, 16% inches 


DA. 
! FLOWERS in a vase placed on a table in a recess. A carnation and 
fruit near the stem of the vase. 


WILLEM VAN LEEN 
DutcH: 1753—1825 


345—FLOW ER-PIECE Ge goo 7 ule 
(Wood) 


Height, 17% inches; width, 12% inches 


Roses and other flowers in a blue-stemmed vase, with a candlestick 
co and a book placed in a recess. The three panels of the forepart of 
i % S. — the recess are ornamented with grisaille decorations. 


Inscribed in the right bottom corner: “VL rr 18 12/31 19.” 
The date of Dec. 31, 1819, makes this a late, and accomplished, work. 


FRANS HALS 
(ATTRIBUTED TO) 
DutcH: 1580(?) —1666 


346—PORTRAIT OF A BOY 
Rea che Ae 
Height, 12% inches; width, 11 inches 


SMALL half-length figure of a boy, turned three-quarters to the right, 

with a ruddy complexion and smiling. He wears a rough fur cap 

nd looks down at the jar which he holds. Behind him and in the 

cy , Or left background is the round face of a woman standing. Neutral 
background. 


This panel, which bears no signature, recalls the “Laughing Boy with a 
Beer Jug” in the Hofje van Aarden, at Leerdam, which is, however, signed 
with the well-known monogram and is larger than the present work. In the 
Leerdam version the boy is in green, with a parti-coloured cap, and behind 
him is another laughing boy. This panel is incidentally referred to in the 
new edition of Smith’s “Catalogue Raisonné,” 1910, Vol. III, No. 125, p. 34, 
by H. de Groot; but it is not mentioned in Bode’s monograph on “F. Hals.”’ 


BARENT GAEL 


DutcH: 1620—1687 
347—LANDSCAPE Nee {fer {* 
(Wood) 


Height, 17 inches; width, 1444 inches 


v MEN and horses are standing near the tall building which dominates 
if 0. the scene on the left. Wet ground on the right, and cloudy sky. 


Signed, B. GAEL. 


DUTCH SCHOOL 


EIGHTEENTH CENTURY 
348-—-FLOWERS IN A BASKET Wud. \ Yew 


Height, 21% inches; width, 184% inches 


_Roses and other flowers in a round basket, with a nest of bird’s 
4 dee eggs near by, placed on a marble slab before a dark green wall. 


THOMAS HEEREMANS 
Dutcu: Fl. 1664—1692 


349—THE VILLAGE FAIR ee: 


(Wood) 
Height, 19 inches; length, 25 inches 


THE road bends in the middle of the village, the houses of which 

- _ are gabled and seen against a background of trees.. Crowds gathered 

AS ‘round the tents, and a quack sells his wares near the wall of the 
Village Inn. Logs on the roadside. 


Signed near the logs in the left centre of the composition, and dated. 


Interesting as the work of a little known artist, who in 1664 was a mem- 


ber of the Guild of Haarlem. 


P. BOLL Ps 
350—STILL LIFE LA) & Ff 


Height, 23 inches; length, 33 inches 


at : table are placed, near a large basket, a dead hare and a dead 
uc 


we 


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fhigdep 


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JAN JANSZ VAN DE VELDE JI 


Dutcu: 1620—1660 


351—STILL LIFE 
(Wood) 


Height, 28 inches; width, 24 inches . 
A TALL-STEMMED glass goblet placed on a marble-topped table on 


which also are a vase, a dish, metal plate, a peeled lemon, a crab, a 
pipe, half a walnut and a scrap of paper. Plain brown background. 


The remains of a signature, partly effaced, on the front of the table to 
the right. 


ANTONIE PALAMEDESZ 
Dutcu: 1601—1673 


352—PORTRAIT OF ANNA VAN BERCKEL 
(Wood) 


Height, 2714 inches; width, 23 inches 


HALF-LENGTH; three-quarters to the left. In a black dress, large, 
flat white lace collar and bow, lace cap and two-strand pearl necklace. 


Signed halfway down on the left: “Ao. 1644. A. PAaLAmMEDEsz 
PINXIT. 


No pedigree accompanies this fine portrait, and the traditional identifi- 
cation has been slightly erroneous. But there can be no doubt that the facts 
now collated are correct. For attached to the wall in the right background, 
and decoratively displayed as if hanging from a knotted red ribbon, are two 
escutcheons. That on the dexter side is of the Gael family, who flourished 
at Leyden and Rotterdam in the seventeenth century; their arms weré: D’or 
a deux fasces de gules chargé de cing losanges d’argent, 3 et 2. That on the 
sinister, or female, side is circular; it is of the Van Berckel family, who are 
known to have then prospered at Delft and Rotterdam; their arms were: D’azur 
a trois étoiles dor. 43 

That this is the companion portrait to that of Jan Niclaess Gael, which 
was in the Rothan Collection in Paris in 1873, will not be gainsaid. The male 
portrait, the whereabouts of which has not been known in recent years, is now 
in private possession in this country. It is signed and dated, exactly as the 
present panel: “Ao. 1664, A. Palamedesz pinxit.” The Gazette des Beaux 
Arts. 1873, Vol. VII, p. 278, reproduces the male portrait, and states that “from 
a few lines written in Dutch on the back, we know that the elegant sitter was 
called Niclaesz Gael, who was born Aug. 3, 1606, and died Nov. 2, 1666. Not 
merely is this name lost in the immense oubli, but one is readily persuaded 
that a gentleman of such fine breeding must have played an important réle in 
his time. The picture is as acceptable as the person represented is sympathetic. 
Very fine taste has marked the execution of the portrait.” The man in that 
picture is turned three-quarters to the right, wears a large, flat, lace collar; 
his right hand is on his hip. The male portrait was included in the sale 
catalogue of the Rothan Collection (No. 85) in Paris, May 29, 1890. It is 
therein reproduced and fully described, and the measurements exactly tally 
with those of the present work. When transferred in recent years, the inscrip- 
tion on the back of the male portrait was removed. It bears, high up on the 
left, the écusson armorié of the husband, and beneath it are the signature and 
date. Thus the inscriptions, the elements of composition and the measurements 
make them companion portraits. Moreover, it is to be noted that Palamedesz 
was born and worked for a time at Delft, where members of the Van Berckel 
family lived. 

P. Mantz: “Rothan Catalogue,” 1890, p. 63. 

Rietstap: “Armorial General,” Vol. I, p. 169, p. 751. 

E. W. Moes: “Iconographia Batava,” 1897, Vol. I, p. 314, No. 2606. 

Soullié: “Livre d’Or,” 1903, p. 24. 

Wurzbach: “Lexikon,” 1910, Vol. II, p. 298. 

Mireur: “Dictionnaire des Ventes,” 1912, Vol. VII, p. 35. 


20 eer 


- att 
SS 
a a 


CORNELIS JANSSEN VAN CEULEN 


EncuisH: 1593—1664(?) 


353—PORTRAIT OF A GENTLEMAN 
Height, 38°4 inches; width, 33% inches 


Hair length; three-quarters to the right; looking to the front. 
Wearing a black suit, linen undershirt and cuffs. Long brown hair 
falling profusely on to his shoulders. The left arm resting on a 
pedestal, the right has the palm extended downward. Green curtain 
background. 


Inscribed on the back: “Aetais sua 40;1668,” the looseness of which 
spelling suggests that a reliner has ill copied what he saw. Moreover, the 
date was probably 1663. In any event it is a mature, and even late, work from 
the hand of Johnson, who is not known to have called himself Janssen, although 
he is usually so referred to. He left England in 1643 with a Speaker’s war- 
rant to pass beyond seas, and spent the rest of his life in Holland, but he is 
not heard of later than 1664. 


40 


MONOGRAMMIST R. I. D. 

DutTcH 
354—STILL LIFE 
Height, 38 inches; width, 19 inches 


A STRANGE medley of objects placed on a table. From the left to 


“the right are an ewer, goblets, on a tray, a metal coffee pot, rolls, 


half cheeses, a knife, a cut apple, a glass of wine, nuts, apples and 
pears. In the top right corner are seen only the hands of a man 
placing apples and pears in a round bowl. 


Inscribed, R. I. D. in the left foreground. 


This is apparently the only picture existing by this artist, as no other 
panel bearing such initials is known. 


ISAAC WILLAERTS 
DutcH: 1620—1693 


3009—A PORT ON THE ADRIATIC 

Height, 2744 inches; length, 3942 inches 
On the right is a high rocky shore, with people on the wharf of a 
town which is set among trees and at the foot of a hill. A rowboat 
is moored to the wharf. Fishermen and women with baskets, on the 
spit of land that juts out towards the centre. Sailing vessels and 
men of war in the left distance, including the Sie which 


flies the flags of Holland and Zeeland. 
Signed. 


ISAAC WILLAERTS 
Dutcu: 1620—1693 


306—A MEDITERRANEAN PORT 
(Wood) 
Height, 28°4 inches; length, 39 inches 


ON a rocky coast to the right is the entrance to a town. Five sailing 
vessels in the offing fly the Dutch flag. A rowboat makes for the 
shore on the right. Fisher-folk on a “low rock in the centre fore- 
ground. Cloud “cumuli. 


Signed, I. Wi1LLaERTS, on a rock in the left foreground. 


wo) AL TH. QAP 


Irene i si‘i‘(#t#(##C#(N 


rem rare a 


—— 


P. P. RUBENS 


(AFTER) 
Fremisn: 1577—1640 2 a Bhenwttel 
es 


357—PORTRAIT OF A LADY 
Height, 491% inches; width, 411% inches 


Har length, seated in a green upholstered chair and turned three- 
quarters to the right. In a low-cut black dress, with full sleeves 
4 ~ ~and white insertion at the neck and white cuffs. A crown on the 

| table on the right. 
Evidently derived from some portrait by Rubens or Van Dyck. It recalls 
_ the former’s portrait of “Marie de Medici” in the Prado, Madrid, as well as 


the latter’s portrait of the same Queen in the Van Decker Collection at 
Dittersbach. 


DUTCH SCHOOL ng. 9 Hane < eee 


358—ITALIAN LANDSCAPE WITH FIGURES AND CATTLE 
eet. 33 inches; length, 43 inches 
A scENE in Southern Italy. A woman is milking a goat in the left 
_ foreground. Other women and men drive cattle, sheep and asses. 


J} 6©* Many men are busy unloading sailing vessels in the right distance. 
On the left the high walls of a castle in ruin. 


JAN VAN GOYEN 
(ATTRIBUTED TO) 


DutcH: 1596—1656 


359—VIEW ON A RIVER u:.W. f Ne Soe ; 


Height, 40% inches; length, 53 inches 


FisHEeR folk in a rowboat are putting in to a landing on the right, 
where steps lead up to a group of farm buildings and an inn. 
Further away, and more in the centre is a church tower. On the 

| | 0.~dull-toned waters of the river on the left are sailing vessels, with 
figures fishing in a boat in the left foreground. 


Bearing the monogram of the artist. 


SCHOOL OF DONATELLO 
OF THE SEVENTEENTH CENTURY of re 
360—BAS-RELIEF: MADONNA AND CHILD i df. 
Height, 16% inches; width, 13% inches 


Tue Mother, clad in crimson gown and green mantle, both trimmed 

in gold, appears at three-quarters length, seated, with figure to right 

_and face turned to left, holding in her arms the Child, who is feeding 

% O° at her breast. He is wrapped in pale coral and gold. Above the 
| Mother’s head a cherubim, and at either side the star of Bethlehem 
and an ox and hound, and in front of her a basket of fruit. All 

of the figures and accessories modeled in bold relief, the back- 
sround a rich, dark brown. The paneled picture is defined by a 

light molding and surrounded by a bold convex frame adorned 

with shell and acanthus designs in low relief, the shells in gold, the 
ground and acanthi dark brown; the whole in a single panel. 


Wooded box-frame. 


ANCIENT CARVED ed Mg 
361—_CARVED WOOD PANEL: HOPE Seventeenth Century 
Height, 22% inches; width, 13% inches 


Oax. A tall garlanded female figure representative of Hope. 

Standing, with one hand resting on an anchor and in the other hold- 

ing a laurel branch. Drapery hanging in graceful folds, with one 

reast and arm and leg exposed. Carved in high relief. Background 

as in bas-relief—landscape, figures engaged in agriculture, ships on 

the sea, clouds. Arched top. Bead molding and egg-and-leaf mold- 

ing, and an outer reed molding, the reeds enwound with crossed 
bindings, all carved. 


DUTCH Wl, “p. lerret 


362—CARVED WOOD PANEL Sixteenth Century 


Height, 3314 inches; length, 6754 inches 


ConsIsTING of five upright panels and a frieze of three horizontal 
panels, in an architectural setting. The principal carvings are all 
eam ererentalive of biblical subjects, those at either side of the central 
QJ one picturing respectively Adam and Eve, Abraham and Isaac, the 
Annunciation, and the Birth in the Manger. In the frieze, cherubim, 
a mask and other motives. (Some slight restoration, undisguised. ) 

Framed in modern molding. A companion to the following lot. 


DUTCH WR. Moora 


363—CARVED WOOD PANEL Sixteenth Century 


Height, 32 inches; length, 70 inches 


A COMPANION to the preceding, with the same subjects differently 
S ae Drepresented, and the frieze containing only cherubim and scrolls. At 
the base, a biblical inscription carved in old Dutch. 


putcy «LU. Neardl 


364—CARVED WOOD PANEL Seventeenth Century 


Height, 33% inches; length, 70 inches 


REPRESENTING three biblical subjects, carved in bold relief within 

arched embrasures, Rebecca at the Well, Jacob passing himself off 

as Esau, and one that might be Ruth and Boaz or possibly Judah and 

sl famar. Within the spandrels, cherubim and two different es- 

2) a cutcheons, and on the terminal pilasters male and female half-figures 
with shields carved with the date 1642. Modern molding. 


4 


tae 


OLD FRENCH AND FLEMISH set 


365—PAIR FLEMISH TAPESTRY ENTRE-FEWETRES 
Seventeenth Century 


Height (each), 6 feet; width, 1 foot 5 inches 


Two panels of Verdure Tapestry, sections or fragments of the same 
original manufacture, the one all dark interior woodland with 
glimpses of a golden sky, the other picturing a more open wood- 
land, with blossoming shrubbery in the foreground. 


(Illustrated ) | 


( 


366—GOBELINS TAPESTRY PANEL "Seventeenth Century 
Height, 5 feet; width, 2 feet 2 inches 

DecoraTIon, the head and forebody of a great lion, moving to the 

front and toward the right with eyes upon the spectator—pictured in 


soft browns and emerald, old-gold, crimson, buff and white. (A 
fragment. ) 


(Illustrated ) 


366 


365 


367—FRENCH TAPESTRY PANEL all : ¢ y Luff | 


Height, 6 feet 5 inches; width, 3 feet 6 inches 


Narcissus. A figure in semblance and apparel more female than 
male—at first glance in the guise of a fleet courier—is the conspicu- 

ous element of the composition as it stands—a vigorous portrait 

< “with an amplitudinous background of imposing landscape. The 
“M individual is clad in dark and light green and ivory-white, with 
adornment in brown and old-gold, and a flowing crimson mantle 
sweeps back in the air as the figure swings forward, with lower limbs 

bare and sandaled feet, hastening eagerly to a rippling pond in the 
foreground with a gesture toward the water as who should say: 
“Behold my beauty, and admire!” At left in the middle distance 

two men in conversation with a woman who is seated on the ground. 


ee tae 


368—FRENCH TAPESTRY PANEL Period of the Regency 
Height, 8 feet 8 inches; width, 3 feet 


Bucotic Gallantry. (Fragment.) A tall tree group bisects a rural 
landscape, rising above the present limits of the fabric; sunshine 
gilds the green leaves aloft and also a mass of neighboring foliage 
below, and illumines at the same time a countryside of hill and vale, 
of town and river and monumental structures. In the foreground a 
youth who has been fishing presents a fine fish to a seated shepherd- 
ess whose flock appear just at hand. The figures of youth and 
charmer in gold and blue and white. 


: 
oe 


369—FRENCH TAPESTRY Eighteenth Century 


Height, 4 feet; length, 6 feet 


Baccuic infants at a fountain. Three of them appear at a fountain 
on the left, the fountain enshrouded in green foliage on which bril- 
liant sunshine plays. One infant holds up a glass and ewer, and 

/ another drinks from a jug upheld by the third. Their bodies are 
variously clad and draped in gold and dull crimson, green, blue, 
brown and brownish-rose, the flesh being in gray. In carved oak 
frame. 


oe -_ é ti 


9. oa 


370—FLEMISH TAPESTRY Seventeenth Century 
Height, 6 feet 8 inches; width, 6 feet 3 inches 


A VERDURE panel with brilliant accents of sunshine not only on 

the abundant leafage but on the laminated trunks of the curiously 

twisted trees. Three of these trees of imbricated bark spring from 

a golden-brown mound in the left foreground, in a wooded park on 

a lower level of which stands a fragment of a sculptured animal 

, fountain, the body of the animal interrupted by a patch cut from 

tee the same fabric. A second patch from the original, inserted out of 

place below, presents the head of the animal, spouting water for 

the fountain. Border of brilliant garlands of flowers and fruit, 

incorporating human and grotesque bird and animal heads, exe- 
cuted in rich coloring. 


\ 


: r wg ' rod ie i, * zx c 
Ty UFR ens ace TS 


[pst 


371—FRENCH TAPESTRY Eighteenth Century 
Height, 8 feet 6 inches; width, 5 feet 11 inches 


A PASTORAL. In a wild part of a luxuriant garden adjoining the 
ruins of an ecclesiastical pile, several persons have assembled about 
a sun-dial—a youth and two young women, one of whom carries an 
infant, and a younger girl who stands between them. Cows edge 
up close, a little way off a shepherd is seen with his flock, and at 
the left is a large house. 


= : f ’ ; ee ee i SY Nc 


372 BEAUVAIS TAPESTRY Oo 


Height, 6 feet; length, 8 feet 5 inches 


La chasse. Fragment of a huge production—this one itself made up 
of two lesser fragments which so obviously belonged together as 
parts of one original whole that the present owner caused them to 
—be rejoined. In a wooded landscape of rough and rolling ground 
| oy p five figures appear, men and women, eagerly engaged in the pursuit 
of game with arrows and dogs. The action is lively, the color 
rejuvenating—with flying draperies golden and purple-crimson, 
white and blue, in a landscape green and brown. 


373—BEAUV AIS TAPESTRY Eighteenth Century 
Height, 6 feet; length, 8 feet 7 inches 


Baccuic celebration. Three Bacchic infants accompanied by a 
youthful faun disport themselves in the umbrageous purlieus of a 
flowing fountain—one riding a prancing goat, another walking be- 
side it, and one holding aloft a wine goblet, while the faun raises 
his hands in greeting. They are arrayed in gold and crimson, blue, 
green and white. Flowers bloom in the foreground, the sun kisses 
with golden light the dark leafage overhead, and in the distance is 
a mountainous landscape (with foreign passages interpolated). 


Ya | 
374—BRUSSELS TAPESTRY ‘ 


Height, 7 feet 2 inches; length, 8 feet 11 inches 


Seventeenth Century 


Amip shrubbery and flowers a venerable man is seated on the bank 
of a stream—the outflow of a cataract high on the left. His blue 
coat is enfolded by a red mantle. With a gesture of the hand he 
looks up at two women who approach, the younger and handsomer 
carrying an infant. She is in blue and white with draperies of gold 
and crimson. In the background are gardens and trees—among 
them a palm—and a large building ground. Border of elaborate 
moldings simulating a gilt picture frame—the border added at some 
former time but of the same period as the main fabric. 


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375—FLEMISH TAPESTRY Seventeenth Century 
Height, 9 feet 3 inches; width, 7 feet 3 inches 


Harvest Time. A rectilinear panel with flora in the foreground and 
rees at either side, on the border of a grain field, with distant hills 
seen across the wheat-tops. At the centre two youths and a maiden 
garnering wheat. One of the youths has dropped his sickle and 
seeks to trap two young birds on the ground, with his hat. Wide 
border in harmonious tones, presenting garlands of varied flowers, 
and grapes and song birds. 


eee 


376—BRUSSELS TAPESTRY } Seventeenth Century 
Height, 7 feet 1 inch; width, 5 feet 


ImMporRTANT fragment of a large composition, as is shown notably by 
the attitudes and animation of the persons grouped in the fore- 
ground, all three of them concerned with some action further to 
the right. Two are seated, at the base of a tree; the third, standing 
~ back of them, makes a gesture in the direction in which the others 
Ke 5 a are looking. Overhead an eagle is swooping down, over a park in 
the background where an elaborate fountain plays white in the 
ainchine © At ete iee foreground, white flowers are blooming 
beneath the overhanging dark green branches of the tree. Costumes 
of the figures in red and brown, green, blue, white and gold. A 
companion to the succeeding lot. 


Pea WON, daze 
Peace al ew f ut 


SLf 


377—BRUSSELS TAPESTRY | Seventeenth Century 
Height, 7 feet 1 inch; width, 5 feet 7 inches 


Witp Boar Hunt. A pendant to the preceding, and part of the same 
sreat production. The scene a park adjoining a palace,—the palace 
7 gardens with fountains playing occupying the center of the picture 
ee in a blaze of sunshine, a classical wing at the left and common 
Hy housing buildings in the background, and trees abounding at either 
side. In the foreground two dogs are already upon a wild boar 
wounded but still running, and coming over a hill crest at the right 
is a spearsman with a companion who is winding the horn of 
triumph. Soft and varied coloring in the greens and browns, with 
yellow and golden-ivory and dull crimson, accented by white. 


378—GRAND GOBELINS TAPESTRY Seventeenth Century 


Height, 9 feet 4 inches; length, 15 feet 9 inches 


TriumpH of Alexander the Great. From L’Histoire d’ Alexandre, 
d’aprés Le Brun (eleven tableaux); No. 11—Le Triomphe, ou 
’Entrée dans Babylone. The youthful hero, laurel-crowned and 
holding his mace, stands in a chariot of honor drawn by an ele- 
phant, whose rider swings a censer. Ahead are musicians, horse- 
od: men follow, and one horseman rides up to the passing chariot from 
\ 4 the foreground, directing some trophy bearers. Female figures are 
seated in the left of the foreground, and in the background specta- 
tors look down from the balconies of Babylon. Floral scroll bor- 
der. Throughout a rich variety of color in soft, low tones.- 


yy 


379—GRAND GOBELINS TAPESTRY Seventeenth Century 


Height, 10 feet 4 inches; length, 15 feet 4 inches 


BrsiicaL subject. Confusion of figures, mounted, seated, and prone 
on the ground. At right a king, crowned and in purple and gold, a 
female’s head appearing in his lap, while with gesture he wards off 
another woman who is also restrained by still another. A man lies 
prone at his feet. At center is a horseman who turns, frightened 
and in supplication, at the vision of two figures aloft who as angel 
bowmen are shooting arrows from the clouds. At left is a com- 
panion already wounded, his horse brought down. In a landscape 
of trees and birds. Wide border of garlands, with bird and animal 
medallions at the corners and at the centers of the sides. A compan- 
ion to the following lot. ? 


pO 


380—GRAND GOBELINS TAPESTRY Seventeenth Century 


Height, 10 feet 5 inches; length, 15 feet 2 inches 


MEETING of hunters in a wood. Main figure group: a bearded man 
with spear and powder-horn approaches from the right, and bows 
to another who stands at the left, the latter wearing a hunting knife 
and horn, and to a woman who has a quiver at her shoulder who is 
with him, and standing between the two men. At the left are at- 
tendants with dogs in leash, and an amorous couple. Garlanded . 
border with bird and animal medallions. Rich and brilliant color- 


ing throughout—gold, yellow and white relieving the blue, green 
and browns. 


thie 


381—GOBELINS TAPESTRY Seventeenth Century 
Height, 10 feet 2 inches; length, 10 feet 8 inches 


BIBLICAL: a scene of idolatry before Baal. Approaching from the 
right a coronetted lady of much dignity of bearing, in ornate robes 
of rich color, is preceded by a younger lady who gives drink to a 
kneeling woman. The latter, before drinking, points to a man on 
the left who brings up a bullock for sacrifice. Above, on the left, 
a vengeful effigy holding in one hand the symbol of Baal—the sun— 
and in the other the crescent moon; to these a figure below points in 
awe or in warning, and near by stands a bearer with a head-borne 
basket of fruits. 


4 (pete 


382—GRAND GOBELINS TAPESTRY Seventeenth Century 
Height, 10 feet 3 inches; length, 17 feet 7 inches 


PROFANE subject; a pendant to the preceding. Diana imploring 
Jupiter. In a palatial pavilion in a spacious garden Jupiter is 

) 6 ~enthroned, above and at the center, Hera seated, embracing his 
BI ‘ knees with one arm, extends the other over the back of a peacock, 
her emblem, toward a plumed warrior who is seated below in com- 

pany with a coronetted lady. At left Diana kneels, appealing. At 

right is Bacchus making love, also a second couple. Rich wide 

border of scrolling garlands embracing animal and bird medallions. 


AMERICAN ART ASSOCIATION, 
MANAGERS. 
THOMAS E. KIRBY, 
AUCTIONEER. 


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RTISTS REPRESENTED 


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LIST OF ARTISTS REPRESENTED 
AND THEIR WORKS 


CATALOGUE 
NUMBER 


ALMA-TADEMA, Sir E. Laurens, R.A. 


Portrait of H. W. Mesdag: Souvenir of a Banquet | 150 

Figure Group 164 
ALMA-TADEMA, Lapy Laura 

Portrait of a Little Girl 67 

With a Babe in the Woods 254. 

The Bowl of Flowers 268 
APOL, Louis F. H. 

Wood Gatherers 131 
ARNTZENIUS, Fronts 

Watching the Workmen 83 

Seashore Boulevard ese 


ARTZ, Davin ADOLPHE CONSTANT 


His Pipe foe.) 
Woman Sewing 80 
Interior with Figures 297 
Figures at Table 303 
Fishermen at Sea 305 
Gathering the Potatoes 329 
BAUER, Marius 
On the Banks of the Thames, London 209 
The Harem Guard 218 
BAUER, M. A. J. 
The Outskirts of Stamboul. Etching 30 
Wall of the Harem. Etching 36 
The Queen of Sheba, at Jerusalem. Etching a 
Carel Ende Elegast. Lithographs 38 
The Queen of Sheba, at Jerusalem. Etching 39 
In Stamboul. Etching 40 
A Caravan. Etching 41 
A Viser. Etching 42 
A Street in Constantinople. Etching 3 
A Sultan. Etching 44 


A Sultan. Etching 45 


BIANCHI, Motse 
The Acolyte 


BISSCHOP, RicHarp 


Studio Interior: A Tribute 
The Orphan Seated, Reading 


BISSCHOP-ROBERTSON, Suze (Susan) 


Peasant Figure 
The Studio Mantel 
Peasant Potato-peeling 


BLES, Davip 
His Coffee 


BLOMMERS, BernHARDUS JOHANNES 
Portrait of a Child 


Le Nourrisson 


The First Ice 


BOCK, THEOPHILE DE 


Bruyere au Déclin du Jour 
Shore Landscape: Gorinchem 


BOKS, Marinus 
Landscape 
Green Landscape 
Landscape 


BOLL, P. 
Still Life 


BONGERS, B. 
Boats in the Slip 


BOSBOOM, JoHANNES 


Church at Gouda, Holland 

Church Interior with Figures 

Cathedral Interior 

The Organ Case 

Intérieur d’Eglise 

Coin artistique dans |’Atelier de l’Artiste 
Portuguese Synagogue, Amsterdam 

The Church at Hoogstraeten 

Church Interior at Leyden 

Cathedral of St. Bavon, Haarlem 


CATALOGUE 
NUMBER 


73 


317 
327 


161 


293 
256 
260 


390 


86 


ot 
28 
al 
76 
82 
88 
159 
165 
168 
170 


ie EE oes (ined 


BOSBOOM, JoHANNEs—Continued 
Bakkenesser Church, Haarlem 
Ruins of Villers Abbey 
Service in the Portuguese Synagogue, Amsterdam 
Cathedral Interior, with Figures 


BOULANGER, Gustave RupoLPHE CLARENCE 
Reflections in the Pool 


BOUTEN, CHARLOTTE 
Six Drawings 
Six Drawings 


BROEDELET, ANpRE 
The Young Milkman 
A Flower Girl 


Le Brocanteur 


CHAPLIN, CHARLES 
Novembre. Painter-Etching 


COLLYER, P. 
Still Life 


COROT, Jean BAPTISTE CAMILLE 
Paysage d’Italie. Painter-EKtching 
Environs of Rome. Painter-Etching 
Edge of the Forest 
Landscape 


DAUBIGNY, CuHar.es FRANCOIS 
Le Grand Parc a Moutons. Painter-Etching 
La Vendange. Painter-Etching 
Environs de Tousey 
L’Etang prés de chatillon 
The Heavy Load 
A Seashore Village 
River and Reflections 
Une petite Riviere 
Landscape of Fields, Hills and Valley 
Rocky Landscape 
Winding River 
Le chemin de Montagne 
Among the Rocks 
In the Valley 
Le petit Canal 
Landscape 
Dans les Dunes 


CATALOGUE 
NUMBER 


TZ 
213 
ao 
alo 


2) 


11 
12 


Sl 
91 
118 


DE PAAL, Laszto P. 


Sunset in a Forest 


DIJSSELHOFF, G. W. 
The Aquarium 


DU CHATTEL, Freperic J. 


River Landscape 
The Blue River in the Mountains 
In Winter 


DUTCH SCHOOL 


Study of a Man 

Landscape 

Landscape with a Sailing Vessel 
Portrait of a Baby 

Peasants Fighting 

Landscape 

Landscape 

A Bivouac 

Flowers in a Vase 

Flowers in a Basket 

Italian Landscape with Figures and Cattle 


DUYTS, Gaston DEN 
A Rainy Day 


EERELMAN, Orto 


Animal Portrait 


GABRIEL, Paut Jos—EpH COoNSTANTINE 


The Fisherman 
The Polder 
Within Salt Meadows 


GAEL, BARENT 
Landscape 


HALS, Frans (Attributed to) 
Portrait of a Boy 


HAVERMAN, Henprik JOHANNES 
Mother and Child 


HAVERMAN-BIRNIE, C. 
Still Life: Roses 


CATALOGUE 
NUMBER 


273 


141 


221 
224, 
231 


274, 
270 
278 
279 
281 
286 
287 
288 
344, 
348 
308 


127 


107 


115 
228 
ag 


347 


346 


133 


269 


CATALOGUE 
NUMBER 
HEEREMANS, THomas 


The Village Fair 349 
HENKES, GERKE 
Age and Piety 32 
Portrait of an Old Man 87 
At the Brazier’s 99 
The Bootblack 109 
Le vieux Concierge du Musée 110 
At the Tubs 251 
“Bonne Promenade” 259 
The Carpenter at Work 267 


~Home Repairs 270 


HERMANS, CHartes 
Carnival 119 


HYNER, ARenD > 


Washing Day 230 
ISRAELS, Joser 

In a Fisherman’s Home 68 

A Fisherman’s Wife o2o 
JANSEN, Fritz 

Old Town Houses 89 
JEANNIN, GeorcEs 

Still Life: Fruit 105 
JORIS, Pio CAvALiERE 

Landscape and Figures 126 
JOSSELIN DE JONG, PIETER DE 

Enjoying His Clay Pipe 104 

Leading Horses to Water 138 

Suburban Courtyard 326 


KERLING, Anna E. 
The Dairy Boy 122 


KLOMP, Atsert JANsz 


Landscape with Cattle 280 
Landscape with Cattle 285 


KONING, Epcarp 


Mushrooms 


LAPIDOTH, Maurits ConstTAnTIJN 


Peasant Gathering Fagots 


LE COMTE, Apo.ir 
Icebound at Nightfall 


MANCINI, Antonio 
Four Sketches 
Four Sketches 
Four Sketches 
Four Sketches 
Her Image 
Nude Study 
Nude Study 
Nude 
Nude Study 
Maternal Solicitude 
Le Chapeau fleuri 


Devotion 


MARIS, Jakos 


Portrait of an Italian Woman 
The Little Mother 
Portrait of a Lady: Miss Kohler, Age 20 Years 


MARIS, Mattuys 


The Timid Bather 
A Ram/’s Head 


MARIS, WiLLem 


Cow Drinking 
Cows at the Brook 
Landscape: Cows at the Stream 


MARIUS, G. H. 
Still Life: Fruit 


MARTENS, WILLY 
The Last Touch 


CATALOGUE 
NUMBER 


100 


79 


lll 


108 


239 


ST eS AS EE eos Pepe seme ee ee it ehieianiiinaindimanibias = Scaaeaaa 


oS eee es 


MAUVE, Anton 


Two Sketches 

Two Sketches 

Three Sketches 

Two Sketches 

Six Sketches Mounted 
Six Sketches 

Six Sketches 

Six Sketches 

Seven Sketches 


Landscape with Figures 


Home-coming Sheep 
Peasant at Work 
Landscape with Figure 
Field Laborers in Holland 
On the Windmill Road 
Sheep Shearing 

Sheep in Lonely Landscape 
Plowing 

The Clipping 

Luncheon in the Fields 
Sheep-washing 

Flock of Sheep with Shepherd 
Vegetable Gatherers 
Getting in the Potatoes 
Cow in Pasture 


The Old White Horse 


MESDAG, HeEnprik WILLEM 


Eight Sketch Books 

On the River 

Oncoming Fishermen 

Trothatta Falls 

Rocks on a Gray Day 

Dutch Fishing Boats 

Marine Féte 

Potato-gathering 

The Lighthouse 

Harbor Entrance 

Sailing over a Troubled Sea 
Sailing Homeward at Sunset 
Sunset over a Calm Sea 

The Yellow Sail 

Trothatta Falls in Broad View 
Marine Sunset 

The Setting Sun 

Fishing Fleet in a Bit of a Blow 
Group of Fishing Vessels Offshore 
A Windy Day at Sea 


CATALOGUE 
NUMBER 


CATALOGUE 
NUMBER 
MESDAG, HEenpRIK WILLEM—Continued 


Landing on a Hazy Day oll 
Holland and the North Sea alo 
The Fishing Fleet Offshore 320 
Moorlands Road a2t 
A Rescue by Moonlight oe2 
Marine: Sails in a Confused Sea 324 
Fishing Vessels Offshore 330 
Homecoming Fishermen 332 
Marine: Sunset 341 
Fishers and Their Craft 342 
Winter 343 
MESDAG VAN HOUTEN, Mapame S. 
Still Life: Vase and Fruit 146 
Nature morte 243 
Dog’s Head 263 
Landscape at Sunset 271 
Tree-trunks and Sunset 22 
Golden Harvest 302 
The Harvest Gathered 304, 
Evening in the Country 325 
Landscape ; 331 
Sunflowers 336 
Nature morte 337 
Fall Woods 340 


METTLING, Louis Victor FELIx 
Portrait of a Man 293 


MILLET, Jean FRANcoIs 
Reproductions (16 Woodcuts) and Two Engravings ol 


Two Men Digging. Etching 52 
The Gleaners. Painter-Etching D3 
The Watchers. Painter-Etching o4 
Mother and Child, Talking L7e 
The Mower 178 
Portrait Head 181 
The Return from the Fields 182 
Le Discours des Rustiques 185 
Wood Gatherers 186 
Women Sewing 187 
The Young Cowherd 190 
The Hunter * 191 
Le Repos des Moissonneurs 193 
Adam and Eve Mourning the Death of Abel 194, 
Shepherdess with Her Sheep 195 
The Harvesters’ Repast 196 


Solitude 197 


ETE f OHM Ne ap inal eiats a reansiage amie 


MONDT, J. A. 


Farm Landscape 


MONOGRAMMIST R.I.D. 
Still Life 


MONTICELLI, Apotrxe 


Deux Femmes 


NAKKEN, Wittem Care. 
The Black Stallion 


NEUHUYS, ALBert 
La Poupée 


NEUHUYS, Joser 
Gathering Rushes 


GEUVRES MELEES 


Portfolio of Miscellaneous Sketches 


OFFERMANS, Tony 
The Cage Maker 


ONNES, Menso KAMERLINGH 
Still Life: Apples 


OPPENOORTH, WiLtLtem JOHANNES 
Shore Landscape 


OYENS, Davin 
The Painting Lesson 
The Studio Stove 
The Artist at Work 


PALAMEDESZ, ANTONIE 
Portrait of Anna Van Berckel 


PECQUEREAU, A. 
The Green Dockyard 
Market Day 
Landscape with Cottages 


POORTER, WILLEM DE 
A Woman Inciting a Girl to Vanity 


PREVIATI, E. 


Nature morte 


CATALOGUE 
62 
304 
292 
264 
210 
223 
17 
234 
116 
142 


98 
101 
106 


Jo2 


74 
94, 
96 


284. 


i 


RAPITI, —— 
Waiting 


RIP, WiLtLem CorneELIs 
Salt Meadows in the Environs of a Town 


ROCHUSSEN, CHARLES 
The Exhausted Huntsman 
The Historical Pageant at Leyden University 
Compositions historiques des Pays-Bas 
Taking of Rotterdam by the Spanish, April 9, 1572 
“The Old Knight” 


ROELOFS, WiLtLem 


Marshlands and Homes 
At the Inlet 
Houses in a Clearing 


Landscape and Cattle 
Coulin Hills, Scotland 


ROUSSEAU, Pierre Etienne THiopore 


Chenes de Roche. Etching 

Le Cour de la Loue 

The Thatched Cottage 

Sentier menant au Cuvier: Chatillon 


Landscape 
Forest Road: A Sketch 


In Fontainebleau Forest 


RUBENS, P. P. (After) 
Portrait of a Lady 


SADEE, PHILiprE 


Les Saurissieres 


SCHILDT, Martinus 
Preparing the Coffee 


SCHOOL OF DONATELLO 
Bas-relief: Madonna and Child 


SCHREGEL, Bernarp 
The Path by the Birches 


SMITS, Jonan GERARD 


CATALOGUE 
NUMBER 


84 


232 


78 
214 
230 
238 
240 


206 
208 
pA We 
242 
300 


aie 
175 
176 
183 
309 
312 
Jd4 


Bot 


265 


144 


360 


85 


Cloisters of the Cathedral of Utrecht before the Res- 


toration 


143 


CATALOGUE 
NUMBER 


SNAACK, C. I. 
The Five Senses 282 
SORGH, Henprik Martensz (Manner of) 
At the Dentist’s 277 
SPYCKERMAN, Pieter (Attributed to) 
A Satyr and a Nymph 275 
An Allegory 283 
STRUIJS, ALEXENDER 
The Last Call 65 
TER MEULEN, Francois P. 
Woodmen at Work in Autumn 216 
TOOROP, Jan 
Dans une Ruelle 18 
TROMP, JAN ZOETELIEF 
Filling the Pitcher 135 
; VAN BORSELEN, Jan WitLem | 
A Stroll through the Fields 59 
= On the Sands 61 
Sheep Shelter at Harskamp 70 
a Landscape with Figure Ws 
VAN BOSSE, Mme. PHivippIne BILDERS 
; 
A Landscape 30 
Woman Knitting 92 
: Woodland Road in Winter 93 
Autumn Landscape with Figure 97 
Through the Wheatfield 113 
Winter Sunset 117 
Fall Woods 136 
Stacked Wheat under a Stormy Sky 140 
Tree-bordered Stream 162 
The Marsh Pond 167 
Bohemian Gypsies in Camp | 219 
Nassau on the River Lahn 226 
Winter 230 
Autumn ok 
Figure in a Wood 258 


VAN CEULEN, Corneuis JANSSEN 
Portrait of a Gentleman 353 


CATALOGUE 
NUMBER 
VANDEN BERG, Stmon 


The Sheepfold 266 
VAN DER MEER, Epwarp 

In Lowland Meadows 114 

At the Shipyard 222 

The Farm in the Snow 241 
VAN DER VELDEN, Pau us 

The Little Student 125 
VAN DER WEELE, Jonannes HERMAN 

Donkey Eating 129 
VAN DE SANDE BAKHUYZEN, Jutino 

Woodland Lake in the Gloaming 205 

Holland Landscape yal 
VAN DE VELDE III, Jan Jansz 

Still Life 351 
VAN GOYEN, Jan 

View on a River . ms}, 
VAN HOGENDORP S’JACOB, Mur. ADRIENNE 

Still Life: Flowers and Fruit 139 
VAN HOYTEMA, Tu. 

The Turkeys and the Rooster 124 
VAN KONIJNENBURG, WitLem ApriAAN 

Diana Hunting 20 

Architectural Sketch 29 

Tree-bordered Road 34. 

Romantic Landscape V2 


VAN LEEN, Wittem 
Flower-piece 345 


VAN PAPENDRECHT, J. Hoyncx 


Attaque d’Artillerie et de Cavalerie de la Grande Armée 137 
Cavalry at the Watering Trough 220 


VAN WANING, Cornetis ANTHONY 
Dordrecht Boats 102 


CATALOGUE 


N 

VERHUR, Jan ea 

The Young Painter 335 
VOERMAN, Jan 

Still Life 103 
VOLLON, AnrornE 

Au Bord de la Riviere. Painter-Etching 56 
VOS, Maria 

Nature morte 261 
VROLYK, Jonannes Martinus 

The Bull- ; 147 
WAUTERS, Emite 

The Young Minstrel 90 
WEISSENBRUCH, JoHannes HENDRIK 

Gray Streams and Green Meadows 225 

Lowlands and Stream 248 

The Brook in the Meadows 249 

Cottages in the Meadows — 250 

On the Route to Scheveningen 290 
WILLAERTS, Isaac 

A Port on the Adriatic : 355 

A Mediterranean Port 356 
WOLBERS, Hermanus GERHARDUS 

Cows Pal 
ZON, JAN 

Landscape with Boatmen | 64 
ZWART, W. DE 

La Sablonniére. Painter-Etching a7 
ZWART, W. H. P. J. DE 

Hauling out the Boat 7 63 

A Rainy Day 120 

Sunset Storm 207 


Landscape with Cows | 299 


ANCIENT CARVED WOOD PANELS 


Carved Wood Panel: Hope 

Carved Wood Panel (Dutch) 
Carved Wood Panel (Dutch) 
Carved Wood Panel (Dutch) 


CATALOGUE 
NUMBER 
361 
362 


363 
364 


OLD FRENCH AND FLEMISH TAPESTRIES 


Pair Flemish Tapestry Entre-fenétres 
Gobelins Tapestry Panel 
French Tapestry Panel 
French Tapestry Panel 
French Tapestry 
Flemish Tapestry 
French Tapestry 
Beauvais Tapestry 
Beauvais Tapestry 
Brussels Tapestry 
Flemish Tapestry 
Brussels Tapestry 
Brussels Tapestry 

Grand Gobelins Tapestry 
Grand Gobelins Tapestry 
Grand Gobelins Tapestry 
Gobelins Tapestry 

Grand Gobelins Tapestry 


CATALOGUE 
NUMBER 


365 
366 
367 
368 
369 
370 
371 
372 
373 
374 
375 
376 
377 
378 
379 
380 
381 
382 


INTELLIGENT APPRAISALS 
Fee FOR ey 
UNITED STATES AND STATE TAX 


INSURANCE AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


IS EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


APPRAISEMENTS AND INVENTORIES 


OF 


ART PROPERTY, BOOKS, MANUSCRIPTS, JEWELS 
AND PERSONAL EFFECTS OF 
EVERY DESCRIPTION 


AT CHARGES COMMENSURATE 
WITH THE DUTIES INVOLVED 


THE AMERICAN ART ASSOCIATION 
MADISON SQUARE SOUTH 


NEW YORK 
TELEPHONE, 3346 GRAMERCY 


COMPOSITION, PRESSWORK 
AND BINDING BY _ 


———— 
ae 7 
= 2 ae 
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= a 


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Ghase, TH. 
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Cherlotte Bouten 
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Jan ‘Toorop 

Axton Mauve 

W.A.Van Koni jnenburg 

J,Bosboon 

Anton Leuve 


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J Bosboom 

WeA.Van Kenijnenburg 
Mme.PiB.Van Bosse 
J.Bosboon 

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W.AeVYen Koni jnenburg 
Bear, MoAeds 


Sess et et & & 


Chaplin, Charles — 
Corot, J.B. 


H.C Huffer, dr. 
Kelly Art Gell. 
5,7. Chagter 


PROP eee ae ee 2 ee Cee 
ae eshte Sek cs Pa nn a 


We ie de B.Nelson 
Lair 


ur. Kern | 
R.oderheiner 
H.B.Cramer 
AR. Jones 
JG H.Heldring 
S.2.Rogers 
C.Biberman 
H.C. Had Ser dv. 


liars « J.Harden 
Mr. A. Shilidng 
E.T. Chester 
f.P.¥trn 

iv. Kern 
W.J.Yevell 
Kennedy & Co. 


eeenatas 43 


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Devid Bles 

i.W.Van Borselen 

S. Bissehop-Robertson. 
Jan W. Van Boreelen 
J.AMondt 
W.HeP.I.De Zwart 

Jan Zon 

Alexender Struije 
Willem Maris 

Lady L. Alma-Tadema 
Josef Israels 

B. Johenmnes Blowers 
Jan W. Van Borselen 
Jakeb Maris 
weA.Ven Koni jnenturg. 
D.A.Constant Ariz 
Johannes Bosboom 
Antonion Meneind 
D.A.Constant Arts 
Johannes Bosboom 
Floris Arntzenius 
Bernard Schregel 
B.Bongers 

Gerke Henkes 
Johannes Bosboom 
Fritz Jansen 
A.Pecquereau 
Theophile De Bock 
A.Pecquereau 
ine.P.Rildess Yan Bosse. 
David Oyens 

Gerke Henkes 

Edgard Kening 
C.A.Van Waning 

Jan Voornan 

P. De J. De Jong 
Otto Herelman 

Gerke Henkes 

&Van der Meer 
P.J.C.Gabriel 
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W.HOP. J. Swart 
J.7%.Yan Borselen 
Th.¥Ven Hoytema 
P.Van der Velden 
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P. Thompson 
&.W.kevehon 

P. Thompson 

Alex Shilling 
W.W. Seaman Agt. 
A.Rothsehild 
J.S¢hmidt 

Mrs. James Herden — 


Alex Shilling 
C.L.Chester. 
G.W.Van Henkelon 
Alex Besse 
P.Thompgon 

P. Thompson 
W.Kieagen 

Alex Shilling 
hires. James Harding 
W.W.Seanan,agt. 
N.kderheiner 
Chas. Biberman 
Chas. ” 
u.J.Chester 
WW. Seaman agt. 
C.B. Hoyt 

R.A. Bernstein 
J.6,Heldring 

kh. A. Bernstein 
B.Arkill 

hi. Biberman 
i.u.Rogera 
Arlington Gell. 
Ed.M.MeMahon 
1.&.Rogers,. 
W.W.Seaman agt. 
M.eVon Gulig 

B. Arkell 

B. Arkell 


145 


Artist. 
Hendrik W.Mesdag 
J.H.Van der Yeele 
Hendrik W.Mesdag 
Le F.He Apol 
H.J.Haverman 
H.W. Meddag 
J.%. Tromp 
J.H.Van Papendrecht 
P.De J.De Jong 
Mime.P.B.Van Bosse 
W.J,Oppenoorth 
Martinus Sehildt 
H.W. Mesdag 


Vademe §.Mesdag Van Houten. 


J.Martinus Vrolyk 


J.Ven de $.Bakhuyzen 


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W Roelofs 
Verius Raver 

A. Neuhuys 


J.Van De §.Bakhuyzen 


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iime.P.B.Yan Bosse 
J.H.Van Papendrecht 
¥.J.Du Chattel 
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J.Heubuys 
F.J.Du Chattel 
J.u.Weissenbruch 
tme.P.B.Ven Bosse 
H.W. Mesdag 
P.J.C.Gabriel 
H.W. Mesdag 
jone.?.B Van bosss6 
F.J.Du Chattel 
W.C.Rip 
H.W. Mesdag 
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B. Arkell 
B.1I.Chester 
R.A. Borstein 

B. Arkell 
W.W.Seamen agt. 


Mre.James Harden — 
bi Sfp : 


A Rotechild 
C.E.MeCombs 
G.C,Comstoc k 
A.Mayer 
G.H.Rolinson | 
Kreushaar Gell, — 
F.}. Crossman 
G.H.Comstock 
#£.Lichester 
H.B.de V.S¢ehwet 
Mre.J.Harden 
Guy Bolton 
Otto Bernet,agt. 
Kraushsar Gall. 
wW.W.S8eamen agt. 
W.Klaagsen 
G.H.Comatock 
W.W.Seaman Agt. 
J.Schmidt 
Dr.H.B. Isaacs 
Kreughaer Gall. 
R.Diesmond 
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W.Klaasen 
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A.Mayer 
W.W.Geaman agt. 
99 


H.B.¥.de Sehwab 
i. G. Boissemain 
JI.C.Payne 
G.Boissemain 
W.U.Warr 
G.H.Comstock 
W.W. Seaman agt. 
F.J.Kuntz 
W.W.Seaman apt. 
JeoHe Fry 

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P.Sadée 

S.Vanden Berg 

G. Henkes 

G. Henkes 

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Dutch Sehoo) 
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L.V.Felix Mettling 
J.B.G.Corot 
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H.W. Mesdag 
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N.A. Bernstein 
W.Kleagsen 


G.Boissenain 
W.J.Wilkingon 
R.A. Bornstein 
F.A.Schorer 


J.Blliot 
Vise &.B.Wileson 
W.Werr 
H.E.Creuner 
W.S.Fraser 
J.H.Cheate 
R.Bderheimer 
H.E.Craner 
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J.C, Willever 
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J.C.H. Helding 
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A.A. Healy 
P. Thompson 
H.M.Durp 
W.d.Wilkingon 
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M.B. Wilson 
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School of Donatello 


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C.E.Chuessa 
E.J.Buger 
Krenshaar Gall. 
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A.A. Healy 
J.C.H.Helding 
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H.G.buffer Jr. 
W.L.Joune 
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W.A.Burnet 
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H.C. puffer Jr. 
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